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book (7)


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2000 (7)

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Le théâtre grec antique : la comédie : actes du 10e colloque de la villa Kérylos, Beaulieu-sur-Mer, 1 et 2 octobre 1999
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ISBN: 2877541185 9782877541183 Year: 2000 Volume: 10 Publisher: Paris : Académie des inscriptions et belles-lettres, Diffusion de Boccard,

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Le théâtre grec antique : la comédie : actes du / 10ème colloque de la villa Kérylos à Beaulieu-sur-Mer les 1er et 2 octobre 1999 ; sous la présidence de Jean Leclant... et la dir. de Jacques Jouanna.
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Year: 2000 Volume: 10. Publisher: Paris : Académie des Inscriptions et Belles-Lettres,

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Gli uccelli
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ISBN: 8804298820 Year: 2000 Publisher: Milano Mondadori

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Der Chor in der Alten Komödie : Ritual un Performativität (unter besonderer Berücksichtigung von Aristophanes' Thesmophoriazusen und der Phalloslieder)
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ISBN: 3598776756 3111841944 3110956713 Year: 2000 Publisher: München : KG Saur Verlag,

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Venom in verse
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ISBN: 0691009562 9786612767135 1400823757 1282767135 1400813719 9781400813711 9781400823758 9780691009568 9781282767133 6612767138 1400808197 Year: 2000 Publisher: Princeton, N.J. Princeton University Press

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Aristophanes has enjoyed a conspicuous revival in nineteenth- and twentieth-century Greece. Here, Gonda Van Steen provides the first critical analysis of the role of the classical Athenian playwright in modern Greek culture, explaining how the sociopolitical "venom" of Aristophanes' verses remains relevant and appealing to modern Greek audiences. Deriding or challenging well-known figures and conservative values, Aristophanes' comedies transgress authority and continue to speak to many social groups in Greece who have found in him a witty, pointed, and accessible champion from their "native" tradition. The book addresses the broader issues reflected in the poet's revival: political and linguistic nationalism, literary and cultural authenticity versus creativity, censorship, and social strife. Van Steen's discussion ranges from attitudes toward Aristophanes before and during Greece's War of Independence in the 1820's to those during the Cold War, from feminist debates to the significance of the popular music integrated into comic revival productions, from the havoc transvestite adaptations wreaked on gender roles to the political protest symbolized by Karolos Koun's directorial choices. Crossing boundaries of classical philology, critical theory, and performance studies, the book encourages us to reassess Aristophanes' comedies as both play-acts and modern methods of communication. Van Steen uses material never before accessible in English as she proves that Aristophanes remains Greece's immortal comic genius and political voice.

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