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This book argues that William Blake's last major poem, Jerusalem, possesses a narrative structure. This argument runs contrary to the critical consensus that sees the poem as possessing a "synchronic" structure in which the events of the poem all occur simultaneously rather than sequentially. This book contains three color photographs.
Blake, William, -- 1757-1827. -- Jerusalem. --- English poetry. --- Poetry. --- English --- Languages & Literatures --- English Literature --- Blake, William,
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Following in the footsteps of Bentley's pioneering scholarship, this collection, richly illustrated, demonstrates that the locus of Blake's work lies in the elements that are historically particular to his place and time. Topics include the impact of the town of Chichester on Blake's imagination, the material processes of Blake's painting, the detection of a Blake forgery, and new biographical materials, using archives and online resources, on Blake's contemporaries, patrons, peers, and friends. Essays on the importance of Blake collections world-wide, on variant printings, and on the heirs of Blake in British painting extend the focus of this remarkable investigation to include chalcography and book history."--Pub. desc "Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era. In the 1960s, University of Toronto scholar G.E. Bentley, Jr almost singlehandedly shifted the focus of Blake criticism from formalism and symbolism to the materiality that contextualizes Blake's work.
ART / Criticism. --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Criticism and interpretation.
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gelaatsuitdrukkingen, fysionomie --- Blake, William --- Lavater, Johann Caspar --- Lavater, Johann Heinrich
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It has been clear from the beginning that William Blake was both a political radical and a radical psychologist, and in William Blake on Self and Soul Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity.
Self in literature. --- Identity (Psychology) in literature. --- Subjectivity in literature. --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Knowledge --- Psychology.
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historiestukken --- geschiedenis --- Barry, James --- Reynolds, Joshua --- Fuseli, Henry --- Blake, William --- Milton, John --- 18de eeuw --- 19de eeuw --- Groot-Brittannië --- historiestukken. --- geschiedenis. --- Barry, James. --- Reynolds, Joshua. --- Fuseli, Henry. --- Blake, William. --- Milton, John. --- 18de eeuw. --- 19de eeuw. --- Groot-Brittannië.
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Religion in literature --- Religion in drama --- Religion in poetry --- Blake, William, --- Wordsworth, William, --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Criticism and interpretation. --- Religion.
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Current public discussion of religion is characterized by conflict and acerbity. This is due in part to the deeply antagonistic structures of religious debates: science vs religion, theism vs atheism, creationism vs evolution, and so on. This book looks to Blake's and Wordsworth's poetry for a different type of interpretive engagement with religion: one that can include rather than exclude, and creatively interrelateGÇörather than destructively set at oddsGÇödifferent approaches to religion. The discussion focuses on a key religious vision of each poet, and finds its way into the question of r
Religion in literature. --- Religion in drama --- Religion in poetry --- Blake, William, --- Wordsworth, William, --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Criticism and interpretation. --- Religion.
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kunstgeschiedenis --- literatuur --- romantiek --- fin de siècle --- Blake, William --- Hugo, Victor --- Sand, George --- Stifter, Adalbert --- Lermontov, Mikhaïl --- Fromentin, Eugène --- Loti, Pierre --- Töpffer, Rodolphe --- Potter, Beatrix --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- 21ste eeuw
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Apocalyptic nightmares that humanly-created intelligences will one day rise up against their creators haunt the western creative imagination. However, these narratives find their initial expression not in the widely disseminated Frankenstein story but in William Blake's early mythological works. This book looks at why we persistently fear our own creations by examining Blake's illuminated books of the 1790's through the lens of Kierkegaard's theories of personality and of anxiety. It offers a close examination of Kierkegaard's and Blake's similar, and to an extent shared, historical milieux as
Literature --- Anxiety in literature. --- Littérature --- Angoisse dans la littérature --- Philosophy. --- Philosophie --- Blake, William, --- Kierkegaard, Sren, --- Criticism and interpretation. --- Blake, William, --1757-1827 --Criticism and interpretation. --- Creation in literature. --- Kierkegaard, Søren, --1813-1855. --- Literature --Philosophy. --- Creation in literature --- Anxiety in literature --- English --- English Literature --- Languages & Literatures --- Philosophy --- Kierkegaard, Søren, --- Littérature --- Angoisse dans la littérature --- Literature and philosophy --- Philosophy and literature --- Theory --- Anti-Climacus, --- Bogbinder, Hilarius, --- Chʻi-kʻo-kuo, --- Climacus, Johannes, --- Constantius, Constantin, --- Eremita, Victor, --- Haufniensis, Vigilius, --- Johannes, Climacus, --- Johannes de Silentio, --- Kʹerkegor, Seren, --- Kierkegaard, S. --- Kierkegaard, Severino, --- Kierkegaard, Søren Aabye, --- Kierkegaard, Søren --- K'i︠e︡rkegor, Sʹoren, --- Kīrkajūrd, Sūrīn, --- Kirkegaard, Soeren, --- Kirkegor, Seren, --- Ḳirḳegor, Sern, --- Kirkegors, Sērens, --- Kirukegōru, Søren, --- Kjerkegor, Seren, --- Kʻo-erh-kʻai-ko-erh, --- Notabene, Nicolaus, --- Silentio, Johannes de, --- Sūrīn Kīrkajūrd, --- Victor, Eremita, --- Vigilius, Haufniensis, --- קירקגור, סרן --- קירקגור, סורן --- קירקגור, סירן --- קירקגור, סירן, --- קירקגורד, סרן, --- 克尓凯郭尓, --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- בליק, ויליאם, --- בלייק, ויליאם, --- Anti-climacus --- H. H. --- Блейк, Уильям, --- Blake, William --- Blake, William, 1757-1827
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This text examines the origins of psychogeography in the Situationist movement of the 1950s, exploring the theoretical background and its political applications as well as the work of early practitioners such as Guy Debord and Raoul Vaneigem, before moving onto the current interest in the topic.
Geography --- Geographical perception. --- Psychological aspects. --- cultuurfilosofie --- wandelen --- wandelingen --- psychogeografie --- kunst --- literatuur --- kunsttheorie --- cartografie --- Groot-Brittannië --- Londen --- Blake William --- de Quincey Thomas --- Stevenson Robert Louis --- Machen Arthur --- Watkins Alfred --- Poe Edgar Allan --- Baudelaire Charles --- Frankrijk --- Parijs --- Benjamin Walter --- surrealisme --- Debord Guy --- situationisme --- Ballard J.G. --- Sinclair Iain --- Akroyd Peter --- Home Stewart --- Keiller Patrick --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- 130.2 --- 7.03 --- Ballard J.G
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