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Irony in literature --- Epithets --- Beowulf
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Commonwealth literature (English) --- Irony in literature --- History and criticism
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Friedler, Julien --- Exhibitions --- Art --- installations [visual works] --- painting [image-making] --- suffering --- irony --- performance art --- dolls [figurines] --- mixed media works
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Ironie dans la littérature --- Ironie in de literatuur --- Irony in literature --- Schlegel, Friedrich von --- Influence --- German drama --- 19th century --- History and criticism --- French drama
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American poetry --- American poetry --- Feminism and literature --- Feminist poetry, American --- Irony in literature --- Sentimentalism in literature --- Sex in literature --- Sex role in literature --- Social problems in literature --- Women and literature --- Women authors --- History and criticism --- History and criticism --- History --- History and criticism --- History --- Piatt, Sarah M. B. --- Criticism and interpretation.
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Publisher's description: Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.
Sex in literature. --- Irony in literature. --- Sex role in literature. --- Sentimentalism in literature. --- Social problems in literature. --- Feminist poetry, American --- American poetry --- Women and literature --- Feminism and literature --- American poetry --- History and criticism. --- History and criticism. --- History --- History --- Women authors --- History and criticism. --- Piatt, Sarah M. B. --- Piatt, Sarah M. B. --- Piatt, Sarah M. B. --- Criticism and interpretation. --- Criticism and interpretation. --- Universidad Sergio Arboleda --- USA. --- United States. --- Antinous. --- Boston, Massachusetts. --- Brattleborough Reporter. --- Broadway Journal. --- Canticles. --- Chap-Book. --- Cherokee Phoenix. --- Cincinnati Israelite. --- Continent. --- Declaration of Sentiments. --- Densmore, Frances. --- Dubrow, Heather. --- Ebony and Topaz. --- Eliot, Thomas Stearns. --- Fraser, Nancy. --- German Romanticism. --- Gramsci, Antonio. --- Hampton Institute. --- Harvard University. --- Huyssen, Andreas. --- Independent. --- Irish World. --- Jeremiad. --- Judaism. --- Judea. --- Knickerbocker. --- Lanier, Stephen. --- Markiewicz, Constance. --- National Enquirer. --- New Varieties. --- New York Ledger. --- Oedipus. --- Overland Monthly. --- Parnell, Fanny. --- Phillips, Wendell. --- Queen of Sheba. --- Schumann, Robert. --- Scribners Monthly. --- Southern Review. --- abolitionists. --- agency. --- apostrophe. --- coverture. --- free thought. --- hegemony. --- imagism. --- irony. --- keepsake tradition. --- mock epitaphs. --- quatrain craze. --- temperance.
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"James Joyce has written that 'the man of genius makes no mistakes; his errors are the portals of discovery.' In Joyces Mistakes, Tim Conley explores the unsettling question of what constitutes an 'error' in a work of art. Using the works of James Joyce, particularly Ulysses and Finnegans Wake, as central exploratory fields, Conley argues that an 'aesthetic of error' permeates Joyce's literary productions; readers and criticism of Joyce's texts are inevitably affected by a slippery dialectic between the possibility of mistake and the potential for irony." "Outlining modernism's struggle with textual authority and completion, Conley locates Joyce among his literary contemporaries, including Herman Melville, Marianne Moore, Ezra Pound, and Marcel Proust. He finds that Joyce's reconfigurations of authorial presence and his error-generating methods problematize all attempts to edit, anthologize, and even quote or cite his texts. Yet Conley goes well beyond cataloguing the instances where error is at issue in Joyce's canon; he offers a comprehensive, engaging book at theories of error. He extends his analysis of Joyce to examine the radical reshaping of cognition by 'the textual condition' (McGann), and suggests that the act of reading's propensity for diversity of error makes 'misreadings' valuable critical experiments and the basis of literary theory." "Joyces Mistakes is an absorbing and sophisticated work, a portal of discovery in its own right."--Jacket.
Internet --- Mass media --- Piracy (Copyright) --- #SBIB:309H1015 --- #SBIB:309H103 --- Unauthorized reproduction of copyrighted material --- Copyright infringement --- Social aspects. --- Aspect social. --- Media: politieke, juridische, ethische, ideologische aspecten (incl. privacy) --- Mediatechnologie / ICT / digitale media: sociale en culturele aspecten --- Médias --- Piratage (Droit d'auteur) --- Social aspects --- Aspect social --- Modernism (Literature) --- Irony in literature. --- Intention (Logic) --- Logic --- Reasoning --- Joyce, James, --- Criticism and interpretation. --- Criticism, Textual. --- Joyce, James --- Technique. --- Copyright --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ, --- Džoiss, Džeimss, --- Gʻois, Gʻaims, --- Joyce, Giacomo, --- Jūyis, Jīms, --- Tzoys, Tzaiēms, --- Tzoys, Tzeēms, --- Джойс, Джеймс, --- Джойс, Джеймс Августин Алоїсуїс, --- Zhoĭs, Zheĭms, --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジェームスジョイス, --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ジョイス --- Ireland. --- Airlann --- Airurando --- Éire --- Irish Republic --- Irland --- Irlanda --- Irlande --- Irlanti --- Írország --- Poblacht na hÉireann --- Republic of Ireland
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