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2005 (5)

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Eroi intellettuali e classi popolari nella letteratura italiana del Novecento
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ISBN: 8820737809 Year: 2005 Publisher: Napoli : Liguori Editore,

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Book
Eroi intellettuali e classi popolari nella letteratura italiana del Novecento
Author:
ISBN: 9788820737801 Year: 2005 Publisher: Napoli : Liguori,

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Nothing ordinary here : Statius as creator of distinction in the Silvae
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ISBN: 0415970989 Year: 2005 Volume: *14 Publisher: London ; New York, NY : Routledge,

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Through a combined methodology of philology, social theory and archaeology, this book offers a reinterpretation of Statius's 'Silvae'. A special feature is the book's catalogue of material wealth, an examination that for the first time itemizes valuable material objects that appear in the 'Silvae' (eg., furniture, mosaics, aromatics) and evaluates their literary and cultural significance. By mapping the social landscape of various individuals and illuminating the cultural values associated with different types of material and non-material wealth through which widely disparate Romans sought personal distinction and status, the book makes a significant contribution not only to 'Silvae' scholarship, but also to studies on Domitianic culture as a whole.

Sonnet sequences and social distinction in Renaissance England
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ISBN: 0521842549 0521107539 1107140420 9780511113463 0511121954 0511113463 0511299214 0511484054 128020284X 0511198213 0511112955 9780521842549 9780521107532 9780511113468 9781280202841 9780511484056 Year: 2005 Publisher: Cambridge Cambridge University Press

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Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed. The tensions inherent in the genre - between lyric and narrative, between sonnet and sequence - offered writers a means of reconceptualizing the relation between individuals and society, a way to try to come to grips with the broad social transformations taking place at the end of the sixteenth century. By stressing the struggle over social classification, the book revises studies that have tied the influence of sonnet sequences to either courtly love or to Renaissance individualism. Drawing on Marxist aesthetic theory, it offers detailed examinations of sequences by Lok, Sidney, Spenser, Shakespeare and Milton. It will be valuable to readers interested in Renaissance and genre studies, and post-Marxist theories of class.

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