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Alfred Bader, born 1942, has amassed a magnificent collection of seventeenth-century Dutch paintings in the United States. At the heart of the Bader Collection are works by Rembrandt and his pupils. For the first time in Europe, an extensive selection of the most important works can now be seen in the Rembrandt House Museum. In this book we get to know Alfred Bader as a 'searching collector', whose love of art was ignited by the work of Rembrandt. Exhibition: Museum Het Rembrandthuis, Amsterdam (10.2011-01.2012).

Painting --- private collections [object groupings] --- Rembrandt-navolgers --- Bader, Alfred --- Rembrandt --- anno 1600-1699 --- Netherlands

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This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills – known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality.

Art, Architecture & Applied Arts --- Fine Arts - General --- Painting, Dutch. --- History painting. --- Rembrandt Harmenszoon van Rijn, --- Dutch painting --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Culture --- Arts. --- Fine arts. --- History. --- Cultural and Media Studies. --- History, general. --- Fine Arts. --- Study and teaching. --- Painting --- Annals --- Auxiliary sciences of history --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts, Primitive

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Graphic arts --- prints [visual works] --- golden age [mythology] --- Hollandse school --- prentenhandel --- prentuitgever --- Rembrandt --- anno 1600-1699 --- Amsterdam

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Art, Dutch --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Influence --- Frick Collection --- Collection Frits Lugt --- Fondation Custodia --- Fondation Custodia. Collection Frits Lugt --- Frits Lugt Collection --- Frick Collection, New York. --- Exhibitions --- Lugt, Frits --- Rembrandt --- Frick Collection [New York, N.Y.] --- Fondation Custodia [Paris] --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rembrandt-navolgers