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Les cathédrales émeuvent, impressionnent, fascinent. Nous admirons les jeux de couleurs d'une rosace, le sourire immatériel d'une Vierge, les envolées aériennes des sculptures. Mais la signification de ces merveilles nous échappe. Ces grands édifices sont pour nous des chefs-d'œuvre muets. Pour les hommes du Moyen Âge, ils étaient pourtant de gigantesques livres de pierre. De la plus discrète des verrières, percée dans les hauteurs de la grande nef, au plus difforme des personnages, sculpté au détour d'une colonne, chaque figure, chaque motif a un sens. Cet ouvrage donne les clefs pour comprendre, pour joindre le savoir à l'enchantement. Il explore les différences entre figures romanes et gothiques, décrypte les réminiscences païennes des images chrétiennes, examine le sens profond des couleurs et celui des symboles, dévoile les mystères des recoins cachés et des hauteurs inaccessibles. Richement illustré, La cathédrale, livre de pierre marie la beauté et l'érudition pour mieux éclairer cette part sublime et si admirée de notre patrimoine religieux
Cathedrals --- Architecture, Medieval --- Christian art and symbolism
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Christian art and symbolism --- Painters --- Painting, Silesian
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Džurova, Axinia --- Christian art and symbolism --- Icons, Bulgarian --- Icons, Byzantine
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Signs of Change: Transformations of Christian Traditions and their Representation in the Arts, 1000-2000 focuses on the changing relationships between what gradually emerged as the Arts and Christianity, the latter term covering both a stream of ideas and its institutions. The book as a whole is addressed to a general academic audience concerned with issues of cultural history, while the individual essays are also intended as scholarly contributions within their own fields. A collaborative effort by twenty-five European and American scholars representing disciplines ranging from aesthetics to the history of art and architecture, from literature, music and the theatre to classics, church history, and theology, the volume is an interdisciplinary study of intermedial phenomena, generally in larger cultural and intellectual contexts. The focus of topics extends from single concrete objects to sets of abstract concepts and values, and from a single moment in time to an entire millennium. While Signs of Change acknowledges the importance of synthesizing efforts essential to hermeneutically informed scholarship, in order to counterbalance generalized historical narratives with detailed investigations, broad accounts are juxtaposed with specialized research projects. The deliberately unchronological grouping of contributions underlines the effort to further discussion about methodologies for writing cultural history.
Christian art and symbolism --- Christianity and the arts --- Tradition --- History
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Churches and cathedrals were originally built to be read. They are alive with images and symbols--all of which are packed with meaning. But today few people, from regular visitors to tourists, truly understand the wealth of meaning in what they find there. How to Read a Church is must reading for anybody who wants to know more about what they see in a church or cathedral. It explores the principal features of churches and what each represents. It also explains: " the significance of church layout " the importance of such details as the use of colors or letters " the identity and significance of people and scenes " the symbolism of animals, plants, colors, numbers, and letters " the meaning of it all. In addition to exploring these brick-and-mortar motifs, the author also reveals fascinating and unexpected details such as how to 'read' the priest and the congregation, and he shows the varied ways that church architecture and appointments reflect the Christian year. From major themes to small but vital details, How to Read a Church will serve as a fascinating guide to the history, meanings, and messages of these beautiful buildings and the treasures they contain.
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This work decodes the key themes, signs and symbols found in Christian art - the Eucharist, the Crucifixion, the Virgin Mary. It also explores the theological and historical background of Christian imagery, from the devotional works of the medieval and Renaissance periods, to the 21st century.
Christian art and symbolism. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Christian art and symbolism --- 246 --- Christelijke kunst en symbolisme
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Christian religion --- Art --- Christian art and symbolism --- Dictionaries --- Art chrétien --- Dictionnaires anglais
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Monasteries --- Architecture, Gothic --- Christian art and symbolism --- Chartreuse de Champmol. --- Dijon (France) --- Buildings, structures, etc.
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