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Mechnig, Karl --- Pollet, Piet --- De Groote, Jean --- van Biesen, Stefaan --- Clarysse, Johan --- Dams, Jimi --- Labath, Frans --- Vandervelde, Luc --- Groote, Jean de --- Labath, Stefaan --- Biesen, Stefaan de --- Pollet, Piet. --- Groote, Jean de. --- Labath, Stefaan. --- Biesen, Stefaan de. --- Dams, Jimi. --- Clarysse, Johan. --- Figurative art --- 21st century --- Exhibitions --- Painting [Belgian ] --- Beijing (China)
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La figuration narrative n'a jamais été un mouvement proclamé comme tel. Elle nait de l'action du critique d'art Gérald Gassiot-Talabot et des peintres Bernard Rancillac et Hervé Télémaque qui, en juillet 1964, organisent ensemble au musée d'Art moderne de la Ville de Paris l'exposition « Mythologies quotidiennes ». Au moment même où le Pop Art triomphe à la Biennale de Venise (le Grand Prix de peinture est attribué en juin 1964 à Robert Rauschenberg) et s'impose en Europe, l'exposition « Mythologies quotidiennes » réunit des artistes qui, à l'instar de leurs homologues américains, placent la société contemporaine et ses images au cœur de leurs œuvres. Parmi eux, on compte Arroyo, Bertholo, Bertini, Fahlström, Klasen, Monory, Rancillac, Recalcati, Saul, Télémaque, Voss… Quelques mois plus tard, le Salon de la jeune peinture est bouleversé par l'arrivée en force de jeunes peintres (Arroyo, Aillaud, Cueco….) qui se fixent comme objectif de faire à nouveau de l'art un outil de transformation sociale. Force attractive, la figuration narrative rassemble ainsi, au cours des années soixante, des peintres venus d'horizons esthétiques ou géographiques différents. Adami, Erró, Fromanger, Stämpfli se joignent aux promoteurs de « Mythologies quotidiennes ». Travaillant à partir de l'image photographique ou cinématographique, de l'imagerie publicitaire, de la bande dessinée ou même de la peinture classique, ils aboutissent à des œuvres qui détournent la signification première de ces représentations pour en révéler des sens inattendus, suggérer d'autres narrations, montrer leurs implications politiques. Au cours de ces années, la figuration narrative se démarque de la neutralité sociale de l'Ecole de Paris aussi bien que du formalisme du Pop Art américain. Elle dénonce les aliénations de la vie contemporaine. L'effervescence de la fin des années soixante favorisera d'ailleurs l'engagement des plus militants parmi les peintres de ce mouvement dans la vie politique, et particulièrement dans les événements de mai 68 à Paris. Regroupant plus de cent peintures, objets ou films, l'exposition « Figuration narrative. Paris, 1960-1972 » est conçue comme une exploration des sources parisiennes du renouveau figuratif qui marque l'histoire de l'art des années soixante. (quatrième de couverture)
Art et politique --- Art figuratif --- Bande dessinée --- Détournement d'image --- Film --- Peinture --- Peinture figurative --- Photographie --- Publicité --- Figurative art --- Narrative art --- Adami, Valerio --- Aillaud, Gilles --- Arroyo, Eduardo --- Bertholo, René --- Bertini, Gianni --- Cronica, Equipo --- Cueco, Henri --- Erro --- Fahlstrom, Oyvind --- Fromanger, Gérard --- Klasen, Peter --- Monory, Jacques --- Rancillac, Bernard --- Recalcati, Antonio --- Saul, Peter --- Stampfli, Peter --- Telemaque, Hervé --- Voss, Jan
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anatomy --- Iconography --- Belgium --- Netherlands --- Human figure in art. --- Art, Dutch --- Corps humain dans l'art --- Art hollandais --- Themes, motives. --- Thèmes, motifs --- Human figure in art --- Art, Netherlandish --- Themes, motives --- human figures [visual works] --- Thèmes, motifs --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Netherlandish art --- Dutch art --- Ploeg (Group of artists) --- Nieuwe Ploeg (Group of artists) --- Art, Netherlandish - Themes, motives --- Art, Dutch - 17th century - Themes, motives --- Art, Dutch - 18th century - Themes, motives
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Figurative art --- Narrative art --- 7.038 --- Adami Valerio --- Aillaud Gilles --- Arroyo Eduardo --- Bertholo René --- Bertini Gianni --- Coopérative des Malassis --- Cueco --- Erró --- Fahlström Öyvind --- figuratieve schilderkunst --- Frankrijk --- Fromanger Gérard --- Jouffroy Alain --- Klasen Peter --- kunst --- Lévêque Jean-Jacques --- Monory Jacques --- narratologie --- pop art --- Rancillac Bernard --- Recalcati Antonio --- Saul Peter --- schilderkunst --- Stämpfli Peter --- Télémaque Hervé --- twintigste eeuw --- Voss Jan --- Art, Narrative --- Narrative art (Visual arts) --- Art genres --- Art, Figurative --- Art, Representational --- Figuration --- Representational art --- Realism in art --- Exhibitions
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Part of the new series, Advanced Topics in Science and Technology in China, this book discusses concepts, theory, and core technologies of intelligent theory and human animation, including video based human animation, and intelligent technology of motion data management and reusing. It introduces systems developed to demonstrate the technologies of video based animation. Each chapter is independent. Lively pictures and demos will be presented to make the theory and technologies more understandable. For researchers, this is a reference book and an update on the current status of human animation. For professionals, this is a guide for application development using human animation technologies. Yueting Zhuang received his PhD in Computer Science from Zhejiang University (1998). From 1997 to 1998, he was a visiting scholar at Beckman Institute, U. of Illinois, Urbana-Champaign. Now he is a full professor of the College of Computer Science at Zhejiang University. His research area is intelligent animation, multimedia technologies. Yunhe Pan was the President of Zhejiang University from 1995 to 2006. Now he is the Vice-President of the Chinese Academy of Engineering. His current research area includes intelligent human animation, digital library, and other related topics.
