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Aesthetics of art --- Fried, Michael --- Greenberg, Clement --- Clark, Timothy James --- anno 1900-1999 --- Art criticism --- Art, Abstract. --- Modernism (Art) --- History --- Clark, T. J. --- Fried, Michael. --- Greenberg, Clement, --- Modernism (Art). --- Art, Abstract --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Abstract art --- Art, Non-objective --- Non-objective art --- Clark, Timothy J. --- Hardesh, K. --- Clark, T.J.

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In this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does. Both a cogent overview of the state of thinking about art and a challenge to think outside the art historical box, Master Narratives and t

Art criticism. --- Modernism (Art) --- Postmodernism. --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Philosophy, Modern --- Post-postmodernism --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art --- Arts --- Criticism --- Analysis, interpretation, appreciation --- Art criticism --- Postmodernism --- 7.039 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst

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In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870's through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past-the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.

Art and music. --- Modernism (Art) --- Modernism (Music) --- Music --- Modernism in music --- Modernist music --- Musical modernism --- Style, Musical --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Music and art --- History and criticism. --- Musique --- Modernisme (musique) --- Modernisme (art) --- Art et musique. --- 19th century european music. --- 20th century european music. --- ambivalent modernism. --- arnold schoenberg. --- austro german music. --- california studies in 20th century music. --- early modernism. --- eugen dalbert. --- franz schreker. --- german modernism. --- german naturalism. --- gustav mahler. --- hans pfitzner. --- historicist modernism. --- late richard wagner. --- max reger. --- max von schillings. --- modernism. --- modernist music. --- modernity. --- music and visual arts. --- music history. --- music. --- musicians. --- nietzsche. --- richard strauss. --- thomas mann. --- wagner.

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82:3 --- 82.015.9 --- 82.015.9 Literaire stromingen: postmodernisme --- Literaire stromingen: postmodernisme --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- Modernisme (Kunst) --- Russian influences. --- Modernism (Art). --- American literature --- Art and literature --- English literature --- Globalization --- Modernism (Art) --- Modernism (Literature) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Global cities --- Globalisation --- Internationalization --- International relations --- Anti-globalization movement --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History and criticism --- History --- Russian influences --- 820 "19" --- 82.04 --- 82.04 Literaire thema's --- Literaire thema's --- 820 "19" Engelse literatuur--20e eeuw. Periode 1900-1999 --- Engelse literatuur--20e eeuw. Periode 1900-1999 --- History and criticism. --- 20th century --- English-speaking countries

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Here for the first time is a full-length study of the 'critical modernisms' of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the 'post-modern' in art and society since the 1970s. Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book providesan important understanding of writing and criticism in modern art for all students and scholars of art theory and art history. Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Jonathan Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics. Developing the notions of 'good' and 'bad' complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.

Art criticism --- Modernism (Art) --- Art, Abstract. --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- History --- Greenberg, Clement, --- Fried, Michael. --- Clark, T. J. --- Clark, Timothy J. --- Hardesh, K. --- Tombs --- China --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Kings and rulers --- Tombs. --- Clark, T.J. --- Greenberg, Clement