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The articles in this volume investigate changes in texts that became to be regarded as holy and unchangeable in Judaism and Christianity. The volume seeks to draw attention to the "empirical" evidence from Qumran, the Septuagint as well as from passages in the Hebrew Scriptures that have been shaped by the use of other texts. The contributions are divided into three main sections: The first section deals with methodological questions concerning textual changes. The second section consists of concrete examples from the Hebrew Bible, Qumran and Septuagint on how the texts were changed, corrected, edited and interpreted. The contributions of the third section will investigate the general influence and impact of Deuteronomistic ideology and phraseology on later texts.

221.015 --- Oud Testament: literaire kritiek; authenticiteit; bronnenstudie; Formgeschiche; Traditionsgeschichte; Redaktionsgeschichte --- 221.015 Oud Testament: literaire kritiek; authenticiteit; bronnenstudie; Formgeschiche; Traditionsgeschichte; Redaktionsgeschichte --- Transmission of texts. --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Bible --- Criticism, Textual. --- RELIGION / Bible / Biography / General. --- Deuteronomistic Literature. --- Parabiblical Literature. --- Rewritten Scripture. --- Scriptural Interpretation. --- Second Temple Period.

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The new history of the book has constituted a vibrant academic field in recent years, and theories of print culture have moved to the center of much scholarly discourse. One might think typography would be a basic element in the construction of these theories, yet if only we would pay careful attention to detail, Joseph A. Dane argues, we would find something else entirely: that a careful consideration of typography serves not as a material support to prevailing theories of print but, rather, as a recalcitrant counter-voice to them. In Out of Sorts Dane continues his examination of the ways in which the grand narratives of book history mask what we might actually learn by looking at books themselves. He considers the differences between internal and external evidence for the nature of the type used by Gutenberg and the curious disconnection between the two, and he explores how descriptions of typesetting devices from the seventeenth and eighteenth centuries have been projected back onto the fifteenth to make the earlier period not more accessible but less. In subsequent chapters, he considers topics that include the modern mythologies of so-called gothic typefaces, the presence of nontypographical elements in typographical form, and the assumptions that underlie the electronic editions of a medieval poem or the visual representation of typographical history in nineteenth-century studies of the subject. Is Dane one of the most original or most traditional of historians of print? In Out of Sorts he demonstrates that it may well be possible to be both things at once.

Bibliography --- Type and type-founding --- Printing --- Incunabula --- Early printed books --- Bibliography, Critical. --- Transmission of texts. --- Bibliographic control --- Bibliographical control --- Library research --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Typesetting --- Printing, Practical --- Typography --- Graphic arts --- Books --- Analytical bibliography --- Critical bibliography --- Criticism, Textual --- Book lists --- Lists of publications --- Publication lists --- Documentation --- Information resources --- Abstracts --- Codicology --- Library science --- Literary transmission --- Manuscript transmission --- Textual transmission --- Editions --- Manuscripts --- Methodology. --- Methodology --- History. --- Historiography. --- Theory, methods, etc. --- History --- Cultural Studies. --- Literature.

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Did you ever read something on a book, felt the need to comment, took up a pencil and scribbled something on the books’ text’? If you did, you just annotated a book. But that process has now become something fundamental and revolutionary in these days of computing. Annotation is all about adding further information to text, pictures, movies and even to physical objects. In practice, anything which can be identified either virtually or physically can be annotated. In this book, we will delve into what makes annotations, and analyse their significance for the future evolutions of the web. We will explain why it was thought to be unreasonable to annotate documents manually and how Web 2.0 is making us rethink our beliefs. We will have a look at tools which make use of Artificial Intelligence techniques to support people in the annotation task. Behind these tools, there exists an important property of the web known as redundancy; we will explain what it is and show how it can be exploited. Finally we will gaze into the crystal ball and see what we might expect to see in the future. Until people understand what the web is all about and its grounding in annotation, people cannot start appreciating it. And until they do so, they cannot start creating the web of the future.

