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Ulysses is in many ways an occult text, in that it deliberately hides meanings and significances from sight, and compels the reader to unveil its secrets by reading it backwards, from deceiving surfaces to underlying truths. To discuss the occult in Joyce
Occultism in literature. --- Joyce, James, --- Joyce, James Augustine Aloysius --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Homer. --- Birmingham, Kevin. --- Criticism, Textual. --- Knowledge --- Occultism.
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Len Platt charts a fresh approach through one of the great masterpieces of twentieth-century literature. Using original archival research and detailed close readings, he outlines Joyce's literary response to the racial discourse of twentieth-century politics. Platt's account is the first to position Finnegans Wake in precise historical conditions and to explore Joyce's engagement with European fascism. Race, Platt claims, is a central theme for Joyce, both in terms of the colonial and post-colonial conflicts between the Irish and the British, and in terms of its use by the extreme right. It is in this context that Joyce's engagement with race, while certainly a product of colonial relations, also figures as a wider disputation with rationalism, capitalism and modernity.
Racism in literature. --- Joyce, James, --- Joyce, James Augustine Aloysius --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Political and social views. --- Arts and Humanities --- Literature
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How is meaning in one text shaped by another? Does intertextuality consist of more than simple references by one text to another? In Imagining Joyce and Derrida, Peter Mahon explores these questions through a comparative study of James Joyce's Finnegans Wake and the deconstructive texts of Jacques Derrida, with a particular emphasis on Glas. Mahon's reading of these works insists on thinking through Derrida's 'Hegelian' manner of understanding Joyce. Using key texts of Vico, Kant, and Heidegger, Mahon develops a theoretical framework that allows him to theorize and re-conceptualize the intertextuality between Joyce and Derrida in terms of the imagination. In order to test the flexibility of this imaginative framework, Mahon applies it to a sustained comparison of Finnegans Wake and Derrida's under-appreciated masterwork, Glas. In so doing, Mahon reconfigures and expands the intertextual terrain between Joyce and Derrida beyond a simple catalogue of those instances where Derrida cites Joyce. Engaging and innovative, this erudite study makes an important contribution to literary critical theory.
LITERARY CRITICISM --- European / General --- English --- English Literature --- Languages & Literatures --- Derrida, Jacques --- Joyce, James, --- Derrida, Jacques. --- Criticism and interpretation. --- Derrida, J. --- Derida, Žak --- Derrida, Jackes --- Derrida, Zhak --- Deridah, Z'aḳ --- Deridā, Jāka --- Dirīdā, Jāk --- Деррида, Жак --- דרידה, ז'אק --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ, --- Džoiss, Džeimss, --- Gʻois, Gʻaims, --- Joyce, Giacomo, --- Jūyis, Jīms, --- Tzoys, Tzaiēms, --- Tzoys, Tzeēms, --- Джойс, Джеймс, --- Джойс, Джеймс Августин Алоїсуїс, --- Zhoĭs, Zheĭms, --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジェームスジョイス, --- Joyce, James Augustine Aloysius --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ジョイス --- LITERARY CRITICISM / General. --- Finnegans wake. --- Finnegans wake (Joyce, James)
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Tracing the developing modernist aesthetic in the thought and writings of James Joyce, Dorothy Richardson and Virginia Woolf, Deborah Parsons considers the cultural, social and personal influences upon the three writers. Exploring the connections between their theories, Parsons pays particular attention to their work on: forms of realism; characters and consciousness; gender and the novel; and, time and history. An understanding of these three thinkers is fundamental to a grasp on modernism, making this an indispensable guide for students of modernist thought. It is also essential reading for those who wish to understand debates about the genre of the novel or the nature of literary expression, which were given a new impetus by the pioneering figures of Joyce, Richardson and Woolf.
English fiction --- Modernism (Literature) --- History and criticism --- Joyce, James, --- Richardson, Dorothy Miller, --- Woolf, Virginia, --- Criticism and interpretation. --- 820-31 "19" --- Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- 820-31 "19" Engelse literatuur: novel; roman--20e eeuw. Periode 1900-1999 --- Odle, Dorothy Miller Richardson, --- Richardson, Dorothy, --- Richardson, D. M. --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Joyce, James --- Roman anglais --- Modernisme (Littérature) --- History and criticism. --- Histoire et critique --- Richardson, Dorothy M. --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ, --- Džoiss, Džeimss, --- Gʻois, Gʻaims, --- Joyce, Giacomo, --- Jūyis, Jīms, --- Tzoys, Tzaiēms, --- Tzoys, Tzeēms, --- Джойс, Джеймс, --- Джойс, Джеймс Августин Алоїсуїс, --- Zhoĭs, Zheĭms, --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジェームスジョイス, --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ジョイス --- Woolf, Virginia --- Modernisme (littérature) --- Joyce, James (1882-1941) --- Richardson, Dorothy Miller (1873-1957) --- Woolf, Virginia (1882-1941) --- 20e siècle --- Grande-Bretagne --- Critique et interprétation
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Bely, Andrey, --- Joyce, James, --- Criticism and interpretation --- Бугаев, Борис Николаевич, --- Bugaev, Boris Nikolaevich, --- Белый, Андрей, --- Belyĭ, Andreĭ, --- Бѣлый, Андрей, --- Bi︠e︡lyĭ, Andreĭ, --- Biely, Andrei, --- Belyj, Andrej, --- Beli, Andrej, --- Byely, Andrei, --- Bely, Andrei, --- Biely, Andrey, --- Bieły, Andrzej, --- Белый, А. --- Belyĭ, A. --- Bieły, Andriej, --- ביילי, אנדרי, --- アンドレイ・ベールイ, --- Belîi, Andrei, --- Criticism and interpretation. --- Joyce, James --- Joyce, James Augustine Aloysius --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Белый, А. --- Белый, Андрей, --- Бѣлый, Андрей, --- Bely, Andrey, - 1880-1934 - Criticism and interpretation --- Joyce, James, - 1882-1941 - Criticism and interpretation --- Bely, Andrey, - 1880-1934 --- Joyce, James, - 1882-1941
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