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Culturele referenties --- Vertalen en cultuur. --- DDR --- Letterkunde --- Vertalen --- Duits-Italiaans.

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Ehekonflikt. --- Leserin. --- Schriftsteller. --- Geschichte 1986-1989. --- Geschichte 1989-2000. --- Deutschland . --- Deutschland . --- Deutschland.

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What does the durability of political institutions have to do with how actors form knowledge about them? Andreas Glaeser investigates this question in the context of a fascinating historical case: socialist East Germany's unexpected self-dissolution in 1989. His analysis builds on extensive in-depth interviews with former secret police officers and the dissidents they tried to control as well as research into the documents both groups produced. In particular, Glaeser analyzes how these two opposing factions' understanding of the socialist project came to change in response to countless everyday experiences. These investigations culminate in answers to two questions: why did the officers not defend socialism by force? And how was the formation of dissident understandings possible in a state that monopolized mass communication and group formation? He also explores why the Stasi, although always well informed about dissident activities, never developed a realistic understanding of the phenomenon of dissidence. Out of this ambitious study, Glaeser extracts two distinct lines of thought. On the one hand he offers an epistemic account of socialism's failure that differs markedly from existing explanations. On the other hand he develops a theory-a sociology of understanding-that shows us how knowledge can appear validated while it is at the same time completely misleading.

Socialism --- Germany (East). --- Germany (Democratic Republic, 1949- ). --- Stasi --- MfS --- Staatssicherheitsdienst der DDR --- Germany (East) --- Politics and government. --- secret police, east germany, socialism, dissolution, politics, government, dissidents, political prisoners, revolution, resistance, protest, military, mass communication, group formation, stasi, rebellion, right consciousness, marx, party state, totalitarianism, opposition, nonfiction, history, men, masculinity, manhood, citizen, subject, authority, networks, discourse, disenchantment, disengagement, ideology.

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This collection of essays, written by leading scholars in the fields of East German art, film, literature, music, and museum studies, seeks to renegotiate the artistic legacy of the German Democratic Republic. Combining a range of theoretical and practical perspectives, the volume challenges the narrow frameworks of totalitarianism and Ostalgie that have dominated discussions of art produced in the GDR. It explores the diversity of art produced in the state and contests the long-held perception that socialist realism and artistic innovation were mutually exclusive. Crucially, the collection puts art itself to the fore; GDR art is considered not simply as a political by-product, as is so often the case, but as an entity of innovation and aesthetic value in its own right.

Arts, German --- Arts --- Art, German --- Art and state --- Music --- Art and state. --- Art, German. --- Arts, German. --- Music. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- German arts --- Art, Bavarian --- German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- Art --- Politics and art --- State and art --- Art and society --- Cultural policy --- Education and state --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Political aspects --- History and criticism. --- Political aspects. --- Government policy --- Germany (East) --- 1949 --- -Cộng hòa dân chủ Đức --- D.D.R. --- DDR --- Democratic German Republic --- Deutsche Demokratische Republik --- East German Democratic Republic --- East Germany --- Eastern Germany --- G.D.R. --- GDR --- German Democratic Republic --- Germanskai͡a Demokraticheskai͡a Respublika --- Germany --- N.D.K. --- N.D.R. --- N.R.D. --- NDK --- NDR --- Nĕmecká demokratická republika --- Német Demokratikus Köztársaság --- Niemiecka Republika Demokratyczna --- Nimet͡sʹka Demokratychna Respublika --- NRD --- Ostdeutschland --- Östtyskland --- R.D.A. --- RDA --- Repubblica democratica tedesca --- Republica Democrată German --- República Democrática Alemana --- Tyska demokratiska republiken --- Tyske demokratiske republik --- Germany (West) --- Deutschland (DDR) --- Literature & literary studies --- Literature: history & criticism

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At first glance, romance seems an improbable angle from which to write a cultural history of the German Democratic Republic. By most accounts the GDR was among the most dour and disciplined of socialist states, so devoted to the rigors of Stalinist aesthetics that the notion of an East German romantic comedy was more likely to generate punch lines than lines at the box office.But in fact, as John Urang shows in Legal Tender, love was freighted as a privileged site for the negotiation and reorganization of a surprising array of issues in East German public culture between 1949 and 1989. Through close readings of a diverse selection of films and novels from the former GDR, Urang offers an eye-opening account of the ideological stakes of love stories in East German culture. Throughout its forty-year existence the East German state was plagued with an ongoing problem of legitimacy. The love story's unique and unpredictable mix of stabilizing and subversive effects gave it a peculiar status in the cultural sphere.Urang shows how love stories could mediate the problem of social stratification, providing a language with which to discuss the experience of class antagonism without undermining the Party's legitimacy. But for the Party there was danger in borrowing legitimacy from the romantic plot: the love story's destabilizing influences of desire and drive could just as easily disrupt as reconcile. A unique contribution to German studies, Legal Tender offers remarkable insights into the uses and capacities of romance in modern Western culture.

German fiction -- Germany (East) -- History and criticism. --- Germany (East) -- Civilization. --- Love -- Social aspects -- Germany (East). --- Love in literature. --- Love in motion pictures. --- Love stories, German -- Germany (East) -- History and criticism. --- Romance films -- Germany (East) -- History. --- Romance fiction, German --- German fiction --- Romance films --- Love in literature --- Love in motion pictures --- Love --- Languages & Literatures --- Germanic Literature --- History and criticism --- History --- Social aspects --- Love stories, German --- History and criticism. --- History. --- Germany (East) --- Civilization. --- Affection --- Chick flicks --- Love films --- Hollywood romance films --- Romance (Motion pictures) --- Romance movies --- Romance pictures (Motion pictures) --- Romantic films --- Romantic movies --- German romance fiction --- Germany (Democratic Republic, 1949- ) --- Deutsche Demokratische Republik --- Tyske demokratiske republik --- Democratic German Republic --- German Democratic Republic --- East German Democratic Republic --- East Germany (Democratic Republic) --- DDR --- Germanskai︠a︡ Demokraticheskai︠a︡ Respublika --- Nĕmecká demokratická republika --- NDR --- Nimet︠s︡ʹka Demokratychna Respublika --- GDR --- Niemiecka Republika Demokratyczna --- NRD --- Német Demokratikus Köztársaság --- NDK --- Tyska demokratiska republiken --- Östtyskland --- Republica Democrată Germană --- Repubblica democratica tedesca --- Germany (Democratic Republic) --- D.D.R. --- N.D.R. --- G.D.R. --- N.R.D. --- N.D.K. --- República Democrática Alemana --- RDA --- R.D.A. --- Ostdeutschland --- Eastern Germany --- Cộng hòa dân chủ Đức --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Motion pictures --- Germany --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (West) --- Literature: history & criticism