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Homère est une figure emblématique et tutélaire de la littérature et des arts de la Renaissance. Ses poèmes déploient un éventail extraordinaire d'images et de thèmes qui ont exercé un charme indiscutable sur les érudits de la Renaissance. C'est surtout après l'édition princeps de 1488 que l'on assiste à une prolifération de commentaires et d'interprétations allégoriques dans lesquelles les héros et les dieux homériques viennent à incarner tantôt des préceptes moraux, tantôt des principes physiques ou des concepts métaphysiques. Les arts figuratifs ne sont pas restés indifférents à ces approches herméneutiques. La diffusion des poèmes d'Homère entre le XVe et le XVIe siècle a été largement étudiée par les historiens de la littérature, mais elle a retenu moins souvent l'attention des historiens de l'art. Dans un souci d'échange entre spécialistes, cet ouvrage croise des approches différentes pour tenter de montrer comment la culture de la Renaissance utilise les mythes d'Homère dans ses diverses formes d'expression, notamment picturales. Ce faisceau de points de vue propose une réflexion sur le pouvoir imageant de la poésie homérique, des images qui engendrent d'autres images. Le verbe " transfigurer " paraît le plus adapté pour définir le processus de métamorphose qui caractérise la réappropriation des mythes d'Homère par les poètes et les artistes de la Renaissance. En examinant les dynamiques des relations entre poésie et peinture, les textes réunis dans ce volume s'interrogent sur la dimension démiurgique de la création artistique à partir des enjeux philosophiques, littéraires et esthétiques de l'oeuvre du " divin poète ".
Homer --- anno 1400-1499 --- Homerus --- Art, Renaissance --- Illustrations --- Renaissance art --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- receptiegeschiedenis
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Der vorliegende Band ist der zweite Teil einer Sammlung zentraler Arbeiten von Matthias Baltes. Den Hauptteil bilden neuere Aufsätze zur antiken Philosophie, insbesondere zu Platon und zum Platonismus sowie zu Epikur, von denen einige bisher unveröffentlicht sind. Ein kleinerer Teil umfasst frühere Arbeiten zur homerischen Dichtung. Beide Sammlungen bieten einen nahezu vollständigen Überblick über die Forschungsarbeiten von Matthias Baltes, vor allem zu dem Gebiet, dem er sich Zeit seines Lebens intensiv gewidmet hat: dem geistesgeschichtlichen Phänomen des Platonismus. Er behandelt neben philologischen Einzelfragen auch übergreifende philosophische und theologische Aspekte dieser für die Antike wie für die Moderne wichtigen Gedankenwelt. This volume is the second part of a collection of core works by Matthias Baltes. The main part contains more recent essays on ancient philosophy, in particular on Plato and Platonism, as well as on Epicurus, some of which are published here for the very first time. A smaller section contains earlier works on Homeric poetry. Both collections offer an almost complete overview of the research work carried out by Matthias Baltes, above all of the area that he has focused on intensively during the course of his life: the history of thought phenomena and Platonism. In addition to discussing individual philological questions, he also turns his attention to the wide-ranging philosophical and theological aspects of this world of ideas, important both in ancient and modern times.