Artificial intelligence -- Congresses. --- Artificial intelligence -- Industrial applications -- Congresses. --- Artificial intelligence. --- Hypertext systems --- Criticism, Textual --- Annotating, Book --- Transmission of texts --- Abstracting --- Engineering & Applied Sciences --- Social Sciences --- Computer Science --- Library & Information Science --- Annotating, Book. --- Transmission of texts. --- Abstracting. --- Abstract writing --- Précis writing --- Literary transmission --- Manuscript transmission --- Textual transmission --- Book annotating --- Engineering. --- Computational intelligence. --- Computational Intelligence. --- Artificial Intelligence (incl. Robotics). --- Intelligence, Computational --- Artificial intelligence --- Soft computing --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Bionics --- Cognitive science --- Digital computer simulation --- Electronic data processing --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- Construction --- Industrial arts --- Technology --- Content analysis (Communication) --- Documentation --- Information organization --- Rhetoric --- Editions --- Manuscripts --- Artificial Intelligence.

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091 =75 --- 091 GREGORIUS NAZIANZENUS --- 276 =75 GREGORIUS NAZIANZENUS --- Handschriftenkunde. Handschriftencatalogi--Grieks --- Handschriftenkunde. Handschriftencatalogi--GREGORIUS NAZIANZENUS --- Griekse patrologie--GREGORIUS NAZIANZENUS --- 091 GREGORIUS NAZIANZENUS Handschriftenkunde. Handschriftencatalogi--GREGORIUS NAZIANZENUS --- 091 =75 Handschriftenkunde. Handschriftencatalogi--Grieks --- Christian poetry, Greek --- Poetic works --- Greek Christian poetry --- Gregory of Nazianzus, Saint --- -Gregory of Nazianzus, Saint --- Manuscripts, Greek. --- Poetic works. --- -Manuscripts, Greek --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Greek manuscripts --- Greek language --- Greek philology --- Greek poetry --- -Manuscripts --- Manuscripts, Greek --- Gregory, --- Transmission of texts. --- Criticism, Textual. --- Manuscripts. --- -Bogoslov, Grigoriĭ, --- Bogoslov, Grigorije --- Grégoire, --- Gregor, --- Gregorio, --- Gregorio Nazianzeno, --- Grēgorios, --- Gregorios, --- Gregorius, --- Gregorius Nazianzenus, --- Gregory Nazianzen, --- Grigol, --- Grigorie, --- Grigoriĭ, --- Grigoriĭ Bogoslov, --- Ighrīghūriyūs, --- Nazianz, Gregor von, --- Nazianzen, Grigoriĭ, --- Nazianzenus, Gregorius, --- Nazianzus, Gregory of, --- Sfântul Grigorie, --- Богослов, Григорий, --- Григорий, --- Григорий Богослов, --- Γρηγόριος, --- Gregory, of Nazianzus, Saint --- -Gregorius Nazianzenus --- Gregorius Nazianzenus --- Gregor von Nazianz --- Gregorius van Nazianze --- Grégoire de Nazianze --- Bogoslov, Grigoriĭ, --- -Gregory --- Christian poetry, Greek - Criticism, Textual --- Gregory, - of Nazianzus, Saint - Manuscripts --- Gregory, - of Nazianzus, Saint - Poetic works --- Gregory, - of Nazianzus, Saint

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Shakespeare, William --- 094 SHAKESPEARE, WILLIAM --- 347.78 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--SHAKESPEARE, WILLIAM --- Auteursrecht --- 094 SHAKESPEARE, WILLIAM Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--SHAKESPEARE, WILLIAM --- 347.78 Auteursrecht --- Intellectual property --- Repertory theater --- Theatrical companies --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- Acting companies --- Acting troupes --- Companies, Theatrical --- Dramatic companies --- Theater companies --- Troupes, Acting --- Associations, institutions, etc. --- Theater --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Intangible property --- History --- Law and legislation --- Shakespeare, William, --- Šekspir, Vil'jam --- Authorship. --- Criticism, Textual. --- Stage history --- Chamberlain's Men (Theater company) --- King's Men (Theater company) --- Lord Chamberlain's Servants (Theater company) --- Lord Chamberlain's Men (Theater company) --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞,