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This study examines the sermon during the 'long' eighteenth century - the era between Bossuet and Schleiermacher. it offers a broad outline of the history of preaching in this period, an overview of the research over the past three decades, and suggestions for new approaches to the subject. Thematically, the book includes chapters on such topics as the theology of the eighteenth-century sermon, preachers' instructions, the sermon in daily life, delivery as a means of reaching congregations, and audience reception of preaching. It also pays ample attention to the three important religious and intellectual currents of the long eighteenth century: (Neo-)classicism, Pietism, and the Enlightenment. - Back cover.
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Theatric Revolution considers the role of stage censorship during the Romantic period, an era otherwise associated with the freedom of expression. Looking beyond the Royal theatres at Covent Garden and Drury Lane which have dominated most recent accounts of the period, this book examines the day-to-day workings of the Lord Chamberlain's Examiner of Plays and shows that radicalized groups of individuals continuously sought ways to evade the suppression of both playhouses and dramatic texts.
Theater and society --- Theater and society --- Theater and society. --- Theater --- Theater --- Theater --- Theater --- Theater --- Theater --- History --- History --- Censorship --- History --- Censorship --- History --- Censorship. --- Political aspects --- History --- Political aspects --- History --- Political aspects. --- 1700-1899. --- Great Britain.
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« Vivre uniquement le moment présent, se livrer tout entier à la contemplation de la lune, de la neige, de la fleur de cerisier et de la feuille d’érable… ne pas se laisser abattre par la pauvreté… mais dériver comme une calebasse sur la rivière, c’est ce qui s’appelle ukiyo. » À cette définition du terme ukiyo, par l’écrivain Asai Ryôi (1612-1691), il a suffi d’ajouter le mot image, « e » en japonais, pour désigner un nouvel art qui bouleversa la conception de l’espace et du modelé, celui de l’estampe japonaise. C’est cet art apparu durant l’époque d’Edo (1603-1868) que le présent ouvrage révèle en puisant dans le fonds prodigieux de la Bibliothèque nationale de France. Issues de la nouvelle culture civile et populaire qui s’est développée autour de la ville d’Edo, capitale shogunale et ancienne Tôkyô, les estampes des XVIIIe et XIXe siècles illustrent avec une grande expressivité un large éventail de thèmes liés à l’écoulement de la vie terrestre éphémère : le théâtre et le sumo, la beauté féminine, la parodie, la faune, la flore, le paysage… Au fil de ces thèmes les œuvres des grands maîtres, de Harunobu à Hiroshige, en passant par Utamaro et Hokusai, sont ici reproduites et commentées. Leur modernisme, l’audace de leurs compositions et de leurs formats étonnent. À travers leur style d’un raffinement extrême, c’est la vision hédoniste d’une société qui s’exprime, son mode de vie, ses aspirations et jusqu’à ses fantasmes les plus intimes dans les estampes érotiques ou « images de printemps ». Cet ouvrage a été publié à l’occasion de l’exposition « Ukiyo-e, images d’un monde éphémère. Estampes japonaises des XVIIIe et XIXe siècles », organisée par la Fundació Caixa Catalunya et la Bibliothèque nationale de France et présentée sur le site Richelieu, dans la galerie Mazarine et la crypte, du 18 novembre 2008 au 15 février 2009.
prentkunst --- Graphic arts --- etchings [prints] --- anno 1700-1799 --- anno 1800-1899 --- Japan --- Ukiyoe --- Color prints, Japanese --- Ukiyo-e --- Estampe en couleurs japonaise --- Exhibitions. --- Expositions --- 76 <520> "17/18" --- Grafische kunsten. Grafiek. Prentkunst--Japan--18e en 19e eeuw. Periode 1700-1899 --- Exhibitions --- J6210 --- J6013.71 --- Japan: Art and antiquities -- painting and drawing -- ukiyo-e --- Japan: Art in general -- musea, exhibitions, galleries, fairs, auctions in other countires -- France and Monaco --- 76 <520> "17/18" Grafische kunsten. Grafiek. Prentkunst--Japan--18e en 19e eeuw. Periode 1700-1899 --- prints [visual works] --- Drawing --- Edo [Japanese period]
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While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.
820 "17/18" --- Engelse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 820 "17/18" Engelse literatuur--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Books and reading --- English fiction --- English literature --- Gothic revival (Literature) --- Romanticism --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- History --- History and criticism --- Irish authors&delete& --- Scottish authors&delete& --- Appraisal --- Evaluation --- Great Britain --- Intellectual life --- English --- English Literature --- Languages & Literatures --- History and criticism. --- Irish authors --- Scottish authors --- Literatura anglesa --- Romanticisme
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"This major original study offers a broad view of the writing and careers of eighteenth-century women poets, casting a new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of important poetic genres and traditions."--Jacket.
