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In Proust and Emotion, Inge Crosman Wimmers proposes a new approach to A la recherche du temps perdu that centres on the role of affect. Through close reading of the hero-narrator's personal history, the author shows how emotional paradigms (especially separation anxiety), involuntary memory, and other compelling impressions give focus and structure to Proust's novel. Drawing on reader-oriented and emotion theories, she shows how affect commands the attention of the 'motivated reader' and is crucial to the process of self-understanding for both the narrator and the reader. This is the first extensive study in English to take fully into consideration the drafts (esquisses) published in the new Pleiade edition of the novel, the Mauriac edition of Albertine disparue, and material from the unpublished Proust manuscripts - all of which shed further light on the importance of affect in A la recherche. Proust and Emotion will appeal to readers interested in an approach to Proust that combines insights from philosophy, psychology, and literary aesthetics and in a poetics of reading that pays particular attention to emotion.
Emoties in de literatuur --- Emotions dans la littérature --- Emotions in literature --- Esthétique de la réception --- Reader-response criticism --- Emotions in literature. --- Reader-response criticism. --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Proust, Marcel, --- Criticism and interpretation. --- Proust, Marcel --- Criticism and interpretation --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- À la recherche du temps perdu (Proust, Marcel)
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Die komparatistische und interdisziplinäre Untersuchung analysiert die Bedeutung des Schreis für die Erweiterung des künstlerischen Ausdrucksrepertoires und der ästhetischen Reflexion zwischen 1740 und 1900. Sowohl seine Beziehung zu bislang tabuisierten Themen als auch sein Status als Grenzphänomen fördern eine experimentelle künstlerische Gestaltung, die im Zeichen des Exzesses eine Eigendynamik entfaltet. Seine Legitimation als ästhetische Ausdrucksform bezieht er immer wieder aus wissenschaftlichen, technischen, sozialen sowie politischen Entwicklungen und Diskursen. Sie bestimmen auch die kulturellen Unterschiede und Wechselwirkungen der Wahrnehmungsmuster und ihrer Akzentsetzungen im deutschsprachigen und im französischsprachigen Raum.
Crying --- Emoties in de kunst --- Emoties in de literatuur --- Emotions dans l'art --- Emotions dans la littérature --- Emotions in art --- Emotions in literature --- Gehuil --- Pleurs --- Weeping --- Literature, Comparative --- German literature --- French literature --- Art and literature --- Music and literature --- Literature --- Dreams in literature --- History and criticism --- History and criticism. --- Aesthetics. --- German literature - 18th century - History and criticism --- German literature - 19th century - History and criticism --- French literature - 18th century - History and criticism. --- French literature - 19th century - History and criticism. --- Literature - Aesthetics.
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