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God and the creative imagination
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ISBN: 1134609396 1280104783 0203279379 0203165039 9780203279373 0415215021 9780415215022 041521503X 9780415215039 9780203165034 9781134609390 9781134609345 9781134609383 1134609388 9781280104787 Year: 1999 Publisher: London New York Routledge

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Abstract

'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.


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Brésilbaroque : entre ciel et terre, 1999-2000
Authors: ---
ISBN: 2909290212 9782909290218 Year: 1999 Publisher: Paris, France Union latine


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Hermeneutyczno-didaktyczny wymiar symbolu i implikacje pedagogicznoreligijne : studium pedagogicznoreligijne w wymiarze interdyscyplinarnym
Author:
ISBN: 8387703532 9788387703530 Year: 1999 Volume: 122 Publisher: Lublin Towarzystwo naukowe katolickiego uniwersytetu Lubelskiego

Beholding the sacred mysteries : programs of the Byzantine sanctuary
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ISBN: 0295978007 9780295978000 Year: 1999 Volume: 56 Publisher: S.l. College art association of America

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Abstract

In order to fully understand and appreciate the sanctuary decoration, twenty-seven churches spanning three hundred years (1028-1328) from the area known as Macedonia are catalogued and discussed. The first to present this region in its entirety, this study reveals programs of superior ecclesiastical decoration and demonstrates how innovative approaches to Christian iconography were shared among painters Sharon Gerstel evokes a wide range of written and painted sources in order to analyze the decoration of the Byzantine sanctuary from the perspective of its contemporary viewer, from monk to liturgical celebrant, from bishop to lay worshipper. In a new presentation of the sanctuary program, the author reveals to the modern reader what was and is manifest only to the clergy

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