Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In his important contribution to the growing field of sports literature, Anthony Bateman traces the relationship between literary representations of cricket and Anglo-British national identity from 1850 to the mid 1980's, with an in-depth look at cricket during the interwar period and the sport's transmission throughout the British empire. Examining newspaper accounts, instructional books, fiction, and poetry, Bateman elaborates how the long tradition of literary discourse produced cricket's cultural status and meaning.

English literature --- Sports in literature. --- Cricket in literature. --- National characteristics, British, in literature. --- Commonwealth literature (English) --- History and criticism.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is the first systematic analysis of the relationship between representations of 'Germanness' in modernist British literature, the construction of English identity and the negotiation of modernity. Major figures such as Conrad, Woolf and Ford are examined alongside popular or less-familiar writers such as Saki and Stevie Smith. Rau's book will be invaluable to scholars and will serve undergraduates working in modernism, literary history, and European cultural relations.

English fiction --- National characteristics, British, in literature. --- Modernism (Literature) --- History and criticism. --- German influences. --- Germany --- Foreign public opinion, British. --- In literature.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Making extensive use of archival materials, Catherine Jolivette explores the intersection of landscape art with a variety of discourses including the role of women in contemporary society, the status of immigrant artists in Britain, developments in science and technology, and the promotion of British art and culture abroad.

Landscapes in art. --- National characteristics, British, in art. --- Arts, British --- Arts and society --- Arts and society. --- Arts, British. --- Kunst. --- Landschaft (Motiv). --- Nationalbewusstsein. --- Landskap i konsten. --- Nationalkaraktär --- Brittisk konst --- Konst och samhälle --- History --- Historia --- Festival of Britain --- Festival of Britain. --- Geschichte 1950-1960. --- 1900-1999. --- Great Britain. --- Gro�britannien. --- Landscapes in art --- National characteristics, British, in art --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Landscape in art --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.

Alienation (Social psychology) in literature --- Aliénation (Psychologie sociale) dans la littérature --- Aliënatie (Sociale psychologie) in de literatuur --- Aliënatie [Sociale ] in de literatuur --- British national characteristics in literature --- Brits volkskarakter in de literatuur --- Britse volksaard in de literatuur --- Caractéristiques nationales britanniques dans la littérature --- Culture dans la littérature --- Culture in literature --- Cultuur in de literatuur --- Difference (Psychology) in literature --- Differentie (Psychologie) in de literatuur --- Différence (Psychologie) dans la littérature --- Ik in de literatuur --- Isolation sociale dans la littérature --- Marginalen in de literatuur --- Marginaux dans la littérature --- Moi dans la littérature --- National characteristics [British ] in literature --- Outsiders in literature --- Self in literature --- Sociaal isolement in de literatuur --- Social isolation in literature --- Sociale aliënatie in de literatuur --- Sociale vervreemding in de literatuur --- Vervreemding [Sociale ] in de literatuur --- Volksaard [Britse ] in de literatuur --- Volkskarakter [Brits ] in de literatuur --- 820 "18" --- Engelse literatuur--19e eeuw. Periode 1800-1899 --- 820 "18" Engelse literatuur--19e eeuw. Periode 1800-1899 --- Soi dans la littérature --- Zelf in de literatuur --- English fiction --- National characteristics, British, in literature. --- Alienation (Social psychology) in literature. --- Difference (Psychology) in literature. --- Social isolation in literature. --- Outsiders in literature. --- Culture in literature. --- Self in literature. --- History and criticism. --- National characteristics, British, in literature --- History and criticism --- 19th century --- Love in literature