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Epic poetry, Greek --- Odysseus (Greek mythology) in literature --- Literature, Modern --- Greek literature

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Epic poetry, Greek --- Odysseus (Greek mythology) in literature --- History and criticism --- Homer.

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Epic poetry, Greek --- Odysseus (Greek mythology) in literature. --- Geography, Ancient, in literature. --- Geographical myths in literature. --- Voyages and travels

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Heroic epic of the eighth to the fifth century BCE includes poems about Hercules and Theseus, as well as the Theban Cycle and the Trojan Cycle. Genealogical epic of that archaic era includes poems that create prehistories for Corinth and Samos. These works are an important source of mythological record.

Lost literature --- -Epic poetry, Greek --- Epic poetry, Greek --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Literature --- History and criticism --- Epic poetry, Greek. --- Translations into English --- Greece --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grèce --- Grecia --- Griechenland --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Yaṿan --- Hellada --- Poésie épique grecque --- Oeuvres perdues (Littérature) --- Traductions en anglais --- al-Yūnān --- Gret͡sii͡ --- Xila --- Yūnān --- Epic poetry, Greek - Translations into English --- Lost literature - Greece. --- Classical Greek literature

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The Homeric Iliad and Odyssey are among the world's foremost epics. Yet, millennia after their composition, basic questions remain about them. Who was Homer—a real or an ideal poet? When were the poems composed—at a single point in time, or over centuries of composition and performance? And how were the poems committed to writing? These uncertainties have been known as The Homeric Question, and many scholars, including Gregory Nagy, have sought to solve it. In Homeric Responses, Nagy presents a series of essays that further elaborate his theories regarding the oral composition and evolution of the Homeric epics. Building on his previous work in Homeric Questions and Poetry as Performance: Homer and Beyond and responding to some of his critics, he examines such issues as the importance of performance and the interaction between audience and poet in shaping the poetry; the role of the rhapsode (the performer of the poems) in the composition and transmission of the poetry; the "irreversible mistakes" and cross-references in the Iliad and Odyssey as evidences of artistic creativity; and the Iliadic description of the shield of Achilles as a pointer to the world outside the poem, the polis of the audience.

Epic poetry, Greek --- Oral tradition --- Oral-formulaic analysis --- History and criticism --- Theory, etc. --- Homer --- Technique --- Oral-formulaic analysis. --- Technique. --- Formulaic analysis, Oral --- Folk literature --- Folklore --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- History and criticism&delete& --- Theory, etc --- Methodology --- Homeros --- Homère --- Homerus --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Epic poetry, Greek - History and criticism - Theory, etc. --- Oral tradition - Greece --- Homer - Technique