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Salome --- opera's --- Strauss, Richard --- Vlaamse Opera
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In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520's through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself-the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
Madrigals, Italian --- Musical form --- Music theory --- Music and language. --- Language and music --- Language and languages --- Music --- Form, Musical --- Italian madrigals --- Madrigals (Music), Italian --- Analysis, appreciation. --- History --- Theory --- aesthetics. --- affect. --- amarilli. --- archadelt. --- choral music. --- church music. --- cipriano de rore. --- ensemble music. --- gender. --- gesualdo. --- guarini. --- history. --- human subjectivity. --- identity. --- interiority. --- italian culture. --- italy. --- machiavelli. --- madrigals. --- marenzio. --- michelangelo. --- mirtillo. --- monteverdi. --- music history. --- music theory. --- music. --- musica nova. --- musical form. --- musical grammar. --- musical modes. --- musicology. --- nonfiction. --- renaissance. --- salome. --- self fashioning. --- self. --- sexuality. --- social history. --- strauss. --- verdelot. --- wert. --- willaert. --- zarlino.
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In this enlightening and entertaining book, one of the most original and sophisticated musicologists writing today turns his attention to music's most dramatic genre. Extending his ongoing project of clarifying music's various roles in Western society, Kramer brings to opera his distinctive and pioneering blend of historical concreteness and theoretical awareness. Opera is legendary for going to extremes, a tendency that has earned it a reputation for unreality. Opera and Modern Culture shows the reverse to be true. Kramer argues that for the past two centuries the preoccupation of a group of famous operas with the limits of supremacy and debasement helped to define a normality that seems the very opposite of the operatic. Exemplified in a series of beloved examples, a certain idea of opera-a fiction of opera-has contributed in key ways to the modern era's characterizations of desire, identity, and social order. Opera and Modern Culture exposes this process at work in operas by Richard Wagner, who put modernity on the agenda in ways no one after him could ignore, and by the young Richard Strauss. The book continues the initiative of much recent writing in treating opera as a multimedia rather than a primarily musical form. From Lohengrin and The Ring of the Niebelung to Salome and Elektra, it traces the rich interplay of operatic visions and voices and their contexts in the birth pangs of modern life.
Opera --- Sex in opera. --- Music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Sexuality in opera --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- Social aspects. --- Philosophy and aesthetics. --- Philosophy --- History and criticism --- Wagner, Richard, --- Strauss, Richard, --- 19th century music history. --- 19th century opera music. --- anti anti semitism. --- desire. --- fiction of opera. --- german composer. --- german music history. --- identity. --- lohengrin prelude. --- modernism. --- modernist opera. --- modernity. --- multimedia. --- music dramas. --- music. --- musicology. --- nationalism. --- opera composition. --- opera. --- operatic. --- performance. --- richard strauss. --- richard wagner. --- salome complex. --- sexuality. --- social order. --- supremacism. --- the ring. --- visuality. --- western music. --- western opera. --- western society.
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Oscar Wilde's Salome and Andre Gide's Saul have been considered critically in the traditional contexts of authorial oeuvre, biography, or "thought." These plays have been treated with embarrassed respect, dealt with only because of the importance of their authors. That Wilde and Gide made use of biblical material seems to discomfit their critics; that they had done so at a time when biblical drama was prohibited has rarely been addressed. Traditional critical treatments seek to smooth over the plays' aberrant qualities. This study takes them seriously as aberrations and investigates Wilde's an
Bible plays --- Religion and literature. --- Theater --- Censorship of the stage --- Literature --- Literature and religion --- Plays, Bible --- Amateur plays --- Children's plays --- Mysteries and miracle-plays --- Religious drama --- History and criticism. --- Censorship. --- Moral and religious aspects --- Wilde, Oscar, --- Salome --- Gide, André, --- Saul, --- Shaʼul, --- שאול --- שאול, --- Gide, André --- Gide, André Paul Guillaume --- Žid, Andre, --- Zhiīd, Andrah --- Jīd, Āndrah --- Chi-te --- Gide, André Paul Guillaume --- Jiddo, Andore --- Zhid, A. --- Zhid, Andre --- L̲īṭu, Āntrē --- Zint, Antre --- Jit, Ān̲ṭrē --- چيد، اندريه --- Melmoth, Sebastian, --- Uaĭlʹd, Oskar, --- C. 3. 3, --- C. Three Three, --- Ṿild, Osḳar, --- Wilde, Oscar Fingall O'Flahertie Wills, --- Ṿaild, Osḳar, --- Vaildas, Oskaras, --- Author of Lady Windermere's fan, --- Lady Windermere's fan, Author of, --- Vailds, Oskars, --- Ouailnt, Oskar, --- Uaylt, Ōskʻar, --- Уайльд, Оскар, --- Уальд, Оскар, --- וויילד, אוסקר, --- וויילד, אסקאר --- וויילד, אסקאר, --- ווילד, אסקאר --- ויילד, אוסקר --- ויילד, אוסקר, --- וילד, אוסקר --- וילד, אוסקר, --- וילד, אסקר, --- װײלד, אסקאר --- װײלד, אסקאר, --- وايلد، أوسكار --- وايلد، اسكار --- オスカー・ワイルド --- In literature. --- Bible --- Wilde, Oscar --- Gide, Andre,
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