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Mode : vingt ans de système de mode.
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ISBN: 9782914863186 2914863187 Year: 2008 Publisher: Paris Institut français de la mode

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Clothes.
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ISBN: 1317488725 1315710366 1282947370 9786612947377 1844654192 9781317488729 9781844651504 1844651509 9781315710365 9781317488705 9781317488712 9781138158283 1317488717 Year: 2008 Publisher: Montreal McGill-Queen's University Press

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Clothes protect our vulnerable skin and they keep us warm or cool. They help us show that we are young or old, rich or poor, at work or play, and whether we may be good to know. But though they are basic, much as food and shelter are – and also may be beautiful – they have long had a bad press in serious, moral and philosophical writing. The main reason for this is that they are external to us, a cover we may hide behind, and one on which some people spend too much money, perfecting a pompous plumage of vanity: also they, and the fashions for them, may not last long. Nonetheless, when we choose our own clothes, we know the choice is a sensitive matter and far from being merely superficial. John Harvey considers the overlapping values that clothes have for us. Clothes both cover and advertise the bodies within them. They help make us the men and women we are, and help us to attract each other. They enroll us in groups, from our own circle to our generation worldwide; and they show just how, as individuals, we want to be noticed. Clothes, like their wearers, may compete in claiming power. They may also, on and off the catwalk, compete to claim the spotlight. In sum they show how we think we matter – and they can matter themselves in ways that may be intimate and even crucial to us. At all times clothes have demanded attention, even when they have been castigated for their vanity, and contemporary opinion is still divided. Are clothes the most frivolous of consumer disposables – or are they, however extravagant, art? Though we wear and see them every day, the value that they have for us is multiple and fugitive and hard to catch exactly. Clothes attempts to sort the many-coloured wardrobe which marks off mankind from other creatures.

Women in Weimar fashion : discourses and displays in German culture, 1918-1933
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ISBN: 1782044485 1282946811 9786612946813 1571138099 1571132058 1571135162 Year: 2008 Publisher: Rochester, N.Y. : Camden House,

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In the Weimar Republic, fashion was not only manipulated by the various mass media - film, magazines, advertising, photography, and popular literature - but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the 'flâneur,' the 'Feuilleton,' and 'Neue Sachlichkeit' in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity. Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio.

Glamour.
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ISBN: 9780199210985 9780199569786 Year: 2008 Publisher: Oxford Oxford university press


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Gothic : dark glamour
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ISBN: 9780300136944 0300136943 Year: 2008 Publisher: New Haven Yale University Press

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"From its origins in the eighteenth-century literature of terror to its contemporary manifestations in vampire fiction, cinema, and art, the gothic has embraced the powers of horror and the erotic macabre. "Gothic" is an epithet with a strange history - evoking images of death, destruction, and decay. Ironically, its negative connotations have made the gothic an ideal symbol of rebellion for a wide range of cultural outsiders. This gorgeous book is the first in-depth study of the gothic influence on fashion." "Popularly associated with black-clad teenagers and rock musicians, gothic fashion encompasses not only subcultural styles (from old-school goth to cyber-goth and beyond) but also high fashion by such designers as Alexander McQueen, John Galliano of Christian Dior, Rick Owens, Olivier Theyskens, and Yohji Yamamoto. Fashion photographers, such as Scan Ellis and Eugenio Recuenco, have also drawn on the visual vocabulary of the gothic to convey narratives of dark glamour. As the text and lavish illustrations in this book suggest, gothic fashion has deep cultural roots that give it an enduring potency." "Valerie Steele is director and chief curator of The Museum at the Fashion Institute of Technology (FIT)."--Jacket.

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