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Criticism. --- Fiction --- 820.07 --- Criticism --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- 820.07 Engelse literatuur: verklaring van teksten --- Engelse literatuur: verklaring van teksten --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Technique --- Evaluation

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In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.

Fiction --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Technique. --- Conrad, Joseph, --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph, --- Language. --- History --- Arts and Humanities --- Literature

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Psychology in literature --- Free indirect speech --- Fiction --- Discourse analysis, Narrative --- Discourse analysis, Literary --- Technique --- --Littérature /et Psychologie --- --Roman --- Free indirect style --- Indirect speech, Free --- Speech, Free indirect --- Indirect discourse in literature --- Literary discourse analysis --- Free indirect speech. --- 801.56 --- 82-3 --- -Psychology in literature --- Psychology as a theme in literature --- Narrative discourse analysis --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- 801.56 Syntaxis. Semantiek --- Syntaxis. Semantiek --- Philosophy --- Narration (Rhetoric) --- Rhetoric --- Literary style --- Fiction writing --- Writing, Fiction --- Authorship --- Psychological study of literature --- Pragmatics --- Discourse analysis, Literary. --- Discours --- --Analyse --- Narration --- --Théories --- 1149 --- 1552 --- Discourse analysis, Narrative. --- Psychology in literature. --- Technique. --- --Narration --- Psychologie --- --Littérature --- --Technique --- Fiction - Technique --- Analyse --- Roman --- Littérature --- ANALYSE DU DISCOURS NARRATIF --- ANALYSE DU DISCOURS LITTERAIRE --- DISCOURS INDIRECT LIBRE --- ROMAN --- PSYCHOLOGIE DANS LA LITTERATURE --- TECHNIQUE

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"In this book, G. Glen Wickens offers a new reading of a work which is often ignored by critics and students of Victorian literature, Thomas Hardy's The Dynasts. Wickens explores the monistic viewpoint of The Dynasts through reference to nineteenth- and early twentieth-century philosophical writings which have never before been applied to Hardy's writing. Using insights derived from the critical theory of Mikhail Bakhtin - in particular his concept of carnival - Wickens also counters the usual view of The Dynasts as failed epic or tragedy, and instead situates the work as a novel within the serio-comical genres. In doing so, he brings out new, violent implications to Bakhtin's theory of laughter and carnival." "Thomas Hardy, Monism, and the Carnival Tradition is the first book-length study of Thomas Hardy's The Dynasts since 1977. It will be of interest to Hardy scholars, critics of Bakhtin, and readers interested in monist philosophy or nineteenth-century history."--Jacket.

Napoleonic Wars, 1800-1815 --- Carnival in literature. --- Monism in literature. --- Fiction --- Fiction writing --- Metafiction --- Writing, Fiction --- Authorship --- Literature and the wars. --- Technique. --- Hardy, Thomas, --- Bakhtin, M. M. --- Napoleon --- Bonapart, Napoleon, --- Bonāpārṭa, Nepoliyana, --- Bonaparte, Napoleão, --- Bonaparte, Napoleon, --- Bonaparte, Napoleone, --- Bonaparṭeh, Napolyon, --- Buonaparte, Napoleon, --- Na-pʻo-lun, --- Nābuliyūn, --- Napoleone --- Napʻolleong, --- Napolun, --- נפוליאון --- נפוליאון, --- نابليون --- بونابرت، نابليون، --- Būnābart, Nābuliyūn, --- Bachtin, Michail, --- Bachtin, Michail M., --- Baxtin, Mixail Mixailovič, --- Bakhtine, Mikhaïl, --- Bajtin, Mijail, --- Bakhtin, Mikhail Mikhaĭlovich --- Bakhtin, Mikhail Mikhaĭlovich, --- Bahŭchʻin, --- Bahtyin, M. M. --- Bahtyin, Mihail Mihajlovics, --- Bahtin, M. M., --- Bachtinas, M. --- Bachtinas, Michailas, --- Бахтин, М. М. --- Bahtin, Mihail, --- Bakhtin, Mikhail, --- Бахтин, Михаил Михайлович, --- In literature. --- Napoléon --- Bonaparte, Napoléon --- Bonāpārṭa, Nepoliyana --- Bonaparte, Napoleão --- Bonaparte, Napoleon --- Bonaparte, Napoleone --- Buonaparte, Napoleon --- Na-pʻo-lun --- Napolun --- Bakhtin, Mikhayil, --- Dynasts (Hardy, Thomas) --- Shoō no fu (Hardy, Thomas)