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In the wake of the Kennedy era, a new kind of ethnic hero emerged within African-American popular culture. Uniquely suited to the times, burgeoning pop icons projected the values and beliefs of the Civil Rights and Black Power movements, and reflected both the possibility and the actuality of a rapidly changing American landscape. In Black Camelot, William Van Deburg examines the dynamic rise of these new black champions, the social and historical contexts in which they flourished, and their powerful impact on the African-American community. "Van Deburg manages the enviable feat of writing with flair within a standardized academic framework, covering politics, social issues and entertainment with equal aplomb."-Jonathan Pearl, Jazz Times "[A] fascinating, thorough account of how African-American icons of the 1960's and '70's have changed the course of American history. . . . An in-depth, even-tempered analysis. . . . Van Deburg's witty, lively and always grounded style entertains while it instructs."-Publishers Weekly
African Americans --- Heroes --- Popular culture --- Negritude --- Heroism --- Persons --- Antiheroes --- Apotheosis --- Courage --- Social life and customs. --- History --- Race identity. --- Ethnic identity --- masculinity, blackness, race, heroism, role models, civil rights movement, social change, popular culture, african american, icon, black power, athletes, urban, blues, jazz, soul, musicians, celebrity, fame, notoriety, success, ambition, greatness, arthur ashe, joe lewis, hank aaron, shaft, blaxploitation, ghetto, racism, hollywood, film, dolemite, manhood, gender, virgil tibbs, nonfiction.
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Did Dr. Strangelove's America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film would have us believe? What has that darkly satirical comedy in common with the impassioned rhetoric of Martin Luther King's "I Have a Dream" speech or with the beat of Elvis Presley's throbbing "I'm All Shook Up"? They all, in Margot Henriksen's vivid depiction of the decades after World War II, are expressions of a cultural revolution directly related to the atomic bomb. Because there was little organized, extensive protest against nuclear weapons and nuclear proliferation until the 1980s, America's overall reaction to the bomb has been seen as acceptance or indifference. Henriksen argues instead that, in spite of the ease with which Cold War exigencies overrode all protests by scientists or others after the end of World War II, America's psyche was split as surely as the atom was split. In opposition to the "culture of consensus," which never questioned the pursuit of nuclear superiority, a "culture of dissent" was born. Its current of rebellion can be followed through all the forms of popular culture, and Henriksen evokes dozens of illuminating examples from the 1940s, '50s, and '60s.
Cold War --- Atomic bomb --- Atomic bomb --- Social aspects --- Social aspects --- Moral and ethical aspects --- United States --- Civilization --- 20th century. --- atom bomb. --- atomic age. --- atomic bomb. --- beat poetry. --- black humor. --- civil rights movement. --- cold war. --- cultural revolution. --- culture of consensus. --- dark humor. --- dissent. --- dr strangelove. --- elvis. --- film noir. --- flower power. --- history. --- hitchcock. --- i have a dream. --- martin luther king jr. --- mass media. --- music. --- nonfiction. --- nuclear bomb. --- nuclear power. --- nuclear war. --- pop art. --- popular culture. --- rebellion. --- rock and roll. --- science fiction. --- social change. --- stanley kubrick.
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This book, the first feminist ethnography of the violence in Northern Ireland, is an analysis of a political conflict through the lens of gender. The case in point is the working-class Catholic resistance to British rule in Northern Ireland. During the 1970s women in Catholic/nationalist districts of Belfast organized themselves into street committees and led popular forms of resistance against the policies of the government of Northern Ireland and, after its demise, against those of the British. In the abundant literature on the conflict, however, the political tactics of nationalist women have passed virtually unnoticed. Begoña Aretxaga argues here that these hitherto invisible practices were an integral part of the social dynamic of the conflict and had important implications for the broader organization of nationalist forms of resistance and gender relationships. Combining interpretative anthropology and poststructuralist feminist theory, Aretxaga contributes not only to anthropology and feminist studies but also to research on ethnic and social conflict by showing the gendered constitution of political violence. She goes further than asserting that violence affects men and women differently by arguing that the manners in which violence is gendered are not fixed but constantly shifting, depending on the contingencies of history, social class, and ethnic identity. Thus any attempt at subverting gender inequality is necessarily colored by other dimensions of political experience.
National movements --- Sociology of the family. Sociology of sexuality --- Political sociology --- Northern Ireland --- Women --- Women political activists --- Nationalism --- Femmes --- Femmes activistes --- Nationalisme --- Political activity. --- Activité politique --- Belfast (Northern Ireland) --- Irlande du Nord --- Belfast (Irlande du Nord) --- Politics and government --- Politics and government. --- Politique et gouvernement --- Political activity --- Activité politique --- Consciousness, National --- Identity, National --- National consciousness --- National identity --- International relations --- Patriotism --- Political science --- Autonomy and independence movements --- Internationalism --- Political messianism --- Political activists --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Belfast City (Northern Ireland) --- Béal Feirste (Northern Ireland) --- City of Belfast (Northern Ireland) --- Bilfawst (Northern Ireland) --- Bilfaust (Northern Ireland) --- Arnold, Matthew. --- Beechmount. --- Beresford, David. --- Burton, Frank. --- Callaghan, Rosemary (Rosie). --- Civil Rights Movement. --- Clonard. --- Cornell, Drucilla. --- Cuchulain. --- Darby, John. --- Easter 1916. --- Evason, Eileen. --- Farrell, Mairead. --- Feldman, Allen. --- Fernandez, James. --- Foucault, Michel. --- Gaelic Brehon Law. --- Heaney, Seamus. --- India. --- Jones, Emrys. --- Kristeva, Julia. --- Long Kesh. --- Mani, Lata. --- McCafferty, Nell. --- O’Malley, Padraig. --- Renan, Ernest. --- abortion. --- dirty protest. --- dispossession. --- divorce. --- house searches. --- judiciary. --- landscape. --- metonymy. --- subjectivity. --- Frau --- Stadtteilarbeit --- Soziale Rolle --- Geschlechterforschung --- Feminismus --- Bewaffneter Konflikt --- Women political activists. --- Nationalism. --- Women in politics --- Soziale Rolle. --- Nordirland --- Northern Ireland. --- G.N.I. --- GNI --- Kita Airurando --- Kitairurando --- Norlin Airlann --- Pohjois-Irlanti --- Severna Irlandii︠a︡ --- Tuaisceart Éireann --- 北アイルランド --- Militärischer Konflikt --- Bewaffnete Konflikte --- Politischer Konflikt --- Krieg --- Feministische Theorie --- Frauenbewegung --- Frauenforschung --- Feministische Philosophie --- Erwachsene Frau --- Weib --- Weibliche Erwachsene --- Frauen --- Erwachsener --- Weiblichkeit --- Gender Studies --- Gender-Forschung --- Geschlechterfrage --- Geschlechtertheorie --- Gender-Theorie --- Gendertheorie --- Genderstudie --- Geschlechterverhältnis --- Forschung --- Rolle --- Quartiersarbeit --- Gemeinwesenarbeit --- Sozialarbeit --- Severna Irlandii͡ --- Irland --- Ireland --- Ulster --- O'Malley, Padraig.
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