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Whitman, Walt --- Whitman, Walt, --- Criticism and interpretation --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼,
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It is now difficult to imagine that, in the years before Whitman's death in 1892, there was real doubt in the minds of Whitman and his literary circle whether Leaves of Grass would achieve lasting fame. Much of the critical commentary in the first decade after his burial in Camden was as negative as that in Boston's Christian Register, which spoke of Whitman as someone who "succeeded in writing a mass of trash without form, rhythm, or vitality."That the balance finally tipped toward admiration, culminating in Whitman's acceptance into the literary canon, was due substantially to the unflagging
Poets [American ] --- 19th century --- Biography --- Poets, American --- Whitman, Walt, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼,
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By reconsidering Whitman not as the proletarian voice of American diversity but as a historically specific poet with roots in the antebellum lower middle class, Andrew Lawson in Walt Whitman and the Class Struggle defines the tensions and ambiguities about culture, class, and politics that underlie his poetry. Drawing on a wealth of primary sources from across the range of antebellum print culture, Lawson uses close readings of Leaves of Grass to reveal Whitman as an artisan and an autodidact ambivalently balanced between his sense of the injustice of class privilege and his desire for distinc
Whitman, Walt --- Political and social views --- Literature and society --- United States --- History --- 19th century --- Social conflict in literature --- Social classes in literature. --- Social conflict in literature. --- Whitman, Walt, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Political and social views.
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What is the relationship between poetry and fame? What happens to a reader's experience when a poem invokes its author's popularity? Is there a meaningful connection between poetry and advertising, between the rhetoric of lyric and the rhetoric of hype? One of the first full-scale treatments of celebrity in nineteenth-century America, this book examines Walt Whitman's lifelong interest in fame and publicity. Making use of notebooks, photographs, and archival sources, David Haven Blake provides a groundbreaking history of the rise of celebrity culture in the United States. He sees Leaves of Grass alongside the birth of commercial advertising and the nation's growing obsession with the lives of the famous and the renowned. As authors, lecturers, politicians, entertainers, and clergymen vied for popularity, Whitman developed a form of poetry that routinely promoted and, indeed, celebrated itself. Walt Whitman and the Culture of American Celebrity proposes a fundamentally new way of thinking about a seminal American poet and a major national icon.
Poets, American --- Publicity. --- Fame --- Popular culture --- Celebrity --- Renown --- Glory --- Advertising --- Propaganda --- Public relations --- Economic aspects. --- History --- Whitman, Walt, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼,
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Social classes in literature. --- Working class writings --- Literature and society --- Working class in literature. --- American poetry --- Labor and laboring classes in literature --- History and criticism. --- Duck, Stephen, --- Yearsley, Ann, --- Whitman, Walt, --- Duck, --- Cromartie, Ann, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Criticism and interpretation. --- Political and social views.
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Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation. With customary lucidity and spirit, she traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking.
Whitman, Walt --- Yeats, William B. --- Pope, Alexander --- 820-1 --- 820-1 Engelse literatuur: poëzie --- Engelse literatuur: poëzie --- American poetry --- English poetry --- Thought and thinking --- Mind --- Thinking --- Thoughts --- Educational psychology --- Philosophy --- Psychology --- Intellect --- Logic --- Perception --- Psycholinguistics --- Self --- History and criticism --- Dickinson, Emily, --- Pope, Alexander, --- Whitman, Walt, --- Yeats, W. B. --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Ĭeĭts, U. B. --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeats, William Butler, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dickinson, Emily --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Criticism and interpretation. --- English-speaking countries --- Intellectual life. --- Йейтс, У. Б. --- Йейтс, Уильям Батлер, --- Yeats, William Butler --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Popiĭ, Aleksandr, --- Barnivelt, Esdras, --- Poup, Aleksandr, --- Dykinsan, Ėmili, --- Thought and thinking. --- History and criticism. --- Yeats, William Butler (1865-1939) --- Dickinson, Emily (1830-1886) --- Pope, Alexander (1688-1744) --- Whitman, Walt (1819-1892) --- Poésie anglaise --- Poésie américaine --- Pensée --- Pays de langue anglaise --- Critique et interprétation --- Histoire et critique --- 19e siècle --- Vie intellectuelle
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