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Art --- kunsteducatie --- stillevens --- Kunst --- Kunstenaars --- Kunst bekijken --- Knutselen --- kunsteducatie. --- stillevens.

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Ecole de Savièse --- symbolisme --- vrouwelijke kunstenaars --- Burnat-Provins, Marguerite --- Themes, motives --- Exhibitions --- Ecole de Savièse. --- symbolisme. --- vrouwelijke kunstenaars. --- Burnat-Provins, Marguerite.

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Well-known as a sculptor, Kiki Smith has also worked extensively as a printmaker--in fact her printed works and other editioned art, including books and multiples, are arguably as important as her sculpture. Smith emerged in the early 1980s as one of a generation of artists who returned to figurative imagery after a period in which American art had leaned to the abstract and conceptual. In Smith's case the interest in the figure was literal: She is fascinated by the anatomy of the human body, which is an immediate and emotionally powerful presence in much of her work. She is equally concerned with the natural world, and animals have become increasingly important in her recent imagery. The heart of printmaking is the ability to create more than one example of an artwork, and this appeals to Smith's interest in the public dissemination of imagery and information. Her work is politically sensitized but she is also fascinated by craft and is constantly exploring and experimenting with her materials. Her prolific body of printed art incorporates techniques extending from elaborate etchings to crude rubber stamps and images ranging from wall-sized lithographs and deluxe artist's books to screen-printed giveaway posters and removable tattoos. Kiki Smith: Prints, Books and Other Things accompanies an exhibition devoted to this underacknowledged but crucial dimension of her art.

MAD-faculty 14 --- hedendaagse kunstenaars --- hedendaagse schilderkunst --- hedendaagse tekenkunst --- Smith, Kiki --- prentkunst --- Femme artiste --- Gravure --- Lithographie

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This is the first ever comprehensive survey and catalogue raisonne of Howard Hodgkin, compiled by Liesbeth Heenk. It includes a major essay by Nan Rosenthal, Senior Consultant in the Department of Modern Art at the Metropolitan Museum of Art, New York. Hodgkin began in 1953 and has now made over 140 works on paper. Far from seeing them as poor relations to his paintings, he has consistently explored the print medium for its own sake, making astonishingly varied, emotive, and persuasive works that are paradoxically unique as well as multiples. While he favors gestural mark-making, he chooses to work at one remove, giving his assistants detailed instructions and using metaphors such as to handle the material "like a silk stocking."

Hodgkin, Howard --- 76.07 --- Hodgkin, Howard °1932 (°Londen, Groot-Brittannië) --- Catalogues raisonnés --- Grafische kunst ; grafische kunstenaars A-Z --- Hodgkin, Howard,

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Art --- anno 500-1499 --- Art [Medieval ] --- Art médiéval --- Artistes medievaux --- Artists [Medieval] --- Kunst [Middeleeuwse ] --- Kunstenaars [Middeleeuwse ] --- Medieval art --- Middeleeuwse kunst --- Art, Medieval. --- Artists, Medieval.