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From The Horse That, Trotting The horse that, trotting with open heart Against the wind, achieves bend and flow Will live forever. So far, so good, But they never do, until too late, Bend properly and time spreads from The momentary hesitations Of their spines, circles their tossing necks, Falls from their teeth like rejected oats, Litters the ground like penitence. This is where we come in, where the drop Of time congeals the air and someone Speaks to the discouraged grass . . . Tricks of the Light explores the often fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946-2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer, and sometimes controversial animal advocate. This definitive collection of Hearne's poetry spans the entirety of her illustrious career, from her first book, Nervous Horses (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and long-time friend John Hollander, whose introduction provides both critical and personal insight into the poet's magnum opus. Tricks of the Light-acute, vibrant, and deeply informed-is a sensuous reckoning of the connection between humans and the natural world. Praise for The Parts of Light "Hearne . . . strives to capture exactly what she knows she can't-the intense immediacy of animal consciousness, a consciousness free of the moral vagaries and intellectual preoccupations that pockmark human experience. Her style, smooth in some places, choppy in others, reflects both the wholeness of animal presence and the jarring, fragmentary nature of human reason and reflection. Hearne's poems demand participation, refuse passive enjoyment; she dares the reader to stay in the saddle."-Publishers Weekly

POETRY / General. --- Hearne, Vicki, --- animals, domestication, mythology, poetry, collection, anthology, literature, creative writing, contemporary, gender, rights, nature, freedom, liberty, dogs, reason, pleasure, joy, consciousness, parts of light, absence horses, relationships, environment, humanity, expression, community, women writers, female poet, wilderness, wild.

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Madeleine de l'Aubespine (1546-1596), the toast of courtly and literary circles in sixteenth-century Paris, penned beautiful love poems to famous women of her day. The well-connected daughter and wife of prominent French secretaries of state, l'Aubespine was celebrated by her male peers for her erotic lyricism and scathingly original voice. Rather than adopt the conventional self-effacement that defined female poets of the time, l'Aubespine's speakers are sexual, dominant, and defiant; and her subjects are women who are able to manipulate, rebuke, and even humiliate men. Unavailable in English until now and only recently identified from scattered and sometimes misattributed sources, l'Aubespine's poems and literary works are presented here in Anna Klosowska's vibrant translation. This collection, which features one of the first French lesbian sonnets as well as reproductions of l'Aubespine's poetic translations of Ovid and Ariosto, will be heralded by students and scholars in literature, history, and women's studies as an important addition to the Renaissance canon.

POETRY / General. --- L'Aubespine, Madeleine de, --- Aubespine, Madeleine de l', --- De l'Aubespine, Madeleine, --- madeleine de laubespine, gender, female poet, women writers, poetry, love, lyricism, erotics, sexuality, feminism, dominance, defiance, humiliation, femme fatale, manipulation, power, authority, class, wealth, beauty, lesbian, queer, lgbt, lgbtq, lgbtqia, ovid, ariosto, renaissance, literature, history, heroides, orlando furioso, translation, anthology, collection, canon.

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This first translation of the complete poetry of Peruvian César Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision-perhaps the only one in the canon of Spanish-language literature-in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work.

POETRY / General. --- Vallejo, César, --- Vallejo Mendoza, César Abraham, --- Mendoza, César Abraham Vallejo, --- Vallejo, César Abraham, --- Valʹekho, Sesar, --- Valliecho, Kaisar, --- Vallejo, Cholo, --- 20th century poetry. --- award winner. --- christian. --- christianity. --- collected works. --- creative writing. --- emotional. --- faith. --- life story. --- mfa. --- national book award. --- peruvian poetry. --- poetics. --- poetry collection. --- poetry studies. --- poetry translation. --- poetry. --- realistic. --- spanish language poetry. --- spanish language. --- theology. --- translation. --- true story. --- world poetry.

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The poet Miyazawa Kenji (1896-1933) was an early twentieth-century Japanese modernist who today is known worldwide for his poetry and stories as well as his devotion to Buddhism. Miyazawa Kenji: Selections collects a wide range of his poetry and provides an excellent introduction to his life and work. Miyazawa was a teacher of agriculture by profession and largely unknown as a poet until after his death. Since then his work has increasingly attracted a devoted following, especially among ecologists, Buddhists, and the literary avant-garde. This volume includes poems translated by Gary Snyder, who was the first to translate a substantial body of Miyazawa's work into English. Hiroaki Sato's own superb translations, many never before published, demonstrate his deep familiarity with Miyazawa's poetry. His remarkable introduction considers the poet's significance and suggests ways for contemporary readers to approach his work. It further places developments in Japanese poetry into a global context during the first decades of the twentieth century. In addition the book features a Foreword by the poet Geoffrey O'Brien and essays by Tanikawa Shuntaro, Yoshimasu Gozo, and Michael O'Brien.

POETRY / General. --- Miyazawa, Kenji, --- Miyāsāwa, Khēnčhi, --- Kenji, Miyazawa, --- 宮澤賢治, --- 宮沢賢治, --- 宮泽贤治, --- Criticism and interpretation. --- avant garde. --- buddhism. --- buddhist poets. --- buddhists. --- contemporary poetry. --- early 20th century. --- ecologists. --- english translation. --- global context. --- global literature. --- japanese literature. --- japanese modernism. --- japanese poetry. --- japanese poets. --- lit students. --- lit studies. --- literary criticism. --- literary critics. --- literary movements. --- miyazawa kenji. --- modern literature. --- modernism. --- modernist poetry. --- poems. --- poetry collection. --- translated poetry.