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Benjamin, Walter, --- filozofija --- kritična teorija --- estetika --- Benjamin, W. --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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Benjamin, Walter, --- Benjamin, W. --- Criticism and interpretation. --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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Benjamin, Walter --- Holz, Detlef, --- Benjamin, W. --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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In Benjamin's Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin's notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin's day. Taking into account the literary and cultural contexts of Benjamin's work, Newman recovers Benjamin's relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years.To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.
German literature --- Baroque literature --- History and criticism. --- Benjamin, Walter, --- Criticism and interpretation. --- Contributions in criticism. --- Germany --- Intellectual life. --- Benjamin, W. --- History and criticism --- Benjamin, Walter --- German drama --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터, --- Literature: history & criticism
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The Messianic Reduction is a groundbreaking study of Walter Benjamin's thought. Fenves places Benjamin's early writings in the context of contemporaneous philosophy, with particular attention to the work of Bergson, Cohen, Husserl, Frege, and Heidegger. By concentrating on a neglected dimension of Benjamin's friendship with Gershom Scholem, who was a student of mathematics before he became a scholar of Jewish mysticism, Fenves shows how mathematical research informs Benjamin's reflections on the problem of historical time. In order to capture the character of Benjamin's "entrance" into the phenomenological school, the book includes a thorough analysis of two early texts he wrote under the title of "The Rainbow," translated here for the first time. In its final chapters, the book works out Benjamin's deep and abiding engagement with Kantian critique, including Benjamin's discovery of the political counterpart to the categorical imperative in the idea of "pure violence."
Benjamin, Walter --- Phenomenology --- Time --- Hours (Time) --- Geodetic astronomy --- Nautical astronomy --- Horology --- Philosophy, Modern --- Benjamin, W. --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터, --- Benjamin, Walter, - 1892-1940
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Politics and literature. --- Conspiracies. --- Liberalism. --- Capitalism. --- Market economy --- Economics --- Profit --- Capital --- Liberal egalitarianism --- Liberty --- Political science --- Social sciences --- History --- Political crimes and offenses --- Literature --- Literature and politics --- Political aspects --- Benjamin, Walter, --- Benjamin, W. --- Political and social views. --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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Brimming with intrigue and the friction created when strong personalities clash,Foreplayexplores the deeply human and psychologically fascinating private lives of twentieth-century intellectual giants Hannah Arendt, Walter Benjamin, and Theodor W. Adorno, and Adornorsquo;s wife Gretel.
Interpersonal relations --- Benjamin, Walter, --- Adorno, Gretel --- Adorno, Theodor W., --- Arendt, Hannah, --- Benjamin, W. --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Blücher, Hannah Arendt, --- Bluecher, Hannah Arendt, --- Ārento, Hanna, --- Arendt, H. --- Arendt, Khanna, --- ארנדט, חנה --- アーレント, ハンナ, --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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Architecture --- architectuurfilosofie --- Benjamin, Walter --- Philosophy. --- Philosophie --- Benjamin, Walter, --- Philosophy --- 101.1 --- 72.01 --- 1.07 --- Architectuurtheorie ; invloed van Walter Benjamin op architecten --- Benjamin, Walter 1892-1940 (°Berlijn, Duitsland) --- Ernst, Max --- Loos, Adolf --- Le Corbusier --- Giedion, Sigfried --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Mental philosophy --- Humanities --- Filosofie als wetenschap. Filosofie als kunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuur ; theorie, filosofie, esthetica --- Filosofie ; filosofen (A - Z) --- Design and construction --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 101.1 Filosofie als wetenschap. Filosofie als kunst --- Benjamin, W. --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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Die vorliegende Studie widmet sich einer doppelten Zielsetzung: Zum einen erläutert sie Walter Benjamins schwierigsten theoretischen Text, die Erkenntniskritische Vorrede zum Ursprung des deutschen Trauerspiels, in einem ausführlichen analytischen Kommentar, der erstmals die historischen und systematischen Begriffsverknüpfungen minutiös nachzeichnet und offenlegt. Zum anderen kontextualisiert sie Benjamins Begriff der ,Darstellung', der in der Vorrede das konzeptionelle Zentrum seines Denkens bildet, im Rahmen der doppelten, ästhetischen wie philosophischen Diskussion um den Darstellungsbegriff seit dem 18. Jahrhundert bis hin zur analytischen Ästhetik des 20. Jahrhunderts und situiert ihn damit im Diskursfeld des Selbstverständnisses moderner Repräsentation. Dabei wird deutlich, dass Benjamins Darstellungsdenken Innovationspotentiale für allem für eine Theorie des Begriffs der modernen Literatur bereithält, indem es die Rationalität und Reflexivität literarischer Darstellung überzeugend zu begründen vermag. Die Studie stellt somit den literaturtheoretischen, ästhetischen und erkenntnistheoretischen Umgang mit Benjamins vormarxistischem Denken auf eine neue Grundlage.
Benjamin, Walter, --- Criticism and interpretation --- Aesthetics --- Mimesis in literature --- Knowledge, Theory of --- Criticism and interpretation. --- Benjamin, Walter. --- Critical Theory. --- Epistemology. --- Erkenntnistheorie. --- Representation. --- Theorie der Darstellung. --- Ästhetik. --- Erkenntnistheorie --- Ästhetik --- LITERARY CRITICISM / General. --- Künste --- Kunstästhetik --- Kunstphilosophie --- Kunsttheorie --- Philosophische Ästhetik --- Kunstanschauung --- Kunstauffassung --- Philosophie --- Ästhetizismus --- Ästhetisches Handeln --- Ästhetisches Verhalten --- Ästhetisches Ideal --- Ästhetisches Objekt --- Ästhetisches Urteil --- Epistemologie --- Epistologie --- Erkenntnislehre --- Erkenntnisphilosophie --- Gnoseologie --- Theoretische Philosophie --- Episteme --- Erkenntnis --- Rationalismus --- Ästhetik --- Theorie --- Benjamin, W. --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터, --- Benjamin, Walter, - 1892-1940 - Ursprung des deutschen Trauerspiels --- Benjamin, Walter, - 1892-1940 - Criticism and interpretation --- Benjamin, Walter, - 1892-1940
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"Think of the disaster" is the first injunction of thought when faced with the disaster that struck European Jews during the Shoah. Thinking of the disaster means understanding why the Shoah was able to occur in civilized Europe, moulded by humane reason and the values of progress and enlightenment. It means thinking of a possibility for philosophy's future. Walter Benjamin, who wrestled with these problems ahead of time, Theodor Adorno, Max Horkheimer, and Emmanuel Levinas had the courage, the strength and the perception-and sometimes simply the desperation-to think about what had happened. Moved by indignation and the desire to testify, they felt the urgent need to address the cries of agony of Auschwitz's victims in their thinking.
Holocaust, Jewish (1939-1945) --- Philosophy, Modern --- Catastrophe, Jewish (1939-1945) --- Destruction of the Jews (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Jews --- Nazi Holocaust --- Nazi persecution of Jews --- Shoʾah (1939-1945) --- Genocide --- World War, 1939-1945 --- Kindertransports (Rescue operations) --- Nazi persecution --- Persecutions --- Atrocities --- Jewish resistance --- Benjamin, Walter, --- Adorno, Theodor W., --- Horkheimer, Max, --- Lévinas, Emmanuel. --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Benjamin, W. --- Lévinas, Emmanuel --- Horḳhaimer, M. --- הורקהיימר, מקס --- 霍克海默尔, --- Хоркхаймер, Макс, --- Khorkkhaĭmer, Maks, --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945) --- Benjamin, Walter --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,
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