Philosophy, Ancient. --- Homer --- riticism and interpretation. --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homerus
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"Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative"-- "How can Homer turn his listeners into spectators? His characters and the events he describes belong to a remote past, and he emphasizes that temporal distance by insisting on the gulf between his heroes and "men who are now."1 Our analysis of Homeric battle sequences has its basis in Homeric poetics, particularly those aspects that involve vision and emphasize sight as the ultimate source of the poet's knowledge of the distant events on the plains of Troy. But since the work of Milman Parry, the study of the Homeric poems has focused on verbal repetitions of formulaic expressions on the level of the individual hexameter lines, on type scenes in sequences of verses, and finally on typical motifs and themes that form the larger building blocks of the narrative.2 Through extensive training, the poet acquires a mastery of all these forms of repetition from the micro level of the formulaic phrase to the macro level of thematic sequence that ultimately allows him to combine and recombine these traditional components to structure his narrative. Despite its insights, Parry's work and that of his followers nevertheless did not fundamentally alter the coordinates of the Homeric Question that had dominated discussion since the end of the eighteenth century. The focus remained on the composition and the mechanics of the production, whether oral or written, of the Homeric poems"--
Poetics --- Epic poetry, Greek --- History --- History and criticism --- Theory, etc. --- Homer --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Technique. --- Arts and Humanities --- Homerus
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Epic poetry, Greek --- Hymns, Greek (Classical) --- Poésie épique grecque --- Hymnes grecs anciens --- History and criticism. --- Histoire et critique --- Homer --- Literary style. --- Homeric hymns. --- History and criticism --- Literary style --- Homeric hymns --- Poésie épique grecque --- Homeros --- Homère --- Inni omerici --- Homērikoi hymnoi --- Hymni Homerici --- Homerus --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Epic poetry, Greek - History and criticism --- Hymns, Greek (Classical) - History and criticism --- Homer - Literary style
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In this book, first published in 1912, Chadwick compares Teutonic and Greek heroic literature, to shed light on both. This was the first discussion of his theory of a Heroic Age, which he was to expand in a three-volume work written with his wife, Nora Kershaw Chadwick, The Growth of Literature. Chadwick examines topics such as supernatural, religious, and mythic elements in Germanic, Scandinavian, and Homeric literature deriving from an older oral tradition, and also what they can tell us about the societies from which they derive. He uses philology and archaeological evidence as well as historical and literary sources, and shows how many common themes emerge in the different traditions. He argues that a heroic literature is something that appears in many cultures at different periods in history and which therefore requires a knowledge of anthropology for full understanding.
Epic poetry, Germanic --- Epic poetry, Greek --- Civilization, Germanic. --- Civilization, Homeric. --- Mythology. --- Comparative literature --- History and criticism. --- Classical and Germanic. --- Germanic and Classical. --- Homer --- Criticism and interpretation. --- Literature, Comparative --- Philology --- Myths --- Legends --- Religion --- Religions --- Folklore --- Gods --- Myth --- Homeric civilization --- Germanic civilization --- Germanic peoples --- Teutonic civilization --- Germanic epic poetry --- Germanic poetry --- History and criticism --- Civilization --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homerus
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Epic poetry, Greek --- Poésie épique grecque --- Translations into Latin --- Traductions latines --- Homer --- Homer. --- Andronicus, Livius. --- Translations into Latin. --- Poésie épique grecque --- Greek language --- Odysseus (Greek mythology) in literature --- Classical languages --- Indo-European languages --- Classical philology --- Greek philology --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- Translations into Latin&delete& --- History and criticism --- Translating into Latin --- Andronicus, Livius --- Andronicus, Lucius Livius --- Livius Andronicus. --- Livio Andronico --- Homeros --- Homère --- Homerus. --- History and criticism. --- Knowledge --- Language and languages. --- Homerus --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Livius Andronicus
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Achilles (Greek mythology) in literature. --- Epic poetry, Greek --- Narration (Rhetoric) --- Point of view (Literature). --- Rhetoric, Ancient. --- Speech in literature. --- Trojan War --- History and criticism. --- History --- Literature and the war. --- Achilles (Greek mythology) in literature --- Speech in literature --- Literature and the war --- 875 HOMERUS --- -Mythology, Greek --- Persona (Literature) --- Greek epic poetry --- Epic poetry, Classical --- Griekse literatuur--HOMERUS --- -Technique --- -Griekse literatuur--HOMERUS --- 875 HOMERUS Griekse literatuur--HOMERUS --- -Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- -Homer --- Point of view (Literature) --- Rhetoric, Ancient --- Ancient rhetoric --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Fiction --- History and criticism --- Rhetoric --- Technique --- Homer. --- Homer --- Homère --- Technique. --- Homerus --- Hóiméar --- Achilles, --- In literature. --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Epic poetry, Greek - History and criticism --- Trojan War - Literature and the war --- Homer - Technique
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In the fourth century C.E. some Christians paraphrased the stories about Jesus' life in the style of classical epics. Imitating the genre of centos, they stitched together lines taken either from Homer (Greek) or Virgil (Latin). They thus created new texts out of the classical epics, while they still remained fully within the confines of their style and vocabulary. It is the aim of this study to put these attempts into a historical and rhetorical context. Why did some Christians rewrite the Gospel stories in this way, and what came out of this? On the basis of these Christian centos, it is natural to address the view held by some scholars, namely that New Testaments narratives are imitations of the epics.
