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THE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on st
Ballet --- Fashion --- Style in dress --- Clothing and dress --- Dance --- Pantomime --- Costume --- History --- Social aspects
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Dior, Christian --- CDL --- 391 --- Exhibitions --- Fashion designers --- Fashion design --- Fashion --- Clothes designers --- Couturiers --- Custom garment designers --- Dress designers --- Style in dress --- Clothing and dress --- Clothing design --- Dress design --- History --- Design --- Dior --- Christian Dior, Inc. --- Dior (Firm) --- House of Christian Dior --- Christian Dior S.A. --- House of Dior --- Christian Dior SA --- Designers
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391 --- 391 Kleding. Mode. Sieraden. Volksdracht --- Kleding. Mode. Sieraden. Volksdracht --- Clothing and dress --- Fashion --- Style in dress --- Apparel --- Clothes --- Clothing --- Clothing and dress, Primitive --- Dress --- Dressing (Clothing) --- Garments --- Beauty, Personal --- Manners and customs --- Undressing --- History --- Vêtements --- Encyclopedias --- Histoire --- Encyclopédies --- Clothing and dress - History - Encyclopedias. --- Fashion - History - Encyclopedias. --- Modes (gouts collectifs) --- Costume --- Dictionnaires
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Radical chic gets a new definition in this stunning survey of fashion trends that are emerging far away from the runways. In Xtreme Fashion authors Courtenay Smith and Sean Topham turn their attention to the fashion world, where haute couture is taking a backseat to serious concerns about the environment, personal safety, and privacy. Featuring more than 300 color photos and fascinating text, the authors show how real fashion starts on the streets, born of urban conditions from gang culture to teenybopper worship. They showcase the works of designers, artists, and other creative individuals such as Moreno Ferrari, Freddie Robins, Vexed Generation, Alicia Framis, Daniele Buetti, Lucy Orta, and Hussein Chalayan to illustrate the demand for clothing that can protect, extend, alter, mark or mask the human body. Putting forth the idea that truly extreme fashion is not designed to be outlandish, but useful, Xtreme Fashion looks beyond the latest hemlines and "new blacks" to clothing and accessories that respond to the world we live in.
Fashion --- Fashion and art --- Fashion design --- 391.039 --- Mode en technologie ; "nieuwe" materialen --- Mode ; modeontwerpers ; 21ste eeuw --- Clothing and dress --- Clothing design --- Dress design --- Art and fashion --- Style in dress --- Mode ; 2000 - 2050 --- Design --- Manufacturing technologies --- fashion [concept] --- fashion design --- Art --- fashion [culture-related concept]
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During an era in which the cultural world is obsessed with issues of globalization, postcolonialism and reparations of historical guilt, the implicit aspect of desire is almost never assessed--until now. *Beyond Desire* focuses on a desiring dialect between the broad "idea" of Africa, on one hand, and Europe on the other. As a starting point for this book, the essayists asked a series of poignant questions: what happens when different cultures meet, and can that meeting be meaningful? How are attitudes--rather than identities--constructed through appropriation or projection in imagery and visualization? How, in the domain of clothing, for example, does the wearing but also the possession of a certain type of clothing or accessory function as a compensatory strategy for certain failures of society, politics, or development? And, is fashionpossibly the site for the negotiation of social relationships, local institutions and transnational connections? Beyond Desireshowcases fashion by designers like Christian Dior and John Galliano, and includes fashion photography, African studio photography, art and documentary stills. In these pages, European fashion designers show how they have adopted the embellishments, scarifications, colors and textiles of the Masai tribe, and combined them with elements of Western haute couture. Here, fashion creates fantasy onto which qualities such as seduction, eroticism, exuberance--and desire--are projected. And while the random mixing of ethnic and contemporary elements confirms the cliche of "the other," the radical outcome is both strange and beautiful.
