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À la fin du XIXe siècle, la féerie semble moribonde. Ce genre théâtral apparu une centaine d'années plus tôt est menacé à la fois par la concurrence du cinématographe et par ses propres dérives commerciales. Pourtant, de Gautier à Mallarmé en passant par Flaubert, Banville ou Zola, nombre d'écrivains voient dans la forme féerique la promesse d'un renouveau dramaturgique. Et littéraire. Promesse que des auteurs aussi différents que Maeterlinck, Giraudoux, Supervielle, Cocteau, Audiberti et Weingarten vont s'employer à tenir, en transformant un divertissement populaire fondé sur le primat du spectaculaire en instrument de création poétique, d'hybridation générique, d'innovation scénique et de subversion artistique. Affranchies des contraintes et des modes, les féeries modernes échappent aux schémas convenus, bousculent les habitudes de pensée et remettent en cause certains a priori - d'ordre chronologique, hiérarchique, thématique - sur le théâtre français du XXe siècle
French literature --- Drama --- anno 1900-1999 --- Theater --- Fairies in literature. --- Fairy tales in literature. --- Fairy plays. --- Théâtre --- Fées dans la littérature --- Contes de fées dans la littérature --- Fééries (Théâtre) --- History --- Histoire --- Théâtre --- Fées dans la littérature --- Contes de fées dans la littérature --- Fééries (Théâtre)
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Anglo-Saxon elves [Old English ælfe] are one of the best attested non-Christian beliefs in early medieval Europe, but current interpretations of the evidence derive directly from outdated nineteenth- and early twentieth-century scholarship. Integrating linguistic and textual approaches into an anthropologically-inspired framework, this book reassesses the full range of evidence. It traces continuities and changes in medieval non-Christian beliefs with a new degree of reliability, from pre-conversion times to the eleventh century and beyond, and uses comparative material from medieval Ireland and Scandinavia to argue for a dynamic relationship between beliefs and society. In particular, it interprets the cultural significance of elves as a cause of illness in medical texts, and provides new insights into the much-discussed Scandinavian magic of seidr. Elf-beliefs, moreover, were connected with Anglo-Saxon constructions of sex and gender; their changing nature provides a rare insight into a fascinating area of early medieval European culture.
Shortlisted for the Katharine Briggs Folklore Award 2007
ALARIC HALL is a fellow of the Helsinki Collegium for Advanced Studies.
Comparative religion --- History of civilization --- Ethnology. Cultural anthropology --- anno 500-1499 --- Great Britain --- Elves. --- Anglo-Saxons --- Civilization, Anglo-Saxon. --- Civilization, Medieval. --- Paganism --- Elfes --- Anglo-saxons --- Civilisation anglo-saxonne --- Civilisation médiévale --- Paganisme --- Religion. --- Religion --- Civilisation médiévale --- Civilization, Pagan --- Heathenism --- Religions --- Civilization, Medieval --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Anglo-Saxon civilization --- Fairies --- History
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