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Decoration and ornament, Architectural --- Half-timbered houses --- Wood-carved figurines --- Wood-carving, Baroque --- Wood-carving, Medieval --- Wood sculpture, German --- German wood sculpture --- Baroque wood-carving --- Figurines --- Wood sculpture --- Houses, Half-timbered --- Half-timbered buildings --- House framing --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Decoration and ornament

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Decoration and ornament, Architectural --- Architecture, Hellenistic --- Architecture, Roman --- Décoration et ornement architecturaux --- Architecture héllenistique --- Architecture romaine --- Eskihisar (Mugla, Turkey) --- Eskihisar (Mugla, Turquie) --- Buildings, structures, etc. --- Antiquities. --- Constructions --- Antiquités --- Eskihisar (Muğla, Turkey) --- Antiquities --- Architecture hellénistique --- Décoration et ornement architecturaux --- Architecture hellénistique --- Eskihisar (Muğla, Turquie) --- Antiquités --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Roman architecture --- Hellenistic architecture --- Decoration and ornament --- Stratonikeia (Turkey) --- Architecture, Hellenistic - Turkey - Eskihisar (Muğla) --- Architecture, Roman - Turkey - Eskihisar (Muğla) --- Decoration and ornament, Architectural - Turkey - Eskihisar (Muğla) --- Eskihisar (Muğla, Turkey) - Antiquities

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The ceiling paintings in the Hall of Justice of the Alhambra have not received serious scholarly attention for the past thirty years, perhaps due to their difficult incorporation into a discrete program of Christian vs. Islamic art, categories that until recently remained unchallenged themselves. The Alhambra itself continues to elicit the interest of many scholars, and several recent interpretations of the function of the Palace of the Lions, which houses the paintings, have been put forth. This collection brings together art historians, literary critics and historians who suggest new ways of approaching the paintings through their immediate social, historical, architectural and literary contexts, proposing a porous and flexible model for the production of culture in Iberia. Contributors are Jerrylin Dodds, Ana Echevarria, Jennifer Borland, Rosa María Rodríguez Porto, Oscar Martin, Amanda Luyster, Cynthia Robinson and Simone Pinet.

Islamic mural painting and decoration --- Sala de la Justicia (Alhambra, Granada, Spain) --- Islamic decoration and ornament --- Decoration and ornament, Architectural --- Ceilings --- Mural painting and decoration, Islamic --- Muslim mural painting and decoration --- Mural painting and decoration --- Decoration and ornament, Islamic --- Muslim decoration and ornament --- Decoration and ornament --- Architectural decoration and ornament --- Architecture --- Stonework, Decorative --- Architectural design --- Exterior walls --- Hall of Justice (Alhambra, Granada, Spain) --- Hall of Kings (Alhambra, Granada, Spain) --- Justice, Hall of (Alhambra, Granada, Spain) --- Justicia, Sala de la (Alhambra, Granada, Spain) --- Kings, Hall of (Alhambra, Granada, Spain) --- Reyes, Sala de los (Alhambra, Granada, Spain) --- Sala de los Reyes (Alhambra, Granada, Spain) --- Rooms --- Details --- Peinture et décoration murales islamiques --- Décoration islamique --- Plafonds --- Grenade (Espagne) --- Espagne --- Alhambra