Manufacturing technologies --- culturele antropologie --- Ethnology. Cultural anthropology --- fashion design --- mode --- social anthropology --- Applied arts. Arts and crafts --- Africa --- Europe --- Art contemporain --- Hedendaagse kunst --- Thema's in de mode ; Afrika --- Afrikaanse kunst ; beeldhouwkunst ; kapsels ; haarstijlen ; hoofdversieringen --- Tentoonstellingscatalogi ; Antwerpen ; het Modemuseum --- 391.04 --- 069 --- Mode ; iconografie, thema's --- Musea. Collecties. Tentoonstellingen --- Fashion and art --- Fashion --- Style in dress --- Clothing and dress --- Art and fashion --- Art --- Eastern Hemisphere --- Council of Europe countries --- Eurasia --- Civilization --- Western influences --- Relations --- African influences --- #breakthecanon
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Sarah E. Braddock Clarke and Marie O'Mahony --- design --- interieurvormgeving --- kunst --- architectuur --- kunststoffen --- kleding --- mode --- textiel --- textielkunst --- technologie --- kleding en technologie --- design en technologie --- 745.02 --- 745.52 --- Textile crafts. --- Textile fabrics --- Fashion. --- Materials science. --- Textile fabrics. --- Technological innovations. --- Fashion --- Textile crafts --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Fabric crafts --- Textile arts --- Textile fiber crafts --- Style in dress --- Decorative arts --- Dry-goods --- Weaving --- Textile fibers --- Handicraft --- Fancy work --- Fiberwork --- Clothing and dress
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Monet, Claude --- vrouwenportretten --- impressionisme --- mode --- Renoir, Auguste --- Carolus-Duran, Emile Auguste --- Guys, Constantin --- Pauli, Gustav --- Doncieux, Camille-Léonie --- 19de eeuw --- Frankrijk --- CDL --- 75.071 MONET --- Exhibitions --- Catalogs --- Monet, Camille --- Portraits --- Fashion --- Impressionism (Art) --- Photography of women --- Women in art --- Women --- Style in dress --- Clothing and dress --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- History&delete& --- Monet, Camille, --- Monet, Claude, --- Doncieux, Camille-Léonie, --- Mone, Klod, --- Monei, --- מונה, קלוד, --- Exhibitions. --- Themes, motives --- vrouw --- History --- vrouw. --- impressionisme. --- mode. --- Renoir, Pierre-Auguste. --- Carolus-Duran, Emile Auguste. --- Guys, Constantin. --- Pauli, Gustav. --- Doncieux, Camille-Léonie. --- 19de eeuw. --- Frankrijk. --- Renoir, Pierre-Auguste
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Popular culture --- Popular music --- Feminism --- Fashion --- Sex in popular culture --- Art, Modern --- Art, British --- History --- History and criticism --- Great Britain --- Social life and customs --- 82:7 --- Literatuur en kunst --- 82:7 Literatuur en kunst --- Art, British. --- Sexuality in popular culture --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Style in dress --- Clothing and dress --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- British art --- Sociology of culture --- Popular culture - Great Britain - History - 20th century --- Popular music - Great Britain - History and criticism --- Feminism - Great Britain - History - 20th century --- Fashion - Great Britain - History - 20th century --- Sex in popular culture - Great Britain --- Art, Modern - 20th century --- Great Britain - Social life and customs - 20th century
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Manufacturing technologies --- Ethnology. Cultural anthropology --- fashion design --- kleding --- costume [mode of fashion] --- kostuumgeschiedenis --- mode --- Vandevorst, A.F. --- Russian Federation --- Art contemporain --- Catalogues d'expositions --- Fédération de Russie --- Hedendaagse kunst --- Russische Federatie --- Tentoonstellingscatalogi --- Modeontwerpers ; België ; A.F. Vandervorst --- Europalia 2005 ; Rusland --- Tentoonstellingscatalogi ; Antwerpen ; het Modemuseum --- Mode ; kleding ; Rusland --- 391.07 --- (069) --- Mode ; modeontwerpers --- (Musea. Collecties) --- Russia --- Art, Russian --- Fashion in art --- Fashion --- Style in dress --- Clothing and dress --- Fashion as a topic in art --- Art --- Russian art --- Krug khudozhnikov (Group of artists) --- NOMA (Group of artists) --- Trinadt︠s︡atʹ (Group of artists) --- Russian influences --- A.F. Vandevorst (Firm) --- Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia) --- Государственный исторический музей (Moscow, Russia) --- Русский национальный музей имени Цесаревича Наследника --- Russkiĭ nat︠s︡ionalʹnyĭ muzeĭ imeni T︠S︡esarevicha Naslednika --- Российский исторический музей --- Rossiĭskiĭ istoricheskiĭ muzeĭ --- State Historical Museum (Moscow, Russia) --- Musée national d'histoire (Moscow, Russia) --- ГИМ --- GIM --- Moskova Tarih Müzesi --- Musée historique d'État (Moscow, Russia) --- Státní historické muzeum v Moskvĕ --- Моscow. --- Moscow. --- Soviet Union. --- Государственный исторический музей (Moscow, R.S.F.S.R.) --- Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, R.S.F.S.R.) --- Russia (Federation). --- Государственный ордена Ленина исторический музей (Moscow, Russia) --- Gosudarstvennyĭ ordena Lenina istoricheskiĭ muzeĭ (Moscow, Russia) --- Museo storico di Mosca --- Museo storico statale di Mosca --- State History Museum (Moscow, Russia) --- History Museum (Moscow, Russia) --- Statliga historiska museet (Moscow, Russia) --- Staatliches Historisches Museum in Moskau --- Muzeĭ P.I. Shchukina --- Imperatorskīĭ rossīĭskīĭ istoricheskīĭ muzeĭ imeni Imperatora Aleksandra III --- Vandevorst (Firm) --- Anneke Vandevorst & Filip Arickx (Firm) --- Gosudarstvennyĭ istoricheskiĭ muzeĭ (Moscow, Russia). Istorii︠a︡ muzei︠a︡
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