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"En décembre 1918, à Annecy, l'armistice est signé mais les trains continuent de ramener du front des hommes à jamais meurtris. L'un d'eux, à l'identité inconnue, semble ne pas vouloir se réveiller. C'est à Claire, une jeune novice travaillant depuis quatre ans dans son service, que le professeur Tournier confie la tâche de ramener à la vie ce corps muet, refermé sur ses souvenirs. Par fragments l'inconnu se dévoile au lecteur et la jeune infirmière, à elle-même. Premier roman.

Guerre mondiale (1914-1918) --- Psychiatrie --- Psychiatrie --- Victimes de guerre --- Littérature et guerre. --- Dans la littératue.

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World War II marked the beginning of the end of literary modernism in Britain. However, this late period of modernism and its response to the war have not yet received the scholarly attention they deserve. In this full-length study of modernism and World War II, Marina MacKay offers historical readings of Virginia Woolf, Rebecca West, T. S. Eliot, Henry Green and Evelyn Waugh set against the dramatic background of national struggle and transformation. In recovering how these major authors engaged with other texts of their time - political discourses, mass and middlebrow culture - this study reveals how World War II brought to the surface the underlying politics of modernism's aesthetic practices. Through close analyses of the revisions made to modernist thinking after 1939, MacKay establishes the significance of this persistently neglected phase of modern literature as a watershed moment in twentieth-century literary history.

English literature --- Modernism (Literature) --- War and literature --- War in literature. --- World War, 1939-1945 --- History and criticism. --- Influence. --- Literature and the war. --- Literature and war --- Literature --- Arts and Humanities --- Littérature anglaise --- Modernisme (littérature) --- Guerre mondiale (1939-1945) --- Littérature et guerre --- Guerre --- 20e siècle --- Histoire et critique --- Grande-Bretagne --- Influence --- Dans la littérature

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Trojan War --- Classical literature --- Guerre de Troie --- Littérature ancienne --- Literature and the war. --- History and criticism. --- Littérature et guerre --- Histoire et critique --- Troy (Extinct city) --- Troie (Ville ancienne) dans la littérature --- In literature. --- Literature and the war --- History and criticism --- Troas (Turkey) --- Littérature ancienne --- Littérature et guerre --- Troie (Ville ancienne) dans la littérature --- Trojan War - Literature and the war --- Classical literature - History and criticism

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Greece --- Grèce --- History --- Literature and the war. --- Art and the war. --- Histoire --- Littérature et guerre --- Art et guerre --- Grèce --- Littérature et guerre --- Griechenland --- Hellas --- Yaṿan --- Vasileion tēs Hellados --- Hellēnikē Dēmokratia --- République hellénique --- Royaume de Grèce --- Kingdom of Greece --- Hellenic Republic --- Ancient Greece --- Ελλάδα --- Ellada --- Ελλάς --- Ellas --- Ελληνική Δημοκρατία --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grecia --- Grčija --- Hellada --- اليونان --- يونان --- al-Yūnān --- Yūnān --- 希腊 --- Xila --- Греция --- Gret︠s︡ii︠a︡ --- Art and the wars. --- Literature and the wars.

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The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald’s Luftkrieg und Literatur, Günter Grass’s Im Krebsgang, Jörg Friedrich’s Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the ‘perpetrator collective’ and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post-war period to the present in literature, film and public commemorative discourse. Split into four sections, the volume discusses the representation of Germans as victims in post-war literature and film, the current memory politics of the Bund der Vertriebenen, the public commemoration of the air raids on Hamburg and Dresden and their representation in film, photography, historiography and literature, the impact and reception of W.G. Sebald’s Luftkrieg und Literatur, the representation of flight and expulsion in contemporary writing, the problem of empathy in representations of Germans as victims and the representation of suffering and National Socialism in Oliver Hirschbiegel’s film Der Untergang.

History of civilization --- History of Germany and Austria --- anno 1900-1999 --- 830 "19" --- 791.43 <43> --- 82.04 --- Duitse literatuur--20e eeuw. Periode 1900-1999 --- Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- Literaire thema's --- German literature --- Germans in literature. --- Germans in motion pictures. --- Motion pictures --- Suffering in literature. --- Suffering in motion pictures. --- War in literature. --- World War, 1939-1945 --- History and criticism. --- History. --- Motion pictures and the war. --- Germans in literature --- Germans in motion pictures --- Suffering in literature --- Suffering in motion pictures --- War in literature --- Germanic Literature --- Languages & Literatures --- Motion pictures and the war --- History and criticism --- History --- 82.04 Literaire thema's --- 791.43 <43> Filmkunst. Films. Cinema--Duitsland voor 1945 en na 1989 --- 830 "19" Duitse literatuur--20e eeuw. Periode 1900-1999 --- World War, 1939-1945, in motion pictures --- Guerre mondiale (1939-1945) --- Littérature et guerre --- Art et guerre --- SOUFFRANCE DANS LA LITTERATURE --- FILMS DE GUERRE --- ALLEMANDS DANS LA LITTERATURE --- Allemagne --- 1945-....