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La légende populaire du Juif Errant est l'histoire merveilleuse d'un cordonnier Juif condamné par le Christ à errer jusqu'à la fin des temps, sans trêve ni repos. Il a commis une faute au moment de la Passion ; quand le Christ, chancelant sous le poids de sa croix, voulut se reposer en s'appuyant sur l'étalage de son échoppe, Ahasvérus (ou Isaac) le repoussa sans ménagement. Maudit par le Christ, depuis lors il parcourt le monde en racontant son histoire... Seule la légende populaire du Juif Errant est ici étudiée : rien donc sur les romans et les essais qu'elle a suscités au XIXe siècle. Dans ce cadre, volontairement restreint, l'auteur retrace l'histoire, à plus d'un titre exemplaire, d'une légende chrétienne, en mettant l'accent sur ses vecteurs successifs : chroniques, récits de pèlerins ou d'imposteurs, puis livrets de colportage, complaintes, images populaires, feuilles volantes... L'incessante réécriture de l'histoire du personnage légendaire (tour à tour Jean Boutedieu, Ahasvérus, Isaac Laquedem ou Boudedeo) a fourni un angle d'attaque pour étudier l'évolution du folklore chrétien des maudits, et donc, du moins en partie, le folklore de la Passion. Plus largement, ce sont des enjeux fondamentaux du christianisme que met en évidence cette légende : relations avec le judaïsme et les Juifs, image du Christ (Dieu vengeur ou Dieu de pardon ?). C'est donc à une véritable quête dans la culture religieuse du Moyen Âge, puis dans la littérature de colportage et enfin dans la culture populaire traditionnelle qu'invite cet ouvrage.
Wandering Jew --- Moyen Âge --- culture populaire --- religion chrétienne --- histoire culturelle --- tradition --- minorité
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Hagiography --- Elite (Social sciences) --- Popular culture --- Hagiographie --- Elite (Sciences sociales) --- Culture populaire --- History --- History --- Histoire --- Histoire
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Soccer --- Popular culture --- Soccer fans --- Culture populaire --- Football --- Social conditions --- Supporters --- Conditions sociales
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Culture --- Popular culture --- Culture populaire --- Philosophy --- Philosophie --- 82:3 --- Literatuur en maatschappijwetenschappen --- 82:3 Literatuur en maatschappijwetenschappen --- Cultuurfilosofie. --- Populaire cultuur. --- Kulturtheorie. --- Philosophy. --- Philosophie.
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Critical pedagogy --- Early childhood education --- Popular culture --- Pédagogie critique --- Education de la première enfance --- Culture populaire --- Social aspects --- Aspect social --- Child development --- Curriculum planning --- Educational anthropology
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Popular music --- Songs, German --- Popular culture --- Musique populaire --- Chansons allemandes --- Culture populaire --- History and criticism. --- History and criticism. --- Histoire et critique --- Histoire et critique
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Literature --- Mass communications --- Television and literature. --- Mass media and literature. --- Popular culture. --- Télévision et littérature --- Médias et littérature --- Culture populaire --- Télévision et littérature --- Médias et littérature
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In Dancing in Spite of Myself, Lawrence Grossberg—well known as a pioneering figure in cultural studies—has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives.In the course of conducting this exploration into the meaning of "popularity," he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls "the postmodernity of everyday life," Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to "the popular." Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation.Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony.
Popular culture --- Rock music --- Culture populaire --- Rock (Musique) --- History --- History and criticism. --- Histoire --- Histoire et critique --- United States --- Etats-Unis --- Social life and customs. --- Moeurs et coutumes --- Rock and roll music --- Rock-n-roll music --- Popular music
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Motion picture industry --- Popular culture --- Cinéma --- Culture populaire --- History --- Industrie --- Histoire --- United States --- Etats-Unis --- Civilization --- Civilisation --- Aspect social --- Motion pictures --- Social aspects --- Cinéma --- Motion pictures - Social aspects - United States --- Popular culture - United States
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Kennedy, John F. --- Presidents --- Popular culture --- Political culture --- Présidents --- Culture populaire --- Culture politique --- History --- Histoire --- United States --- Etats-Unis --- Politics and government --- Politique et gouvernement --- Présidents --- Kennedy, John Fitzgerald --- 20th century --- Hersey, John Richard --- Criticism and interpretation --- Hemingway, Ernest --- Truman, Harry S.
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