Computer animation. --- Human figure in art. --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Animation, Computer --- Computer-assisted filmmaking --- Computer-generated animation --- Animation (Cinematography) --- Computer graphics --- Computer graphics. --- Computer vision. --- Computer Graphics. --- Computer Imaging, Vision, Pattern Recognition and Graphics. --- Image Processing and Computer Vision. --- Machine vision --- Vision, Computer --- Artificial intelligence --- Image processing --- Pattern recognition systems --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Digital techniques --- Optical data processing. --- Optical computing --- Visual data processing --- Bionics --- Integrated optics --- Photonics --- Computers --- Optical equipment
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Ouvrage issu de l'exposition "Corps & couleurs", Jardin du Trocadéro, Paris, 24 oct.-7 nov. 2008.
Human body --- Symbolism of colors --- Corps humain --- Symbolisme des couleurs --- Social aspects --- Symbolic aspects --- Aspect social --- Aspect symbolique --- Human figure in art. --- Symbolism in art. --- Color in art. --- Social aspects. --- Symbolic aspects. --- Color in art --- Human figure in art --- Symbolism in art --- Colors in art --- Art --- Monochrome art --- Allegory (Art) --- Signs and symbols in art --- Human body in art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Symbolic aspects of the human body --- Symbolism --- Couleur --- Anthropology - Body and Color In Arts - Aesthetics. --- Pigmentation de la peau --- Identité (psychologie) --- Anthropologie --- Dans l'art
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A lo largo de cinco capítulos centrados en Reinaldo Arenas, Salvador Novo, Armando Reverón, Fernando Vallejo y Mario Bellatin, el autor propone que el cuerpo pasa por los registros visuales y ficcionales para modelarse y ser modelado en un proceso que es siempre incompleto, inestable y, por ello, admite revueltas.
Latin American literature --- Human body in literature. --- Art, Latin American --- Human figure in art. --- El cuerpo humano en la literatura. --- Arte latinoamericano --- Sexualidad --- Art, Spanish American --- Latin American art --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Body, Human, in literature --- Human figure in literature --- History and criticism. --- Historia y crítica. --- Aspectos sociales --- Cannibalism in literature --- Cannibalism --- Indians --- Public opinion --- 860.04 --- 860 <8> --- Anthropophagy --- Ethnology --- 860 <8> Spaanse literatuur: Zuid-Amerika --- Spaanse literatuur: Zuid-Amerika --- 860.04 Spaanse literatuur--?.04 --- Spaanse literatuur--?.04 --- Latin America --- Asociación Latinoamericana de Libre Comercio countries --- Neotropical region --- Neotropics --- New World tropics --- Spanish America --- Civilization. --- Colonization. --- Thematology --- Spanish-American literature --- History of civilization --- Canibalismo --- Antropofagia --- Cannibalism in literature. --- América Latina. --- Public opinion. --- Art, Latin American. --- Cuerpo humano en arte. --- Cuerpo humano en la literatura. --- Erotik --- Körper --- Latin American literature. --- Literatura latinoamericana. --- History and criticism --- Arenas, Reinaldo, --- Bellatin, Mario, --- Novo, Salvador, --- Reverón, Armando, --- Vallejo, Fernando, --- 1900-1999. --- Latijns-Amerika. --- Civilization --- Colonization --- Cannibalism - Latin America --- Indians - Public opinion --- Public opinion - Europe --- Latin America - Civilization --- Latin America - Colonization
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