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Mr. Bertolt Brecht was an author and poet. FBI files contained a 1940 internal security investigation concerning Mr. Brecht due to his association with Soviet officials and other known communists.
Brecht, Bertolt, --- United States. --- Archives.
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Brecht, Bertolt --- Inszenierung. --- Rezeption. --- Brecht, Bertolt, --- Brecht, Bertolt. --- Inszenierung --- Rezeption --- Leben des Galilei (Brecht, Bertolt). --- Grossbritannien --- Gro�britannien. --- Leben des Galilei.
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Mr. Bertolt Brecht was an author and poet. FBI files contained a 1940 internal security investigation concerning Mr. Brecht due to his association with Soviet officials and other known communists.
Languages & Literatures --- Germanic Literature --- Brecht, Bertolt, --- United States. --- Archives.
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1. Brecht and language ## Marxism and rhetoric -- Brecht and postmodernism -- Verfremdungseffekt and unheimlich -- Psychoanalysis and class-consciousness -- Brecht and class -- Gestus, language, negation -- Marxism and science -- Lacanian gestus --##2. Dialectical images## Dialectic at a standstill -- Jetztzeit -- Dialectical images -- Modelbooks -- Kafka's gestus -- Trauerspiel -- Brechtian Trauerspiel -- Mourning as a socially symbolic act -- Hamlet -- "Marx" das Unheimliche? --##3. Brecht and myth##The structuralist activity -- The ruins of costume -- Brechtian photography -- Brecht and myth -- Numen and Punctum -- The maternal -- Fetishism -- Peaceable speech -- The art of living -- Seismology --##4. Brecht and narrative##An ethics of marxism -- The political unconscious -- Contradiction -- Allegory's violence: Life of Galileo -- Jameson, Frye, anagogy -- Menippean satire -- Dialogism and the dialectic -- Der Dreigroschenroman --##5. Brecht and tragedy##Dialectics in the theatre -- Negative dialectics -- Dialectical stereoscopy -- Adorno and Brecht -- Endgame -- Modern tragedy -- Brechtian tragedy.
Theatrical science --- Brecht, Bertolt --- Aesthetics, Modern --- Brecht, Bertolt, --- Critique et interprétation --- Esthétique --- Influence --- Aesthetics. --- Influence. --- Critique et interprétation. --- Esthétique. --- drama [discipline] --- Critique et interprétation. --- Esthétique.
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Staging History analyzes the commitment to social change present in the theatrical and theoretical writings of Bertolt Brecht. Challenging previous notions, Astrid Oesmann argues that Brecht's work was less dependent on Marxist ideology than is often assumed and that his work should be seen as a coherent whole. Brecht used the stage to release political ideas into experimental spaces in which actors and spectators could explore the relationships between abstract thought and concrete social life. Oesmann places Brecht within the context of the major leftist theorists of the twentieth century, particularly Adorno, Benjamin, and Lukàcs, focusing on their discussions of realism, aesthetics, natural history, and mimesis. Oesmann elaborates upon the vision of a "counter-public sphere" in a number of Brecht's theoretical texts and plays—especially The Three Penny Trial and Fear and Misery of the Third Reich—that present the emergence of such a sphere in the face of fascism. By exploring Brecht's theoretical writings, selected plays, and recently published theatrical fragments, Oesmann reveals unpredictable constructions of history and surprising distinctions among various political ideologies, while also proving that Brecht remains vitally relevant to a "post-communist" world.
Brecht, Bertolt, --- Brecht, Berthold Friedrich --- Brecht, Bertolt. --- Brecht, Bertholt --- Brecht, Bert --- Brecht, Eugen Berthold Friedrich --- Criticism and interpretation. --- Political and social views. --- German literature.
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Unwin provides a guide to Brecht's plays that will prove useful to the student, teacher and theatre practitioner. Grouping and analysing plays chronologically according to their context Unwin also considers Brecht's theory and looks at his impact and the legacy that he left.
Brecht, Bertolt, --- Brecht, Berthold Friedrich --- Brecht, Bertolt. --- Brecht, Bertholt --- Brecht, Bert --- Brecht, Eugen Berthold Friedrich --- Criticism and interpretation. --- Germany --- Social conditions --- Dramatic works. --- Literary studies: plays & playwrights
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Compares Peter Brook's rehearsal techniques with those developed by Stanislavsky, Grotowski and Brecht. The result is an invaluable introduction to modern theatre practice.
Dramatherapie --- Theater rehearsals --- Acting --- Theater - Production and direction --- Stanislavsky, Konstantin, - 1863-1938 --- Brecht, Bertolt, - 1898-1956. --- Grotowski, Jerzy, - 1933-1999 --- Brook, Peter, - 1925 --- -Dramatherapie --- 761 --- Theorie van het theater en de film - Spel en dramaturgie --- 764.10 --- Theorie van het theater en de film - Creatie - Maken --- Directing --- Theater --- Stanislavsky, Konstantin S. --- Brecht, Bertolt --- Grotowski, Jerzy --- Brook, Peter
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