Religion and poetry. --- Christian literature, Early --- Classical literature --- Centos. --- Religion et poésie --- Littérature chrétienne primitive --- Littérature ancienne --- Centon --- Classical influences --- Influence. --- Influence ancienne --- Influence --- Homer --- Virgil --- Bible. --- Criticism, Textual. --- Religion and poetry --- Centos --- Criticism, Textual --- 225.09 --- 261.6 --- Parafrasen op het Nieuwe Testament. Bewerkingen van het Nieuwe Testament --- De Kerk en de cultuur: christelijke beschaving; Kerk en vooruitgang; Kerk en wereld --- Christianity and culture --- Classical influences. --- History and criticism. --- History --- Bible. N.T. -- Criticism, Textual. --- Centos -- History and criticism. --- Christian literature, Early - Classical influences. --- Christian literature, Early -- Classical influences. --- Christian literature, Early -- History and criticism. --- Christianity and culture -- History -- Early church, ca. 30-600. --- Classical literature - Influence. --- Classical literature -- Influence. --- Homer - Influence. --- Homer -- Influence. --- Virgil - Influence. --- Virgil -- Influence. --- Religion --- Languages & Literatures --- Philosophy & Religion --- Literature - General --- Christianity --- History and criticism --- 261.6 De Kerk en de cultuur: christelijke beschaving; Kerk en vooruitgang; Kerk en wereld --- 225.09 Parafrasen op het Nieuwe Testament. Bewerkingen van het Nieuwe Testament --- Religion et poésie --- Littérature chrétienne primitive --- Littérature ancienne --- Poetry and religion --- Poetry --- Literature, Classical --- Literature --- Literature, Ancient --- Greek literature --- Latin literature --- Early Christian literature --- Patristic literature --- Cento verse --- Collage poems --- Mosaic poems --- Patchwork poems --- Patchwork poetry --- Pasticcio --- Vergil --- Virgile --- Virgilio Máron, Publio --- Virgilius Maro, Publius --- Vergili Maronis, Publius --- Homeros --- Homère --- Ba-yon Tipan --- Bagong Tipan --- Jaji ma Hungi --- Kainē Diathēkē --- New Testament --- Nouveau Testament --- Novo Testamento --- Novum Testamentum --- Novyĭ Zavet --- Novyĭ Zavi︠e︡t Gospoda nashego Īisusa Khrista --- Novyĭ Zavit --- Nuevo Testamento --- Nuovo Testamento --- Nye Testamente --- Perjanjian Baru --- Dhamma sacʻ kyamʻʺ --- Injīl --- Homerus --- Vergilius Maro, Publius --- Virgilius Maro, Publius, --- Virgilio Marone, P., --- Vergilīĭ, --- Virgile, --- Vergílio, --- Wergiliusz, --- Vergilīĭ Maron, P. --- Vergilīĭ Maron, Publīĭ, --- Verhiliĭ Maron, P., --- Vergil, --- Virgilio, --- Virgilīĭ, --- Virgilius Maro, P., --- Virgil Maro, P., --- ווירגיל, --- וירגיליוס, --- ורגיליוס, --- מרו, פובליוס ורגיליוס, --- فرجيل, --- Pseudo-Virgil, --- Pseudo Virgilio, --- Virgilio Marón, Publio, --- Bhārjila, --- Vergilius Maro, P. --- Vergilius --- Virgilio Marone, P. --- Vergilīĭ --- Vergílio --- Wergiliusz --- Vergilīĭ Maron, Publīĭ --- Verhiliĭ Maron, P. --- Virgilio --- Virgilius Maro, P. --- Virgil Maro, P. --- Pseudo-Virgil --- Pseudo Virgilio --- Virgilio Marón, Publio --- Bhārjila --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Religious aspects. --- Marone, Publio Virgilio --- Christian literature, Early - Classical influences --- Classical literature - Influence --- Homer - Influence --- Virgil - Influence --- Poetry--Religious aspects. --- Religious poetry.
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