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Altarpieces, Gothic --- Panel painting, Medieval --- Panel painting, English --- Altarpieces, Medieval --- Retables gothiques --- Peinture sur panneau médiévale --- Peinture sur panneau anglaise --- Retables médiévaux --- Conservation and restoration --- Conservation et restauration --- Westminster Abbey. --- Hamilton Kerr Institute --- Panel painting, Gothic --- Altarpieces --- Panel painting --- Expertising --- Westminster Abbey --- Westminster retable (Art) --- Painting, Gothic --- Technique. --- History --- Sources. --- Westminster abbey --- Peinture sur panneau médiévale --- Retables médiévaux --- Westminster abbey (London) --- Altarpieces [Gothic ] --- Great Britain --- London (England) --- 13th century --- Altarpieces, Gothic - England - London --- Panel painting, Gothic - England - London --- Panel painting, English - England - London - 13th century --- Altarpieces - Conservation and restoration - England - Cambridge --- Panel painting - Conservation and restoration - England - Cambridge --- Panel painting, English - Expertising - England - Cambridge
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Surviving pre-Eyckian panel painting of around 1400 is in short supply, but more remains than was thought. At present the list of works to be studied includes some thirty objects in collections in Belgium and elsewhere. In the first volume ten objects, which in fact constitute the majority of pre-Eyckian works in Belgian collections, are documented as thoroughly as possible. Their interpretation is underpinned not only by classic art historical analysis but also by macro-photography, X-radiography, infrared photography and reflectography, dendrochronological data and, in so far as was feasible or justifiable, laboratory analysis of pigments and binding media. The research has benefited to the full from the expertise of the many specialists of the IRPA/KIK. In volume two of this publication are a number of individual contributions by ‘guest authors’. They cover diverse topics, ranging from specific technical observations regarding one noteworthy feature or group of works, to historical context, peripheral iconographic phenomena, aspects of restoration, and the exploration of Ghent’s archives by way of a case study.
History --- Painting --- panel painting [image-making] --- Netherlandish --- Late Medieval --- History of the Low Countries --- technical art history --- anno 1400-1499 --- Panel painting, Flemish --- Panel painting, Gothic --- Peinture sur panneau flamande --- Peinture sur panneau gothique --- Peinture --- Expertising --- Expertise --- Panel painting, Renaissance --- Christian art and symbolism --- Broederlam, Melchior, --- paneelschilderkunst --- technieken --- middeleeuwen --- iconografie --- restauratie --- kleur --- Broederlam, Melchior --- 15de eeuw --- Zuidelijke Nederlanden --- Frankrijk --- Italië --- Renaissance panel painting --- Flemish panel painting --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Netherlands --- 15th century --- 14th century --- Symbolism in art --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Kunstgeschiedenis --- Schilderkunst --- Middeleeuwen --- Panel painting, Flemish - 15th century --- Panel painting, Flemish - 15th century - Catalogs --- Panel painting, Renaissance - Flanders --- Panel painting, Renaissance - Flanders - Catalogs --- Christian art and symbolism - Flanders - Medieval, 500-1500 --- Christian art and symbolism - Flanders - Medieval, 500-1500 - Catalogs --- paneelschilderkunst. --- technieken. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- iconografie. --- restauratie. --- kleur. --- Broederlam, Melchior. --- 15de eeuw. --- Zuidelijke Nederlanden. --- Frankrijk. --- Italië. --- Peinture sur panneaux --- Peinture flamande --- Signes et symboles --- Flandre (comté) --- 15e siècle --- Dans l'art
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Lindenau-Museum (Altenburg) --- Italiaanse schilderkunst --- Italiaanse Primitieven --- Lindenau, Bernhard August von --- 15de eeuw --- 19de eeuw --- Italië --- Siena --- Firenze --- Lindenau-Museum [Altenburg] --- Panel painting, Italian --- Peinture sur panneau italienne --- Musée Jacquemart-André --- Musée Jacquemart-André --- Painting --- anno 1200-1499 --- Italy --- Exhibitions --- Expositions --- Exhibitions. --- Panel painting --- Italian panel painting --- Institut de France. --- Museo Jacquemart-André --- Paris. --- Institut de France --- Italiaanse primitieven --- Lindenau-Museum (Altenburg). --- Italiaanse schilderkunst. --- Italiaanse primitieven. --- Lindenau, Bernhard August von. --- 15de eeuw. --- 19de eeuw. --- Italië. --- Siena. --- Firenze.
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COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation (including study, preventive conservation and restoration) of European Wooden Cultural Heritage Objects (WCHOs), by fostering targeted research and multidisciplinary interaction between Researchers in various fields of Wood Science, Conservators of wooden artworks, other Scientists from related fields. This book of Proceedings contains most of the papers presented in the International Conference held in Florence (Italy) on 8-10 November 2007, dealing with several of the Action's themes, including structure and properties of historic wood, ageing and non-biological degradation of wood material, contributions from Wood Science to conservation issues. COST Action IE0601 "Wood Science for Conservation of Cultural Heritage" (www.woodculther.org) aims to improve the conservation (including study, preventive conservation and restoration) of European Wooden Cultural Heritage Objects (WCHOs), by fostering targeted research and multidisciplinary interaction between Researchers in various fields of Wood Science, Conservators of wooden artworks, other Scientists from related fields. This book of Proceedings contains most of the papers presented in the International Conference held in Florence (Italy) on 8-10 November 2007, dealing with several of the Action's themes, including structure and properties of historic wood, ageing and non-biological degradation of wood material, contributions from Wood Science to conservation issues.
Natural history museums. --- Natural history museums --- Wood --- Cultural property --- Panel painting --- Woodwork --- Chemical & Materials Engineering --- Engineering & Applied Sciences --- Materials Science --- Preservation --- Protection --- Conservation and restoration --- Painting --- Building materials --- Forest products --- Trees --- Timber --- Wood craft --- Woodcraft --- Woodworking --- Decorative arts --- Machining --- Manufacturing processes --- Carpentry --- Fretwork --- Scrollwork --- Natural history --- Science museums --- Museums
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