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"This book is the catalogue for a major exhibition celebrating the bicentenary of Thomas Jones's death. The exhibition has been organised by the National Museums & Galleries of Wales, in conjunction with the National Gallery, London, and the Whitworth Art Gallery, University of Manchester."--Jacket.

Jones, Thomas --- Landscape painting [British ] --- 18th century --- Catalogs --- Landscape painting, Welsh --- CDL --- 75.071 JONES --- Welsh landscape painting --- Jones, Thomas,

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Early twentieth-century art and art practice in Britain and the United States were, Janet Wolff asserts, marginalized by critics and historians in very similar ways after the rise of post-Cubist modern art. In a masterly book on the sociology of modernism, Wolff explores work that was primarily realist and figurative and investigates the social, institutional, political, and aesthetic processes by which that art fell by the wayside in the postwar period. Throughout, she shows that questions of gender and ethnicity play an important role in critical, curatorial, and historical evaluations. For example, Wolff finds that the work of the artists central to the development of the Whitney Museum was relegated to a secondary status in the postwar period, when realism was labeled "feminine" in contrast to the aggressive masculinity of abstract expressionism.The three key periods considered in AngloModern are the early twentieth century, when modernist art and existing and new realist traditions coexisted in a certain tension; the postwar period, in which modernism claimed superiority over realism; and the late twentieth century, when a retrieval of the realist and figurative traditions seemed to occur. Wolff concludes by considering this re-emergence, as well as the limitations of earlier discussions of the struggles of realist and figurative art to endure the currents of modernism.

Ethnicity in art. --- Gender identity in art. --- Painting, British --- Painting, American --- Modernism (Art) --- British painting --- Paintings, British --- Painting, Modern --- Washington Color School (Group of artists) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Gender identity in art --- Ethnicity in art

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Art --- anno 1500-1799 --- Netherlands --- Great Britain --- Flanders --- Gerbier, Balthazar --- Beuckelaer, Hubert --- Johnson, Cornelius --- Keirstead, Christopher M. --- Wyck, Jan --- Hooke, Robert --- Carleton, Dudley --- Walpole, Robert --- 1550 - 1800 --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Groot-Brittannië --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- Art, British --- Art, Dutch --- Art, Flemish --- Art, Netherlandish --- Artists --- Expatriate artists --- Dutch influences --- Flemish influences --- British art --- Artists, Expatriate --- Exiled artists --- Flemish art --- Dutch art --- Netherlandish art --- Persons --- Exiles --- Ploeg (Group of artists) --- Painting [Dutch ] --- Painting [Flemish ] --- Painting [British ] --- Nieuwe Ploeg (Group of artists) --- Gerbier, Balthazar. --- Beuckelaer, Hubert. --- Johnson, Cornelius. --- Wyck, Jan. --- Hooke, Robert. --- Carleton, Dudley. --- Walpole, Robert. --- 1550 - 1800. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Groot-Brittannië. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden.