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This is the first full-length study of masculinity in Stalinist Soviet cinema. A detailed analysis of Stalinist discourse examines the imagined relationship between the patriarch Stalin and his "model sons" in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, this book draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of--and the inherent potential for subversion within--films produced by the Stalinist culture industry.

Hommes dans le cinéma --- Mannelijkheid in de film --- Mannen in de film --- Masculinity in motion pictures --- Masculinité dans le cinéma --- Men in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Motion pictures --- Masculinity in motion pictures. --- Men in motion pictures. --- Sex role in motion pictures. --- History. --- History --- Soviet Union

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Using insights from feminist studies, men's studies, and gay and queer studies, Leland Person examines Henry James's subversion of male identity and the challenges he poses to conventional constructs of heterosexual masculinity. Sexual and gender categories proliferated in the nineteenth and early twentieth centuries, and Person argues that James exploited the taxonomic confusion of the times to experiment with alternative sexual and gender identities. In contrast to scholars who have tried to give a single label to James's sexuality, Person argues that establishing James's gender and sexual identity is less important than examining the novelist's shaping of male characters and his richly metaphorical language as an experiment in gender and sexual theorizing. Just as an author's creations can be animated by his or her own sexuality, Person contends, James's sexuality may be most usefully understood as something primarily aesthetic and textual. As Person shows in chapters devoted to some of this author's best-known novels-Roderick Hudson, The American, The Portrait of a Lady, The Bostonians, The Ambassadors, The Golden Bowl-James conducts a series of experiments in gender/sexual construction and deconstruction. He delights in positioning his male characters so that their gender and sexual orientations are reversed, ambiguous, and even multiple. Ultimately, he keeps male identity in suspense by pluralizing male subjectivity.

Psychological study of literature --- James, Henry --- Hommes dans la littérature --- Mannelijkheid in de literatuur --- Mannen in de literatuur --- Masculinity in literature --- Masculinité dans la littérature --- Men in literature --- Rôle selon le sexe dans la littérature --- Seksualiteit in de literatuur --- Seksuele rolpatronen in de literatuur --- Sex in literature --- Sex role in literature --- Sexe dans la littérature --- Homosexuality and literature --- Masculinity in literature. --- Men in literature. --- Psychological fiction, American --- Sex in literature. --- Sex role in literature. --- History and criticism. --- Characters --- Men --- Knowledge --- Psychology --- Psychological fiction [American ] --- History and criticism --- United States --- James, Henry, --- Men. --- Psychology. --- Masculinity (Psychology) in literature --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- ‏جميس، هينري،‏ --- جيمز، هنرى --- Homosexualitat i literatura --- Homes en la literatura --- Novel·la psicològica anglesa --- Masculinitat en la literatura --- Rol sexual en la literatura --- Història i crítica --- Personatges --- Homes --- Coneixements --- Psicologia --- Novel·la anglesa --- Literatura i homosexualitat --- Literatura --- James, --- Dzheims, G., --- Dzheims, Genri, --- Jeimsu, Henri, --- Cultural Studies. --- Gay Studies. --- Gender Studies. --- Lesbian Studies. --- Literature. --- Queer Studies.