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Sociology of the family. Sociology of sexuality --- Mass communications --- Mass media and women. --- Médias et femmes --- #SBIB:309H1024 --- #SBIB:309H521 --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Médias et femmes --- Sociology of occupations --- Mass media and women --- Women and mass media --- Women --- Gender --- International --- Media --- Sexually transgressive behavior --- Internet --- Professions --- Book --- Imaging

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#SBIB:052.AANKOOP --- #SBIB:309H1821 --- #SBIB:309H512 --- Islam --- -Mohammedanism --- Muhammadanism --- Muslimism --- Mussulmanism --- Religions --- Muslims --- Persartikels: functies, genres, taalgebruik, historiek --- Verbale communicatie: inhoudsanalyse: onderzoekingen --- Press coverage --- -#SBIB:052.AANKOOP --- -Persartikels: functies, genres, taalgebruik, historiek --- -SOCIAL SCIENCE --- Discrimination & Race Relations --- Journalism --- Journalism & Communications --- Objectivity --- Political aspects --- -Islam --- Mohammedanism --- -Religions --- -Press coverage

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In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate.While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a "just war" in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II.The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.

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African Americans in mass media --- Afro-Amerikanen in de massamedia --- Afro-américains dans les mass media --- Crime dans la communication de masse --- Crime in mass media --- Misdaad in de massamedia --- #SBIB:309H1024 --- #SBIB:309H521 --- #SBIB:309H525 --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Sociologie van de audiovisuele boodschap --- Mass media --- United States --- Crime and criminals in mass media --- Afro-Americans in mass media

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#KVHA:Journalistiek --- #KVHA:Media --- #KVHA:Filmanalyse --- #KVHA:Televisie --- 930.25 <036> --- 930.22 --- 316.773.3:654.197 --- 791.43 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- 930.22 Bronnenstudie. Oorkondenleer. Diplomatiek --- Bronnenstudie. Oorkondenleer. Diplomatiek --- 316.773.3:654.197 Televisieprogramma's: communicatie--(communicatiesociologie); z.o. {654.197} --- Televisieprogramma's: communicatie--(communicatiesociologie); z.o. {654.197} --- 930.25 <036> Archiefwetenschap. Archivistiek--Gidsen. Inleidingen --- Archiefwetenschap. Archivistiek--Gidsen. Inleidingen --- Film --- Televisie --- Geschiedenis --- Audiovisuele media --- Inhoudsanalyse --- Film (cinematografie) --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Onderzoek --- Geweld --- Geschiedeniswetenschap --- Audiovisuele vorming --- 798.3 --- Wetenschappelijk onderzoek --- documentaires --- filmanalyse --- televisieprogramma's --- film, esthetiek en kritiek