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Though his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813–1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner’s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal.
Opera --- Sex in opera. --- Sexuality in opera --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Criticism and interpretation.
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830 "18" WAGNER, RICHARD --- -Comic opera --- Lyric drama --- Opera, Comic --- Singspiel --- Duitse literatuur--19e eeuw. Periode 1800-1899--WAGNER, RICHARD --- -Duitse literatuur--19e eeuw. Periode 1800-1899--WAGNER, RICHARD --- 830 "18" WAGNER, RICHARD Duitse literatuur--19e eeuw. Periode 1800-1899--WAGNER, RICHARD --- Opera --- Operas --- History and criticism --- Wagner, Richard --- -Aesthetics --- Wagner, Richard, --- Aesthetics. --- Theatrical science --- Aesthetics --- Wagner (Richard). Dramaturgie. --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Opera - 19th century --- Wagner, Richard, - 1813-1883 - Aesthetics --- Wagner, Richard, - 1813-1883
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