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Ces poèmes du XIVe siècle traduisent la langue des oiseaux, qui possèdent celle secrète des dieux et enseignent ce que les hommes n'entendent pas. Le parlement des oiseaux réunit volatiles et volailles. En ce jour de Saint-Valentin, dans une joyeuse cacophonie, il convient à chacun de trouver sa moitié et de célébrer la fête de l'amour.
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This work considers virtually all of Geoffrey Chaucer's writings as disguised reflections of matters personal and political. Chaucer wrote in a particularly crucial time of political change in England. He was in a unique position to see and hear more than he dared to express. He developed a "poetics of disguise" to express his increasingly critical views of British royalty without seeming to criticize or dissent. He utilized the voices of women, pagans, personified abstractions, and birds to create a debate about the social and political issues of the day. New readings of his major works, including his short poems, are included in this unique analysis.
CHAUCER (GEOFFREY), d. 1400 --- CHAUCER (GEOFFREY), 1340-1400 --- POLITIQUE ET LITTERATURE --- STYLE --- TECHNIQUE --- LANGUE
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Can an outrageously immoral man or a scandalous woman teach morality or lead people to virtue? Does personal fallibility devalue one's words and deeds? Is it possible to separate the private from the public, to segregate individual failing from official function? Chaucer addressed these perennial issues through two problematic authority figures, the Pardoner and the Wife of Bath. The Pardoner dares to assume official roles to which he has no legal claim and for which he is quite unsuited. We are faced with the shocking consequences of the belief, standard for the time, that immorality is not necessarily a bar to effective ministry. Even more subversively, the Wife of Bath, who represents one of the most despised stereotypes in medieval literature, the sexually rapacious widow, dispenses wisdom of the highest order. This innovative book places these "fallible authors" within the full intellectual context that gave them meaning. Alastair Minnis magisterially examines the impact of Aristotelian thought on preaching theory, the controversial practice of granting indulgences, religious and medical categorizations of deviant bodies, theological attempts to rationalize sex within marriage, Wycliffite doctrine that made authority dependent on individual grace and raised the specter of Donatism, and heretical speculation concerning the possibility of female teachers. Chaucer's Pardoner and Wife of Bath are revealed as interconnected aspects of a single radical experiment wherein the relationship between objective authority and subjective fallibility is confronted as never before.
Literature --- History and criticism. --- Chaucer, Geoffrey, --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Appraisal --- Evaluation --- Cultural Studies. --- Literature. --- Chaucer, geoffrey (1340?-1400). the pardoner's tale --- Chaucer, geoffrey (1340?-1400). the wife of bath's tale
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Methods of representing individual voices were a primary concern for Geoffrey Chaucer. While many studies have focused on how he expresses the voices of his characters, especially in The Canterbury Tales, a sustained analysis of how he represents his own voice is still wanting. This book explores how Chaucer's first-person narrators are devices of self-representation that serve to influence representations of the poet. Drawing from recent developments in narratology, the history of reading, and theories of orality, this book considers how Chaucer adapts various rhetorical strategies throughout his poetry and prose to define himself and his audience in relation to past literary traditions and contemporary culture. The result is an understanding of how Chaucer anticipates, addresses, and influences his audience's perceptions of himself that broadens our appreciation of Chaucer as a master rhetorician.
Chaucer, Geoffrey (1340?-1400) --- Soi --- Analyse du discours narratif --- Personnages --- Style littéraire --- Dans la littérature
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Examines affect and the significance of space and place in the first six Canterbury Tales.
Poetry, Medieval --- Poetics --- History and criticism. --- History --- Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Criticism and interpretation.
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The literary influence of alchemy and hermeticism in the work of most medieval and early modern authors has been overlooked. Stanton Linden now provides the first comprehensive examination of this influence on English literature from the late Middle Ages through the sixteenth and seventeenth centuries. Drawing extensively on alchemical allusions as well as on the practical and theoretical background of the art and its pictorial tradition, Linden demonstrates the pervasiveness of interest in alchemy during this three-hundred-year period. Most writers -- including Langland, Gower, Barclay, Eramu
Renaissance --- English literature --- Alchemy in literature. --- History and criticism. --- Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Knowledge --- Alchemy.
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This book makes a vigorous reassessment of the moral dimension in Chaucer's writings. For the Middle Ages, the study of human behaviour generally signified the study of the morality of attitudes, choices, and actions. Moreover, moral analysis was not gender neutral: it presupposed that certain virtues and certain failings were largely gender-specific. Alcuin Blamires - mainly concentrating on The Canterbury Tales - discloses how Chaucer adapts the composite inherited traditions of moral literature to shape the significance and the gender implications of his narratives. Chaucer, Ethics, and Gender is therefore not a theorization of ethical reading but a discussion of Chaucer's engagement with the literature of practical ethical advice. Working with the commonplace primary sources of the period, Blamires demonstrates that Stoic ideals, somewhat uncomfortably absorbed within medieval Christian moral codes as Chaucer realized, penetrate the poet's constructions of how women and men behave in matters (for instance) of friendship and anger, sexuality and chastity, protest and sufferance, generosity and greed, credulity and foresight.The book will be absorbing for all serious readers or teachers of Chaucer because it is packed with commanding new insights. It offers illuminating explanations concerning topics that have often eluded critics in the past: the flood-forecast in The Miller's Tale, for example; or the status of emotion and equanimity in The Franklin's Tale; the 'unethical' sexual trading in The Shipman's Tale; the contemporary moral force of a widow's curse in The Friar's Tale; and the quizzical moral link between The Wife of Bath's Prologue and Tale. There is even a new hypothesis about the conceptual design of The Canterbury Tales as a whole. Deeply informed and historically alert, this is a book that engages its reader in the vital role played by ethical assumptions (with their attendant gender assumptions) in Chaucer's major poetry.
Ethics, Medieval, in literature. --- Virtues in literature. --- Sex role in literature. --- English poetry --- Morale médiévale dans la littérature --- Vertus dans la littérature --- Rôle selon le sexe dans la littérature --- Poésie anglaise --- Themes, mitces --- Thèmes, motifs --- Chaucer, Geoffrey, --- Ethics. --- Morale médiévale dans la littérature --- Vertus dans la littérature --- Rôle selon le sexe dans la littérature --- Poésie anglaise --- Thèmes, motifs --- Chaucer, Geoffrey (1340?-1400) --- Rôle selon le sexe --- Morale --- Critique et interprétation --- Dans la littérature
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This interdisciplinary book integrates the historical practices regarding material excrement and its symbolic representation, with special focus on fecopoetics and Chaucer's literary agenda. Filth in all its manifestations& material (including privies, dung on fields, and as alchemical ingredient), symbolic (sin, misogynist slander, and theological wrestling with the problem of filth in sacred contexts) and linguistic (a semantic range including dirt and dung)& helps us to see how excrement is vital to understanding the Middle Ages. Applying fecal theories to late medieval culture, Morrison concludes by proposing Waste Studies as a new field of ethical and moral criticism for literary scholars.
Feces in literature --- Literature, Medieval --- Feces --- Symbolism in literature --- Human body in literature --- Sanitation in literature --- Refuse and refuse disposal in literature --- History and criticism --- Symbolic aspects --- Chaucer, Geoffrey, --- Body, Human, in literature. --- Feces in literature. --- Human body in literature. --- Refuse and refuse disposal in literature. --- Sanitation in literature. --- Symbolism in literature. --- Symbolic aspects. --- History and criticism. --- Literature, Medieval - History and criticism --- Feces - Symbolic aspects --- Chaucer, Geoffrey, - d. 1400. - Canterbury tales
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