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Que reste-t-il de la Première Guerre mondiale ? Des images de tranchées boueuses et le souvenir de dizaines de milliers de soldats plongés pendant plusieurs années dans des conditions de vie atroces... Pourtant, la guerre fut bien plus que les terribles tranchées de l'Yser : elle marque ausi dans son vécu quotidien la plus grande partie de la population belge. Loin du front, sous un régime d'occupation particulièrement oppressant et humiliant, les Bruxellois tentent de survivre... En ces temps difficiles, Bruxelles connaît une grave période de chômage et l'économie, en partie paralysée, plonge la population locale dans la précarité. Comment se nourrir, se vêtir, se chauffer mais également résister journellement à l'envahisseur ? Telles sont les principales préoccupations des habitants de la "grande ville".

History of Belgium and Luxembourg --- anno 1910-1919 --- Brussels --- World War, 1914-1918 --- Brussels (Belgium) --- History --- Conflit --- Caricature --- Sociologie --- Histoire --- Bruxelles

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Cinéma et idéologie --- Cinéma muet --- Illustration, film --- Illustration, presse --- Illustration, publicité --- Arts, Modern --- Caricature --- Cinéma --- Cubisme --- Expressionnisme --- Fauvisme --- Futurisme --- Humour --- Illustration film --- Illustration, livre --- Impressionnisme --- Littérature --- Arts, Modern - 20th century.

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Guerre mondiale I Belgique --- Memoires --- Mémoires (souvenirs) --- Wereldoorlog I België --- World War, 1914-1918 --- Première guerre mondiale --- Max, Paul, --- Brussels (Belgium) --- Bruxelles (Belgique) --- History --- Histoire --- Première guerre mondiale --- Caricatures politiques --- Guerre mondiale I ; Belgique --- Politieke prenten --- Wereldoorlog I ; België --- Exhibitions --- Graphic arts --- anno 1910-1919 --- Brussels --- Journaux intimes belges --- Guerre mondiale (1914-1918) --- Belgique --- 1914-1918 --- Sources --- 1914-1918 (Occupation allemande) --- Humour belge --- Caricature --- Bruxelles

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Hollywood Fantasies of Miscegenation analyzes white fantasies of interracial desire in the history of popular American film. From the first interracial screen kiss of 1903, through the Production Code's nearly thirty-year ban on depictions of "miscegenation," to the contemplation of mixed marriage in Guess Who's Coming to Dinner (1967), this book demonstrates a long, popular, yet underexamined record of cultural fantasy at the movies. With ambitious new readings of well-known films like D.W. Griffith's 1915 epic The Birth of a Nation and of key forgotten films and censorship documents, Susan Courtney argues that dominant fantasies of miscegenation have had a profound impact on the form and content of American cinema. What does it mean, Courtney asks, that the image of the black rapist became a virtual cliché, while the sexual exploitation of black women by white men under slavery was perpetually repressed? What has this popular film legacy invited spectators to remember and forget? How has it shaped our conceptions of, and relationships to, race and gender? Richly illustrated with more than 140 images, Hollywood Fantasies of Miscegenation carefully attends to cinematic detail, revising theories of identity and spectatorship as it expands critical histories of race, sex, and film. Courtney's new research on the Production Code's miscegenation clause also makes an important contribution, inviting us to consider how that clause was routinely interpreted and applied, and with what effects.

Miscegenation in motion pictures. --- Amiri Baraka. --- An Affair. --- Anathema. --- Anthropomorphism. --- Anti-Catholicism. --- Anti-clericalism. --- Anti-miscegenation laws. --- Assassination. --- Brazen bull. --- Caricature. --- Castration. --- Censorship. --- Classical Hollywood cinema. --- Complicity. --- Controversy. --- Counterculture. --- Cowardice. --- Crime. --- Criticism of capitalism. --- Decolonization. --- Decoy (TV series). --- Disparagement. --- Exhibitionism. --- Exoticism. --- Falsity. --- Film criticism. --- Folly to Be Wise. --- Forced marriage. --- Frantz Fanon. --- Great Disappointment. --- Hamlet's Father. --- Harold and Maude. --- Hegemonic masculinity. --- Horror film. --- Hypocrisy. --- Incest. --- Incubus. --- Interdiction. --- Interracial marriage. --- Intruder in the Dust. --- Knockouts. --- Ku Klux Klan. --- Libido. --- Loving v. Virginia. --- Marilyn Monroe. --- Marlon Brando. --- Masculinity. --- Melodrama. --- Miscegenation. --- Misogyny. --- Monster's Ball. --- Motion Picture Production Code. --- Nativism (politics). --- Oppression. --- Persecution. --- Phallocentrism. --- Populism. --- Pornography. --- Power Hungry (Fringe). --- Pre-Code Hollywood. --- Premarital sex. --- Pseudonym. --- Pseudoscience. --- Psychoanalysis. --- Racial segregation. --- Racialism. --- Racism. --- Radicalism (historical). --- Rape. --- Ridicule. --- Sadomasochism. --- Sentimentality. --- Sex comedy. --- Sexual Desire (book). --- Sexual Politics. --- Sexual assault. --- Sexual fantasy. --- Sexual harassment. --- Sexual obsessions. --- Sexual racism. --- Sexual violence. --- Slavery. --- Stunting (broadcasting). --- Subversion. --- Supercouple. --- Swinging (sexual practice). --- The Interpretation of Dreams. --- The Offence. --- The Political Unconscious. --- To Kill a Mockingbird. --- Touch of Evil. --- Uncle Tom. --- Undoing (psychology). --- Verisimilitude (fiction). --- Verisimilitude. --- War Paint. --- White people. --- Xenophobia. --- Yellow Peril.