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This is an A-Z reference work covering the entire history of recorded sound from Edison discs to CDs and MP3. Entries range from technical terms (Acoustics; Quadraphonic) to recording genres (blues, opera, spoken word) to histories of industry
Sound. --- Sound recording industry - Dictionaries. --- Sound recordings - Dictionaries. --- Sound recordings. --- Sound recordings --- Sound recording industry --- Music --- Music, Dance, Drama & Film --- Music Literature --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Dictionaries, indexes, etc. --- Dictionaries
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Copyright --- Romanticism. --- Sound recordings --- Music --- Social aspects. --- Music. --- Pirated editions --- Pirated editions. --- Romanticism --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Bootleg sound recordings --- Pirated sound recordings --- Piracy (Copyright) --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Music&delete& --- Social aspects --- Pirated editions&delete& --- Unauthorized reproductions of phonotapes --- Unauthorized reproductions of sound recordings --- Law and legislation
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Lee Marshall provides a sociological understanding of authorship and copyright which is elaborated through a case study of bootlegging in the popular music industry.
Sound recordings --- Copyright --- Romanticism. --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Music --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Bootleg sound recordings --- Pirated sound recordings --- Piracy (Copyright) --- Pirated editions. --- Pirated editions --- Social aspects. --- Law and legislation --- Unauthorized reproductions of phonotapes --- Unauthorized reproductions of sound recordings --- Music.
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