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Hazewindus, M.W. When Women Interfere. Studies in the Role of Women in Herodotus' Histories. 2004 In his Histories, Herodotus presents several short stories that seem at odds with the main story and that are therefore sometimes dismissed as mere anecdotes. In this book, Dr. Hazewindus analyzes five of such short stories in order to establish their function in the work as a whole. In these short stories women play important roles. The author shows that these roles exhibit a pattern: women unexpectedly change from passive, silent characters into active, leading people who at times take a bloody revenge when they feel wronged. Women here turn the wheel of history. When the main story is resumed, they disappear again into the background. Nevertheless, the women stories give a unique colour to the Histories, and a proper understanding of them enriches our interpretation of Herodotus’ work.

Women in literature. --- Herodotus. --- Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Herodotus --- History.

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Theories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature? plays, novels, and pamphlets? during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking.Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well.

Gaze in literature. --- Women in literature. --- LITERARY CRITICISM / Women Authors. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Haywood, Eliza, --- Fowler, Elizabeth --- Criticism and interpretation.

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Christian fundamental theology --- Theologie en filosofie --- Theologie in de literatuur --- Theology and philosophy --- Theology in literature --- Théologie dans la littérature --- Théologie et philosophie --- Theology and literature --- Deconstruction --- Religious aspects

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While a feminine perspective has become more common on Latin American stages since the late 1960s, few of the women dramatists who have contributed to this new viewpoint have received scholarly attention. Latin American Women On/In Stages examines twenty-four plays written by women living in Argentina, Brazil, Chile, Costa Rica, Mexico, Puerto Rico, and Venezuela. While all of the plays critique the restraints placed on being female, several also offer alternatives that emphasize a broader and healthier range of options. Margo Milleret, using an innovative comparative and thematic approach, highlights similarities in the techniques and formats employed by female playwrights as they challenged both theatrical and social conventions. She argues that these representations of women's lives are important for their creativity and their insights into both the personal and public worlds of Latin America.

Latin American drama --- Women and literature --- Women in literature. --- Sex role in literature. --- Motherhood in literature. --- Latin American literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Women authors --- History and criticism. --- History

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"This study by Cristina Ferreira-Pinto explores the poetic and narrative strategies twentieth-century Brazilian women writers use to achieve new forms of representation of the female body, sexuality, and desire. Female writers discussed include: Gilka Machado, Lygia Fagundes Telles, Marcia Denser, and Marina Colasanti. While creating new forms, these writers are also deconstructing cultural myths of femininity and female behavior. In order to understand these myths, the book also presents new readings of some male-authored canonical novels by Jose de Alencar, Machado de Assis, Manuel Autonio de Almeida, and Aluisio Azevedo." "In the discussion of the strategies Brazilian female poets and fiction writers employ, Ferreira-Pinto addresses some social and cultural issues that relate to a woman's sense of her own body and sexuality: the characterization of women based on racial features and class hierarchy; marriage; motherhood; the silencing of the lesbian subject; and aging. Ferreria-Pinto's analysis is informed by the works of various and diverse critics and theoreticians, among them Helene Cixous, Teresa De Lauretis, Adrienne Rich, Gloria Anzaldua, Georges Bataille, and Wilhelm Reich."--Jacket.

Desire in literature. --- Sex role in literature. --- Women in literature. --- Women and literature --- Brazilian literature --- History --- History and criticism. --- Women authors --- Portuguese literature --- Literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Literature: history & criticism