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Aesthetics, Modern --- Modernism (Aesthetics) --- Modernism (Art) --- Modernism (Literature) --- 82 "18/19" --- Literatuur. Algemene literatuurwetenschap--Hedendaagse Tijd --- 82 "18/19" Literatuur. Algemene literatuurwetenschap--Hedendaagse Tijd --- Aesthetics, Modern. --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Aesthetics --- Modern aesthetics

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Ce catalogue fait un apercu général des influences du modernisme et sur les formes que ce mouvement a eu comme essor en Finlande. La période du modenisme commence pour les auteurs du catalogue avec la période du néo-romantisme ou du symbolisme vers 1890. Les méthodes picturales et leurs contenus adoptés durant cette période ont pris des formes variées durant le début du 20ème siècle et ce jusqu'en 1910.

Painting, Finnish --- Modernism (Art) --- Peinture finlandaise --- Modernisme (Art) --- Exhibitions --- Exhibitions. --- Expositions --- modernisme --- 1890 - 1920 --- 19de eeuw --- 20ste eeuw --- Finland --- Histoire de la peinture --- Modernisme --- Neo-romantisme --- Symbolisme --- 19e siècle --- 20e siècle --- Finlande --- ed. Riitta Ojanperä --- kunst --- Schilderkunst ; Finland ; 1890-1920 --- schilderkunst --- 75.037 --- (069) --- portret --- portretschilderkunst --- zelfportret --- kubisme --- futurisme --- 75.036 --- Schilderkunst ; 1900 - 1950 --- (Musea. Collecties) --- Finnish painting --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Mouvement moderne --- Painting, Finnish - 19th century - Exhibitions --- Painting, Finnish - 20th century - Exhibitions --- Modernism (Art) - Finland - Exhibitions --- modernisme. --- 1890 - 1920. --- 19de eeuw. --- 20ste eeuw. --- Finland.

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How critical conceptions of gender and sexuality helped to advance the artistic careers of the Alfred Stieglitz Circle and influenced American formalist aesthetics.After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means he used to promote himself and the artists of his inner circle. Stieglitz and a number of well-established critics drew on period conceptions of sexuality, gender, and cultural identity to characterize the artists he championed as the fulfillment of a shared vision of a vital, nonrepressed American art.In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early-twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies.Focusing on the key historical criticism and artworks, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism. Arguing that American formalist criticism consisted of a complex and paradoxical mixture of corporeality and disembodied transcendence, Brennan provides insight not only into the works of the Stieglitz circle but into the development of formalist criticism itself.

Stieglitz Circle (Group of artists) --- Modernism (Art) --- Gender identity in art. --- Art, American --- Gender identity in art --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Stieglitz, Alfred, --- Aesthetics. --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Stieglitz Group (Group of artists) --- Art, Modern --- Aesthetic movement (Art) --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- O'Keeffe, Georgia, --- ARTS/General

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Architecture --- anno 1900-1999 --- Belgium --- 711.417.2 --- 72.035 <493>9 --- Arts and crafts movement --- -Decoration and ornament --- -Decorative arts --- -Applied arts --- Art industries and trade --- Arts, Applied --- Arts, Decorative --- Arts, Minor --- Minor arts --- Art --- Folk art --- Art, Decorative --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Decorative arts --- Aesthetic movement (Art) --- Planologie: tuinsteden --- Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur--België--Archeologie. Geografie. Cartografie. Biografie. Geschiedenis --- Influence --- Art nouveau --- Decoration and ornament --- Influence. --- Art nouveau. --- 72.035 <493>9 Oude bouwstijlen in de 19e eeuw. Post-renaissance in de architectuur--België--Archeologie. Geografie. Cartografie. Biografie. Geschiedenis --- 711.417.2 Planologie: tuinsteden --- -Planologie: tuinsteden --- -711.417.2 Planologie: tuinsteden --- Applied arts --- -Art, Decorative --- Handicraft --- 1900 style --- architecture [discipline] --- Art Nouveau --- Art styles --- Art nouveau (Architecture) --- Cottages --- Nationalism and architecture --- Decoration --- Environmental planning --- comprehensive plans [reports] --- garden cities --- ART NOUVEAU --- ARTS AND CRAFTS --- DECORATION ET ORNEMENT --- JASPAR, Paul (1859 - 1945) --- SERRURIER-BOVY, Gustave (1858 - 1910) --- VAN DE VELDE, Henry (1863 - 1957) --- BELGIQUE