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Sociology --- Sociologie --- Statistical methods --- Méthodes statistiques --- Statistics --- Methodology --- Méthodes statistiques --- Sociology - Statistical methods --- Sociology - Methodology
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Social action --- Action theory --- Social control --- Sociology --- Social networks --- Social psychology --- Social interaction --- Social change --- Methodology --- Sociology - Methodology
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Social epistemology --- Sociolinguistics --- Action theory --- Rationalism --- Epistémologie sociale --- Sociolinguistique --- Action, Théorie de l' --- Rationalisme --- Sociology --- Philosophy --- Methodology --- Théorie de l'action --- Epistémologie sociale --- Théorie de l'action --- Sociology - Philosophy --- Sociology - Methodology
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Social sciences --- Sociology --- Data mining. --- Sciences sociales --- Sociologie --- Exploration de données (Informatique) --- Research. --- Fieldwork. --- Methodology. --- Recherche --- Recherche sur le terrain --- Méthodologie --- Research --- Fieldwork --- Methodology --- Exploration de données (Informatique) --- Méthodologie --- kwantitatieve methoden --- waarschijnlijkheidsleer --- maatschappijwetenschappen, methoden --- regressie-analyse --- wiskundige statistiek --- Sociological research --- Social science research --- Field work --- Sociological theory building --- Social sciences - Research --- Social sciences - Fieldwork --- Social sciences - Methodology --- Sociology - Methodology --- Sociology - Research
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This text provides a forum for the presentation and discussion of narrative inquiry approaches to research in music education, and contextualizes this work within the larger conversations of music education research and practice. In an innovative dialogic approach the text is divided into 3 parts, each presenting a different perspective on the uses and purposes of narrative in and for music education. Section I explores the origins of narrative research across a range of fields of inquiry and presents a conception of narrative inquiry as "resonant work". Section II provides 7 examples of narrative inquiry research, each of which is accompanied by a reflective commentary. The commentaries provide an interpretive perspective of the narrative accounts, suggest further questions that arise from the inquiry, and provide insight into the potential uses of the narrative account for the theory and practice of music education. Section III brings together the perspectives of two eminent theorists and practitioners.
Education. --- Music. --- Social sciences. --- Music --- Narrative inquiry (Research method) --- Music Instruction & Study --- Fine Arts - General --- Art, Architecture & Applied Arts --- Music, Dance, Drama & Film --- Instruction and study --- Instruction and study. --- Narrative analysis (Research method) --- Narrative research (Research method) --- Narratological inquiry (Research method) --- Education, Musical --- Music education --- Musical education --- Musical instruction --- Study and teaching --- Art education. --- Teaching. --- Arts Education. --- Methodology of the Social Sciences. --- Teaching and Teacher Education. --- Research --- Social sciences --- Creativity and Arts Education. --- Methodology. --- Didactics --- Instruction --- Pedagogy --- School teaching --- Schoolteaching --- Education --- Instructional systems --- Pedagogical content knowledge --- Training --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Art --- Art education --- Education, Art --- Art schools --- Analysis, interpretation, appreciation --- Art—Study and teaching. --- Sociology—Methodology. --- Teachers—Training of. --- Sociological Methods. --- Sociology --- Teachers --- Study and teaching. --- Training of. --- Teacher education --- Teacher training --- Teachers, Training of
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