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Die Beiträge dieses Bandes untersuchen visuelle Modelle als Bildkörper unseres Wissens. Atommodelle, Architekturmodelle, Ge-sellschaftsmodelle. Modelle sind unverzichtbare Werkzeuge unseres Denkens, Erkennens und Handelns. Als Bildkörper des Wissens steuern visuelle Modelle unsere Orientierung in der Welt. Sie geben Dingen, die selbst flüchtig, komplex oder unbestimmt sind, eine manifeste Gestalt. In Modellen erhalten abstrakte Struk-turen eine materielle Form. Doch entfalten Modelle aufgrund ihrer konkreten Eigenschaften eine nur schwer zu bändigende visuelle Kraft. Modelle legen Deutungen nahe; sie betonen und verdecken Unterschiede. An Modelle muss daher stets die Frage nach Gewinn und Verlust für unsere Wahrnehmung und Erfahrung gestellt werden. Die Interpretation von Modellen ist immer auch eine Interpretation unserer eigenen Wahrnehmung. Daher sind visuelle Modelle stets zugleich Modelle der Visualität.
Design --- Example. --- Visual communication. --- Methodology.
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What can Russian images and objects& a tsar's crown, a provincial watercolor album, the Soviet Pioneer Palace& tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, 'Picturing Russia' adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.
Art and history. --- Art, Russian. --- Visual communication. --- Russia
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Discourse analysis --- Semiotics --- Visual communication --- Social aspects --- Social aspects
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Communication --- Visual communication --- Political aspects --- United States --- Politics and government.
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This collection comprises interviews with an array of influential American and European intellectuals from across the arts, humanities, and social sciences working today on visual culture within the university context and beyond.
Culture. --- Visual communication. --- Art and society. --- Visual perception.
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Dreamtime Superhighway presents a thorough and original contextualization of the rock art and archaeology of the Sydney Basin. By combining excavation results with rock art analysis it demonstrates that a true archaeology of rock art can provide insights into rock art image-making in people’s social and cultural lives. Based on a PhD dissertation, this monograph is a significantly revised and updated study which draws forcefully on rich and new data from extensive recent research—much of it by McDonald herself. McDonald has developed a model that suggests that visual culture—such as rock artmaking and its images and forms—could be understood as a system of communication, as a way of signaling group identifying behaviour. For the archaeologist of art, the anthropologist of art and those of us who try to think about past worlds… this monograph is a must read.
Gender & Ethnic Studies --- Social Sciences --- Ethnic & Race Studies --- Petroglyphs. --- Visual communication in art. --- Rock paintings --- Petroglyphs --- Visual communication in art --- Art, Aboriginal Australian --- Aboriginal Australians --- Antiquities.
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Fonds Suzan Daniel (FSD)
Bisexual men --- Gay men --- Internet pornography. --- Men --- Public sex. --- Visual communication. --- Sexual behavior.
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