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Liberalism --- Freedom of expression. --- Obscenity (Law) --- History. --- Erotic art --- Law --- Pornography --- Expression, Freedom of --- Free expression --- Liberty of expression --- Civil rights --- Law and legislation
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Throughout history obscenity has not really been about sex but about degradation. Sexual depictions have been suppressed when they were seen as lowering the status of humans, furthering our distance from the gods or God and moving us toward the animals. In the current era, when we recognize ourselves and both humans and animals, sexual depiction has lost some of its sting. Its degrading role has been replaced by hate speech that distances groups, whether based on race, ethnicity, gender, or sexual orientation, not only from God but from humanity to a subhuman level. In this original study of the relationship between obscenity and hate speech, First Amendment specialist Kevin W. Saunders traces the legal trajectory of degradation as it moved from sexual depiction to hateful speech. Looking closely at hate speech in several arenas, including racist, homophobic, and sexist speech in the workplace, classroom, and other real-life scenarios, Saunders posits that if hate speech is today’s conceptual equivalent of obscenity, then the body of law that dictated obscenity might shed some much-needed light on what may or may not qualify as punishable hate speech.
Hate speech --- Pornography. --- Obscenity (Law) --- Hate speech. --- Literature, Immoral --- Porn --- Porno --- Sex-oriented businesses --- Erotica --- Erotic art --- Law --- Pornography --- Defamation against groups --- Group defamation --- Group libel --- Racist speech --- Speech, Hate --- Libel and slander --- Law and legislation --- Sex industry --- Amendment. --- First. --- Kevin. --- Saunders. --- between. --- degradation. --- depiction. --- from. --- hate. --- hateful. --- legal. --- moved. --- obscenity. --- original. --- relationship. --- sexual. --- specialist. --- speech. --- study. --- this. --- traces. --- trajectory.
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Henry Miller is a cult figure in the world of fiction, in part due to having been banned for obscenity for nearly thirty years. Alongside the liberating effect of his explicit treatment of sexuality, however, Miller developed a provocative form of writing that encourages the reader to question language as a stable communicative tool and to consider the act of writing as an ongoing mode of creation, always in motion, perpetually establishing itself and creating meaning through that very motion. Katy Masuga provides a new reading of Miller that is alert to the aggressively and self-consciously writerly form of his work. Critiquing the categorization of Miller into specific literary genres through an examination of the small body of critical texts on his oeuvre, Masuga draws on Deleuze and Guattari's concept of a minor literature, Blanchot's 'infinite curve,' and Bataille's theory of puerile language, while also considering Miller in relation to other writers, including Proust, Rilke, and William Carlos Williams. She shows how Miller defies conventional modes of writing, subverting language from within. Katy Masuga is Adjunct Professor of British and American literature, cinema, and the arts in the Cultural Studies Department at the University of Paris III: Sorbonne Nouvelle.
American literature --- History and criticism. --- Miller, Henry, --- Miller, Henry Valentine --- Aesthetics. --- Literary style. --- Flapdoodle, Phineas --- ミラー, ヘンリー --- Flapdoodle, Phineas, --- Miller, Genri, --- Миллер, Генри, --- Miller, Henri, --- ヘンリー・ミラー, --- Miller, Genri --- Миллер, Генри --- Miller, Henri --- LITERARY CRITICISM / American / General. --- Explicit. --- Fiction. --- Henry Miller. --- Language. --- Obscenity. --- Self-critique. --- Self-reflection. --- Sexuality. --- Writing.
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How does film and video censorship operate in Britain? Why does it exist? And is too strict? Starting in 1979, the birth of the domestic video industry - and the first year of the Thatcher government - this critical study explains how the censorship of films both in cinemas and on video and DVD has developed in Britain.
Motion pictures --- Home video systems --- Home video systems industry --- Cinéma --- Vidéo d'amateurs --- Censorship --- History --- Social aspects --- Censure --- Histoire --- Aspect social --- Film --- United Kingdom --- History. --- Censorship -- Great Britain -- History -- 20th century. --- Film and video -- Censorship. --- Obscenity (Law) -- Great Britain -- History -- 20th century. --- Music, Dance, Drama & Film --- Home entertainment systems --- Television --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Art --- Politique de l'audiovisuel --- Liberté de la presse --- Télévision --- Grande-Bretagne
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