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Ravel, Maurice --- 526 --- Monografieën componisten --- Ravel, Maurice (+ portr.) --- Frankrijk
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Film --- Debussy, Claude --- Ravel, Maurice
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Composers --- Ravel, Maurice, --- Ravel, Maurice --- Bibliography --- Friends and associates --- France --- Biography
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Ravel, Maurice, --- Ravel, Joseph Maurice, --- Ravelʹ, M. --- Ravel, Marice, --- Ravelʹ, Moris, --- Raveru, Mōrisu, --- Criticism and interpretation.
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"Unmasking Ravel: New Perspectives on the Music" fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweaves these modes of inquiry. Part 1, "Orientations and Influences," illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, "Analytical Case Studies," engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, "Interdisciplinary Studies," integrates musical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies. Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää. Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.
Ravel, Maurice, --- Criticism and interpretation. --- Ravel, Joseph Maurice, --- Ravelʹ, M. --- Ravel, Marice, --- Ravelʹ, Moris, --- Raveru, Mōrisu,
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The music of Maurice Ravel (1875-1937), beloved by musicians and audiences since its debut, has been a difficult topic for scholars. The traditional stylistic categories of impressionism, symbolism, and neoclassicism, while relevant, have offered too little purchase on this fascinating but enigmatic work. In Ravel the Decadent, author Michael Puri provides an innovative and productive solution by locating the aesthetic origins of this music in the French Decadence and demonstrating the extension of this influence across the length of his oeuvre. From an array of Decadent topics Puri selects th
Ravel, Maurice, --- Criticism and interpretation. --- Music --- History and criticism. --- Ravel, Joseph Maurice, --- Ravelʹ, M. --- Ravel, Marice, --- Ravelʹ, Moris, --- Raveru, Mōrisu,
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