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Postwar modernist verse has been rarely discussed in English-language works on Japanese literature, despite the fact that it has been the dominant mode of poetic expression in Japan since World War II. Now readers of modern Japanese poetry in translation have gained an impressive intellectual and linguistic companion in their enjoyment of modern Japanese verse. Modernism in Practice combines close readings of individual Japanese postwar poets and poetry with historical and critical analysis. Five of the seven chapters concentrate on the life and work of such outstanding poets as Soh Sakon, Ishigaki Rin, Ito Hiromi, Asabuki Ryoji, and Tanikawa Shuntaro. Several of these writers have only come into prominence in recent decades, so this work also serves to acquaint readers with contemporary Japanese verse. A significant dimension of this volume is the detailed and extensive treatment afforded two important areas of postwar Japanese verse: the poetry of women and of Okinawa. Modernism in Practice is noteworthy not only as an introduction to postwar Japanese poets and their times, but also for the numerous poems that appear in translation throughout the volume-many for the first time in book form.
Japanese poetry --- Modernism (Literature) --- History and criticism.
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This reinterpretation of Greek tragedy focuses on the performative - the physical and civic - dimension of tragedy. It challenges the idealist, humanist, and universalist approaches that have informed our most cherished philosophical psychoanalytical, and modern interpretations of Greek tragedy.
Bereavement in literature. --- Modernism (Literature) --- Greek drama --- History and criticism.
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This book introduces readers to the history of the novel in the twentieth century and demonstrates its ongoing relevance as a literary form. A jargon-free introduction to the whole history of the novel in the twentieth century. Examines the main strands of twentieth-century fiction, including post-war, post-imperial and multicultural fiction, the global novel, the digital novel and the post-realist novel. Offers students ideas about how to read the modern novel, how to enjoy its strange experiments, and how to assess its value, as well as suggesting ways to unde
American fiction --- English fiction --- Modernism (Literature) --- History and criticism. --- History and criticism --- American fiction - 20th century - History and criticism. --- English fiction - 20th century - History and criticism. --- English fiction. --- Modernism (Literature) - Great Britain. --- Modernism (Literature) - United States.
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Although he spent the bulk of his life in Oxford, Mississippi-far removed from the intellectual centers of modernism and the writers who created it-William Faulkner (1897-1962) proved to be one of the American novelists who most comprehensively grasped modernism. In his fiction he tested its tenets in the most startling and insightful ways. What, then, did such contemporaries as Ernest Hemingway, Eudora Welty, and Walker Evans think of his work? How did his times affect and accept what he wrote?. Faulkner and His Contemporaries explores the relationship between the Nobel laureate, ensconced in
American fiction --- Modernism (Literature) --- History and criticism --- Faulkner, William, --- Criticism and interpretation --- Contemporaries
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"Neil Corcoran presents here a study of Elizabeth Bowen's novels, short stories, family history, and essays, and shows that her work both inherits from the Modernist movement and transforms its experimental traditions." "Elizabeth Bowen: The Enforced Return explores how she adapts Irish Protestant Gothic as a means of interpreting Irish experience during the Troubles of the 1920s and the Second World War, and also as a way of defining the defencelessness of those enduring the Blitz in wartime London. She employs versions of the Jamesian child as a way of offering a critique of the treatment of children in the European novel of adultery, and indeed, implicitly, of the Jamesian child itself. Corcoran relates the various kinds of return and reflex in her work - notably the presence of the supernatural, but also the sense of being haunted by reading - to both the Freudian concept of the 'return of the repressed' and T.S. Eliot's conception of the auditory imagination as a 'return to the origin'."--Jacket.
Femmes et littérature --- Literature. --- Modernism (Literature) --- Modernism (Literature). --- Women and literature --- Women and literature. --- Histoire --- History --- Bowen, Elizabeth, --- Bowen, Elizabeth. --- Criticism and interpretation. --- Critique et interprétation. --- 1900-1999. --- Ireland --- Ireland. --- In literature.
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Italian fiction --- Modernism (Literature) --- Italian literature --- English influences --- History and criticism --- Fiction --- Thematology --- Comparative literature --- anno 1900-1999
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American literature --- English literature --- Modernism (Literature) --- History and criticism. --- History and criticism --- LITTERATURE ANGLAISE --- MODERNISME (LITTERATURE) --- LITTERATURE AMERICAINE --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- GRANDE-BRETAGNE --- ETAT-UNIS
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Italian literature --- Modernism (Literature) --- History and criticism --- Moderne --- Kultur --- Literatur --- Modernismo --- Modernism (Christian theology) --- Italian literature. --- Modernism (Christian theology). --- Italien --- Italienische Literatur. --- Italienisch --- Geschichte --- History and criticism. --- Geschichte 1880-1920. --- 1800-1999. --- Italy. --- anno 1800-1999 --- Italy --- 20th century --- 19th century --- Modernism (Literature) - Italy --- Italian literature - 20th century - History and criticism --- Italian literature - 19th century - History and criticism
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