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Dieses Buch beschreibt eine Longitudinalstudie aus dem Bereich der Zufriedenheitsmessung. Auf Basis von Zufriedenheitsdaten bezüglich einzelner Serviceleistungsattribute von Kinos werden Eigenschaften, Auswirkung und Veränderung von Zufriedenheits- und Wichtigkeitsbewertungen gemessen. Ausgehend von der literaturbasierten Entwicklung unterschiedlicher Messmethodik im Zeitablauf, diente die Panelstudie vorwiegend dazu, Veränderungen von Zufriedenheitsmerkmalen zu messen. Ein buntes Sortiment unterschiedlicher quantitativer Herangehensweisen, wie Paarvergleiche, multiple Korrespondenzanalyse, Rasch-Modelle, Mehrebenenmodelle, latente Wachstumskurvenmodelle oder Markov-Kettenmodelle, zeigt longitudinale und vereinzelt auch statische Eigenschaften der Teilzufriedenheitsbewertungen auf.
Motion picture theaters --- Motion picture audiences. --- Customer services --- Management.
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- Narrative and narration : some rudiments##- Le grand imagier steps out : on the primitive basis of film narration##- The imagined seeing thesis##- Le grand imagier in review##- Elusive narrators in literature##- Elusive narrators in film##- Transparency and twist in narrative fiction film##- Transfiguration and self-conscious narration : on Von Sternberg's last films with Dietrich##- Love and bullshit in Santa Rosa : pastiche in The man who wasn't there.
Film --- Theory of knowledge --- Philosophie et cinéma --- Cinéma --- Narration --- Motion pictures --- Motion picture audiences. --- Narration (Rhetoric) --- Esthétique --- Publics --- Philosophy. --- Aesthetics. --- Narration. --- Philosophie et cinéma. --- Esthétique. --- Publics.
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Popular film and television are ideally suited in understanding how emotions create culturally shared meanings. Yet very little has been done in this area. Emotion, Genre, and Justice in Film and Television explores textual representations of emotions from a cultural perspective, rather than in biological or psychological terms. It considers emotions as structures of feeling that are collectively shared and historically developed.Through their cultural meanings and uses, emotions enable social identities to be created and contested, to become fixed or alter. Popular narratives often take on emotional significance, aiding groups of people in recognizing or expressing what they feel and who they are. This book focuses on the justice genres - the generic network of film and television programs that are concerned with crime, law, and social order - to examine how fictional police, detective, and legal stories participate in collectively realized conceptions of emotion. A range of films (Crash, Man on Fire) and television series (Cold Case,Cagney and Lacey) serve as case studies to explore contemporarily relevant representations of anger, fear, loss and consolation, and compassion.
Emotions in motion pictures. --- Emotions on television. --- Motion pictures --- Motion picture audiences --- Television programs --- Television viewers --- Psychological aspects. --- Psychology. --- Social aspects.
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Introduction aux théories qui ont marqué l'histoire du cinéma depuis le début du XXe siècle, l'essai reclassifie les nombreux points de contact du cinéma avec les sens et le corps du spectateur. Chacun des chapitres s'appuie sur des exemples de films et de séquences.
Senses and sensation in motion pictures --- Motion pictures --- Motion picture audiences --- Sens et sensations au cinéma --- Cinéma --- History --- Histoire --- Publics --- Sens et sensations au cinéma --- Cinéma --- Sens et sensations --- Théorie
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Une réflexion sur les pratiques orales du cinéma, des bonimenteurs du cinéma muet du début du XXe siècle aux débats, discussions, conférences qui perdurent avec le cinéma parlant. Les auteurs démontrent aussi que la tradition orale se réapproprie le cinéma parlant jusqu'en investissant le langage cinématographique lui-même.
Oral tradition --- Voice in motion pictures --- Motion pictures and language --- Motion pictures --- Tradition orale --- Voix au cinéma --- Cinéma et langage --- Cinéma --- Sound effects --- History --- Son --- Histoire --- Motion picture audiences --- Technique --- Voix au cinéma --- Cinéma et langage --- Cinéma --- Technique. --- Parole --- Bonimenteurs (forains) --- Langage cinématographique --- Au cinéma --- 20e siècle
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Analyse rhétorique et argumentative du discours sur le monde véhiculé par les films, reportages et séries, et de la réception de ce discours par le spectateur.
Semiotics and motion pictures --- Film criticism --- Discourse analysis --- Motion picture audiences --- Sémiotique et cinéma --- Critique cinématographique --- Analyse du discours --- Cinéma --- Publics --- Motion pictures --- Philosophy --- Semiotics --- Cinema --- Criticism --- Rhetoric --- Sémiotique et cinéma --- Critique cinématographique --- Cinéma --- Motion pictures - Philosophy --- Motion pictures - Semiotics --- Récit filmique --- Théorie
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When John Major launched the UK's National Lottery in 1994 he christened it ""the people's Lottery"" and handed it to the mythical stewardship of the Everyman. But when the proceeds began to be distributed to worthy causes, including the British film indust
Motion pictures --- Motion picture industry --- Lottery proceeds --- Motion picture audiences --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Lottery funds --- Lottery profits --- Lottery revenue --- Internal revenue --- Profit --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Production and direction --- Finance. --- Subsidies --- Government policy --- Attitudes. --- Audiences --- History and criticism --- Public expenditure --- Film --- United Kingdom
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Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema's audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others. Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses. Explores the cinema as a site of social and cultural exchange, including patterns of popularity and taste, the role of individual movie theatres in creating and sustaining their audiences, and the commercial, political and legal aspects of film exhibition and distribution. Prompts readers to reassess their understanding of key periods of cinema history, opening up cinema studies to long-overdue conversations with other disciplines in the humanities and social sciences. Presents rigorous empirical research, drawing on digital technology and geospatial information systems to provide illuminating insights in to the uses of cinema.
Film --- Motion picture audiences. --- Motion pictures --- Motion picture theaters. --- Motion picture industry --- Cinéma --- Distribution des films --- Cinémas --- Distribution. --- History --- Publics --- Motion picture audiences --- Distribution --- Political aspects --- Law and legislation --- Histoire et critique --- Sociologie --- 798.2 --- filmbezoek --- filmcultuur --- filmgeschiedenis --- filmgoing (moviegoing) --- #SBIB:309H1313 --- #SBIB:309H1312 --- film, inleiding, hand- en leerboeken --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Cinéma --- Cinémas --- Motion picture theaters --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Circulation of motion pictures --- Distribution of motion pictures --- Film distribution --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture circulation --- Motion picture distribution --- Movie-making --- Moviemaking --- Release of motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- Release --- Audiences --- Sociologie. --- Distribution des films. --- Cinémas. --- Histoire et critique. --- Publics. --- Histoire du cinéma. --- Motion pictures - Distribution --- Motion pictures - Distribution - Political aspects --- Motion picture industry - Law and legislation --- Motion picture audiences - History
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