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Neo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.

Film noir --- History and criticism. --- #SBIB:309H1326 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Films noirs --- Histoire et critique --- Film --- Films policiers --- Critique et interprétation

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Imperialism in motion pictures. --- Motion pictures --- History --- International relations. Foreign policy --- Film --- #SBIB:309H1326 --- #SBIB:309H525 --- #SBIB:309H521 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Sociologie van de audiovisuele boodschap --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Imperialism in motion pictures