Art d'écrire --- Authorship --- English poetry --- English poetry. --- Femmes et littérature --- Frauenlyrik. --- Gedichten. --- Genres littéraires --- Invention (Rhetoric) --- Invention (Rhetoric). --- Invention (Rhétorique) --- Literary form --- Literary form. --- Poésie anglaise --- Vrouwelijke auteurs. --- Women and literature --- Women and literature. --- Écrits de femmes anglais --- Différences entre sexes --- Histoire --- Sex differences --- History --- Sex differences. --- History and criticism --- Women authors --- History and criticism. --- Women authors. --- Histoire et critique --- Histoire et critique. --- 1700-1899. --- Englisch. --- Great Britain. --- Rhetoric --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Poésie anglaise --- Authenticité --- 18e siècle --- Femmes écrivains --- Différences entre sexes
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Sociology of religion --- Economic sociology --- Economics --- Religious aspects. --- #SBIB:316.331H320 --- AA / International- internationaal --- 331.12 --- 331.100 --- 338.043 --- 322 --- 338 <09> --- 658.116 --- 677 <09> <493-17> --- economische geschiedenis --- economische leerstelsels --- godsdienst --- innovatie --- maatschappelijke vraagstukken --- sociologie --- sociologie, cultuur --- 338 <09> "17/18" --- 330.342.22 --- Godsdienst en economie: algemeen --- Geschiedenis van de industrie. --- Economische geschiedenis: algemeenheden. --- Technologische vooruitgang. Automatisering. Computers. Werkgelegenheid en informatica. --- de Staat en de kerk. Godsdienstbeleid. Sociale rol van de kerken. --- Economische geschiedenis --- Technologische ontwikkeling. Innovatie. Ondernemerschap --- Textile industry--Geschiedenis van ...--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Economische geschiedenis--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Vroegindustriele economie. Industriele revolutie. Industrialiserende economie. Industrialisatie eem --- 330.342.22 Vroegindustriele economie. Industriele revolutie. Industrialiserende economie. Industrialisatie eem --- 338 <09> "17/18" Economische geschiedenis--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 677 <09> <493-17> Textile industry--Geschiedenis van ...--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- 338 <09> Economische geschiedenis --- Religion and economics --- Religious aspects --- de Staat en de kerk. Godsdienstbeleid. Sociale rol van de kerken --- Economische geschiedenis: algemeenheden --- Geschiedenis van de industrie --- Technologische vooruitgang. Automatisering. Computers. Werkgelegenheid en informatica --- History --- Economic history --- 18th century --- 19th century --- 20th century --- Entrepreneurship --- Révolution industrielle --- Innovation --- Entreprises --- Aspects religieux --- Religion --- Belgique
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Art, Japanese --- Art japonais --- Exhibitions --- Expositions --- Katsushika, Hokusai, --- Exhibitions. --- Hokusai --- Hokusai, --- 76 <520> "17/18" --- Grafische kunsten. Grafiek. Prentkunst--Japan--18e en 19e eeuw. Periode 1700-1899 --- J6213.70 --- kunst --- schilderkunst --- grafiek --- illustraties --- Japan --- negentiende eeuw --- Hokusai Katsushika --- 75.071 HOKUSAI --- Japan: Art and antiquities -- painting and drawing -- ukiyo-e -- individual artists -- Katsushika Hokusai --- 76 <520> "17/18" Grafische kunsten. Grafiek. Prentkunst--Japan--18e en 19e eeuw. Periode 1700-1899 --- Art --- Katsushika, Iitsu, --- Katsushika, Taito, --- Hokusai Tokimasa, --- Katsukawa, Shunrō, --- Hishikawa, Sōri, --- Raishin, --- Shunrō, --- Der vom Malen Besessene, --- Gwakyōjin, --- Gakyōjin, --- Gakyō Rōjin Manji, --- Der Mensch, der vom Zeichnen besessen ist, --- Khokusaĭ, --- Kat︠s︡usik, Khokusaĭ, --- Tokimasa, --- Tokitarō Kakō, --- Ko-shih, Pei-chai, --- Manji Rōjin, --- Taito, --- Zenhokusai, --- Miuraya, Hachiemon, --- Kyōrian Bainen, --- Tawaraya, Sōri, --- הוקוסאי --- קאטסושיקה, הוקוסי, --- 北斎, --- 萬飾北齊, --- 葛節北斎, --- 葛触北斎, --- 葛飾北斉, --- 葛飾北斎, --- 葛飾北濟, --- 葛飾北齊, --- 葛飾北齋, --- 葛饰北斋, --- 近藤市太郎, --- Criticism and interpretation. --- Musée Guimet (Paris, France) --- Asya Sanatları Ulusal Müzesi-Guimet --- Faguo guo li Jimei Ya Zhou yi shu bo wu guan (Paris, France) --- France. --- Guimet Museum (Paris, France) --- Jimei guo li Ya Zhou yi shu bo wu guan (Paris, France) --- Kokuritsu Gime Tōyō Bijutsukan (Paris, France) --- Musée des arts asiatiques-Guimet (Paris, France) --- Musée Guimet (Lyon, France : 1878-1888) --- Musée national des arts asiatiques, Guimet (Paris, France) --- Musée national des arts asiatiques (Paris, France) --- Paris. --- Musée Guimet (Lyon, France) --- Vom Malen Besessener, --- Geshi, Beizhai, --- Mensch, der vom Zeichnen besessen ist, --- Katsushika, Manji Rōjin, --- 葛飾為一, --- 葛飾戴斗, --- 前北齋卍老人, --- 葛飾卍老人, --- Katsushika, Hokusai --- 葛飾, 北齋 --- 葛飾, 北齊 --- 中島, 時太郎 --- 中島, 鐵藏 --- 中島, 鉄蔵 --- 葛飾, 戴斗 --- 前北斎, 戴斗 --- 前北斎, 爲一 --- 卍老人 --- 前北斎 --- 画狂老人 --- 狂人卍翁 --- 時太郎可候 --- 勝川, 春朗 --- 北齋辰政$d --- Mnaag (Paris, France) --- Hokusai, - 1760-1849 - Exhibitions --- Hokusai, - 1760-1849
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