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book (11)


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2004 (11)

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The hermeneutics of charity : interpretation, selfhood, and postmodern faith
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ISBN: 1587431130 9781587431135 Year: 2004 Publisher: Grand Rapids: Brazos Press,

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Post-modernism revisited.
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ISBN: 3885065460 Year: 2004 Publisher: Frankfurt am Main Hamburg DAM Junius

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The solidarity of others in a divided world : a postmodern theology after postmodernism
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ISBN: 0567025705 Year: 2004

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De Hoftoren : Ministerie van Onderwijs, Cultuur en Wetenschap.
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ISBN: 9064505152 Year: 2004 Publisher: Rotterdam 010

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Michel Foucault and theology : the politics of religious experience
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ISBN: 0754633535 0754633543 Year: 2004 Publisher: Aldershot ; Burlington VT Ashgate

Building the Cold War : Hilton International hotels and modern architecture
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ISBN: 0226894207 Year: 2004 Publisher: Chicago, Ill. : Bristol : University of Chicago Press ; University Presses Marketing,

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In Senghor's shadow : art, politics, and the avant-garde in Senegal, 1960-1995
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ISBN: 9780822333951 Year: 2004 Publisher: Durham, N.C. Duke University Press

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*In Senghor's Shadow* is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal's first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor's Negritude philosophy, his desire to express Senegal's postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists.&#13;&#13;*In Senghor's Shadow* surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor's patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor's legacy and the broader art world's understandings of cultural syncretism. Ultimately, Harney's work illuminates the production and reception of modern Senegalese art within the global arena.

Eisenman / Krier : two ideologies : a conference at the Yale School of Architecture.
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ISBN: 1580931391 Year: 2004 Publisher: New York : Monacelli Press,

Groupe Frère CNP Headquarters : by Philippe Samyn and Partners
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ISBN: 1568983662 9781568983660 Year: 2004 Publisher: New York Princeton Architectural Press

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Immeuble qui abrite le siège de la société financière belge CNP (Compagnie Nationale à Portefeuille) à Charleroi, en Belgique. Conçu par le bureau de l’architecte belge Philippe Samyn, le siège du CNP est un chef-d’œuvre de construction écologique et d’esthétique architecturale postmoderniste.

Beyond structural listening? : postmodern modes of hearing
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ISBN: 0520937023 1597344915 9780520937024 0520237579 9780520237575 0520237609 9780520237605 1417545070 9781417545070 Year: 2004 Publisher: Berkeley : University of California Press,

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In a highly influential essay, Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik's challenge in what is likely to be one of musical scholarship's intellectual touchstones for many years to come. Original, innovative, and sophisticated, their essays explore not only the implications of the "structural listening" model but also the alternative listening strategies that have developed in specific communities, often in response to twentieth-century Western music.

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