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ITALIE --- ALLEMAGNE --- LITTERATURE COMPAREE --- RELATIONS CULTURELLES --- RELATIONS --- ALLEMANDE ET ITALIENNE
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Hugo, Victor --- Hugo, victor (1802-1885) --- Shakespeare, william (1564-1616) --- Litterature comparee --- Bibliographie --- Influence --- Anglaise et francaise
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Comparative literature --- Littérature comparée --- Congresses --- Congrès --- Littérature comparée --- Congrès --- Literature [Comparative ] --- Comparative literature - Congresses
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En 1895, paraissait la première thèse de littérature comparée soutenue en France ; la même année, naissait Marcel Bataillon qui devait présider l'Association de Littérature Comparée et l'Association internationale de Littérature comparée, et diriger la "Revue de Litérature comparée". À l'occasion d'un siècle de Littérature comparée, les comparatistes français dessinent, en quinze essais, les perspectives actuelles de leur discipline. Après la présentation de l'oeuvre et de l'influence de Marcel Bataillon, et une analyse historique de la littérature comparée, les enjeux de la discipline sont précisés dans des perspectives poétiques, philosophiques, psychanalytiques, anthropologiques, imagologiques, théoriques, et dans le cadre des études de réception comparée, de traduction, et des études interartistiques (littérature et peinture, littérature et cinéma).
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Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in this investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" thatn for an interracial realm of "neither, nor, both and in-between". From the origins of the term "race" to the cultural sources of the "Tragic Mulatto", and from the calculus of colour to the retellings of various plots, this work examines what is known about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama and poetry.
Race in literature. --- Miscegenation in literature. --- Racially mixed people in literature. --- Passing (Identity) in literature --- Comparative literature. --- Race dans la littérature --- Métissage dans la littérature --- Métis dans la littérature --- Passing (Identité) dans la littérature --- Littérature comparée --- Race dans la littérature --- Métissage dans la littérature --- Métis dans la littérature --- Passing (Identité) dans la littérature --- Littérature comparée
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French fiction --- German fiction --- World War, 1939-1945 --- Comparative literature --- Roman français --- Roman allemand --- 2ème guerre mondiale --- Littérature comparée --- History and criticism. --- Literature and the war. --- French and German --- Histoire et critique --- Littérature et guerre --- Française et allemande --- French and German. --- German and French. --- History and criticism --- Literature and the war --- Roman français --- 2ème guerre mondiale --- Littérature comparée --- Littérature et guerre --- Française et allemande
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Christianity and literature --- Comparative literature --- Christianisme et littérature --- Litterature comparée --- History --- English and American --- American and English --- Histoire --- Américaine et anglaise --- Anglaise et américaine --- Arnold, Matthew, --- James, Henry, --- Great Britain --- United States --- Grande-Bretagne --- Etats-Unis --- Civilization --- Civilisation --- Christianisme et littérature --- Litterature comparée --- Américaine et anglaise --- Anglaise et américaine --- Modernism (Literature) --- A., --- A. --- آرنولد، ماثيو، --- Criticism and interpretation. --- James, Henry --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى
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